The Sheen of the Silk

Forty-three

A CEILING IN THE PAPAL PALACE IN VITERBO HAD CAVED in, splintering to a thousand shards of wood, plaster, and rubble, killing Pope John XXI. The news reduced Rome to stunned silence, then slowly spread to the rest of Christendom. Once again, the world had no voice for God to lead it.

Palombara heard the news in the Blachernae Palace at an audience with the emperor. Now he stood in one of the great galleries in front of a magnificent statue. It was one of a few that had survived with only the slightest chip in one arm, as if to show that it too was subject to time and chance. It was Greek, from before Christ, preserved here in this seldom used corner, beautiful and almost naked.

Anna was in the same corridor, returning from treating a patient. She saw Bishop Palombara, but he was deep in thought and as unaware of her as if he had been alone. She read in his face in the unguarded moment a vulnerability to beauty, as if it could reach inside him effortlessly past all the barriers he had built up and touch the wounds beyond.

Yet he allowed it. Some part of him hungered for the overwhelming emotion, even if it was so threaded through with pain. Yet its reality eluded him. She knew that when he turned to her, only for an instant she saw it in his eyes.

Then, as if by mutual agreement, he walked away, back toward the main gallery, and she was ashamed of having intruded, even though it had been unintentional.

She heard a noise of swift footsteps and swung around sharply, as if she had been caught somewhere she should not have been. Why should she feel so exposed? Because she had experienced a moment’s empathy with the Roman?

This was the immediate razor edge of the Schism, not arguments about the nature of God; it was the poison in the nature of man, where the lines of enormity were drawn in the ground and one was afraid to stretch out the hand across them.