As Raoul crossed the packed earth of the compound's parade ground, he tried not to gaze around in continuing wonder at the sun-drenched encampment. Dense bushes and trees formed the perimeter. To his left were two wooden barracks mounted on stilts. Beyond, students shot at moving vehicles or learned to storm a building. Others practiced hand-to-hand combat, while still others learned how to handle knives. Raoul had no idea where all this was headed, but he knew that he couldn't be happier. Guns, movies, video games. The only thing missing was booze and women. Almost heaven. And he was getting paid for it. The weight of the pistol on his waist, the sense that he was doing something important and doing it well-these brought a straightness to his posture, a fullness to his chest.
He heard an instructor shout, "When you catch your enemy from behind and pull back his head, don't try to slit his throat. You might cut your hand. Grab his chin and mouth so he can't scream. Yank his head back. Stab a kidney. That's the killing stroke. A kidney. Almost instant renal failure."
Pausing outside a corrugated-metal shed, Raoul heard the clang of a hammer against metal. He had no idea why Bowie wanted to see him. His elation at having done well in the shooting house was replaced by confusion about the argument between Bowie and Ferguson and what it had to do with him.
The hammer's angry clang became rapid and insistent. When Raoul mustered the resolve to knock, the noise abruptly stopped.
"Come in."