The Third Reich

SEPTEMBER 17

I left the hotel at five in the afternoon, after talking on the phone to Conrad, dreaming about El Quemado, and making love with Clarita. My head was buzzing, which I attributed to a lack of nourishment, so I headed to the old town planning to eat at a restaurant that I’d noticed earlier. Unfortunately it was closed and suddenly I found myself walking down alleys where I’d never set foot, in a neighborhood of narrow but clean streets behind the shopping district and the port, increasingly sunk in thought, surrendered to the simple pleasure of my surroundings, no longer hungry, and in the mood to keep walking until night fell. That’s the state of mind I was in when I heard someone calling me by name. Mr. Berger. When I turned, I saw that it was a boy whose face I didn’t recognize, though he looked vaguely familiar. His greeting was effusive. It occurred to me that it might be one of the town friends my brother and I had made ten years before. The simple prospect made me happy. A ray of sunlight fell directly on his face, so that he couldn’t stop blinking. The words came tumbling out of his mouth and I could understand barely a quarter of what he said. His two outstretched hands grabbed me by the elbows as if to make sure I wouldn’t slip away. The situation seemed likely to stretch on indefinitely. At last, exasperated, I confessed that I couldn’t remember who he was. I work at the Red Cross, I’m the one who helped you with your friend’s paperwork. So those were the sad circumstances of our meeting! Resolutely, he pulled a wrinkled card out of his pocket that identified him as a member of the Red Cross of the Sea. The matter solved, we both sighed in relief and laughed. Immediately he suggested that we get a beer, and I was happy to agree. With no little surprise I realized that we weren’t going to a bar but to the rescue worker’s house, not far from here, on the same street, on a dark and dusty third floor.

My room at the Del Mar was bigger than the whole apartment, but my host’s good intentions compensated for any material deficiencies. His name was Alfons and he said he was studying at night school: the springboard for a future move to Barcelona. His goal: to become a designer or painter, mission impossible, judging by his clothes, the posters that covered every bit of wall space, the clutter of furniture, all in the worst possible taste. And yet there was something uncanny about the rescue worker. We hadn’t exchanged more than two words, me sitting in an old armchair covered with an Indian-print blanket and him in a chair that he’d probably built himself, when he suddenly asked whether I was an artist “too.” I answered vaguely that I wrote articles. Where do they come out? In Stuttgart, Cologne, sometimes Milan, New York… I knew it, said the rescue worker. How could you know it? By your face. I read faces like books. Something in his tone or maybe in the words he used put me on my guard. I tried to change the subject, but all he wanted to talk about was art and I let him.

Alfons was a bore, but after a while I realized that it was nice to be there, drinking in silence, and protected from what was going on in the town—that is, from what was being plotted in the minds of El Quemado, the Wolf, the Lamb, Frau Else’s husband— protected by the aura of brotherhood that the rescue worker had implicitly spun around us. Beneath the skin we were brothers-inarms, and, as the poet says, we had recognized each other in the dark—in this case, he had recognized me with his special gift— and we had fallen into each other’s embrace.

Lulled by the stories he couldn’t stop telling, to which I paid not the slightest attention, I revisited the notable incidents of the day. In the first place, in chronological order, the phone conversation with Conrad— brief, since it was he who had called— which basically revolved around the disciplinary measures that my office planned to take if I didn’t show up in the next forty-eight hours. In the second place, Clarita, who after straightening my room agreed without much protest to make love with me. She was so small that if by means of some kind of astral projection I could have looked down on the bed from the ceiling, I’m sure that all I would have seen was my back and maybe the tips of her toes. And finally the nightmare, for which the maid was partly responsible, since once our session was over and even before she got dressed and returned to her labors, I fell into a strange doze, as if I were drugged, and I had the following dream. I was walking along the Paseo Marítimo at midnight, aware that Ingeborg was waiting for me in my room. The street, the buildings, the beach, the very sea, if such a thing is possible, were much larger than in reality, as if the town had been turned into a destination for giants. And yet the stars, though they were as numerous as usual on summer nights, were noticeably smaller, pinpoints that cast no more than a sickly glow over the vault of night. I was walking quickly, but the Del Mar still failed to appear on the horizon. Then, just as I was losing hope, El Quemado came walking wearily down the beach with a cardboard box under his arm. He didn’t wave, but sat down on the wall and pointed out to sea, into the darkness. Even though I kept a cautious distance of some thirty feet, the lettering and orange color of the box were perfectly visible and familiar: it was Third Reich, my Third Reich. What was El Quemado doing out so late with my game? Had he gone to the hotel and had Ingeborg given it to him, out of spite? Had he stolen it? I decided to wait and not ask any questions yet, because I sensed that in the darkness between the sea and the Paseo there was another person, and I thought that El Quemado and I would still have time to resolve our business in private. So I stood quietly and waited. El Quemado opened the box and began to set up the game on the wall. He’s going to ruin the counters, I thought, but still I said nothing. The game board shifted a few times in the night breeze. I can’t remember when exactly El Quemado arranged the units in positions that I had never seen before. Germany was in bad shape. You’ll play Germany, said El Quemado. I took a seat on the wall facing him and studied the situation. Yes, a bad business, all the fronts about to collapse and the economy sunk, with no air force, no navy, and a land army outmatched by such great foes. A little red light went on in my head. What are we playing for? I asked. Are we playing for the championship of Germany, or of Spain? El Quemado shook his head and pointed again out to where the waves were breaking, toward where the pedal boat fortress rose, huge and forbidding. What are we playing for? I insisted, with my eyes full of tears. I had the horrible sense that the sea was approaching the Paseo, slowly and without pause, ineluctably. We’re playing for the only thing that matters, answered El Quemado, avoiding looking at me. The situation of my armies didn’t offer much hope, but I made an effort to play as precisely as possible and I rebuilt the fronts. I didn’t plan to surrender without a fight.

“What’s the only thing that matters?” I asked, watching the movement of the sea.

“Life.” El Quemado’s armies began to methodically demolish my lines.

Does the loser lose his life? I must be crazy, I thought, as the tide continued to rise, higher than anything I had seen before in Spain or anywhere else.

“The loser forfeits his life to the winner.” El Quemado broke through my front in four different places and invaded Germany through Budapest.

“I don’t want your life, Quemado, let’s not get carried away,” I said, transferring my only reserves to Vienna. By now the sea was licking at the edge of the wall. I began to feel tremors all over my body. The shadows of the buildings were swallowing up the scarce light that still shone on the Paseo.

“And this game is set up to make Germany lose!”

The water rose up the stairs from the beach and spilled over the sidewalk. Consider your next play very carefully, warned El Quemado, and he began to splash away toward the Del Mar; there was no other sound to be heard. Like a whirlwind in my head, there spun images of Ingeborg alone in the room, of Frau Else alone in a hallway between the laundry and the kitchen, of poor Clarita leaving work through the service entrance, tired and thin as a broomstick. The water was black and now it came up to my ankles. A kind of paralysis so thoroughly prevented me from moving my arms and legs that I couldn’t rearrange my counters on the map or set offrunning after El Quemado. The die, white as the moon, sat with the 1 faceup. I could move my neck and I could talk (or at least whisper), but that was all. Soon the water swept the board offthe wall, and it began to float away from me, along with the force pool and the counters. Where would they go? Toward the hotel or the old town? Would someone find them someday? And if they did, would they be able to see that it was a map of the battles of Third Reich, and that the counters were Third Reich armored corps and infantry corps, the air force, the navy? Of course not. The pieces, more than five hundred of them, would float together for the first few minutes, then inevitably they would drift apart, until they were lost in the depths of the sea; the map and force pool, since they were bigger, would last longer and there was even the chance that the waves would wash them onto the rocks where they could rot in peace. With the water up to my neck, I thought that after all they were just pieces of cardboard. I can’t say that I was distressed. Calmly, and with no hope of saving myself, I waited for the instant when the water would cover me. Then, emerging from under the streetlights, came El Quemado’s pedal boats. Falling into a wedgeshaped formation (one pedal boat at the head, six two-by-two behind, and three bringing up the rear), they glided noiselessly along, synchronized and gallant in their way, as if the flood were the per-fect moment for a military parade. They took turn after turn around what had once been the beach, with my dumbstruck gaze fixed on them; if anyone was pedaling and steering, it must have been ghosts, because I couldn’t see a soul. Finally they moved out to sea, though not far, and they changed formation. Now they were lined up in Indian file and somehow, mysteriously, they didn’t advance or retreat, didn’t even move in that madman’s sea illuminated by a lightning storm in the distance. From my position all I could see was the nose of the first one, so perfect was their new alignment. Suspecting nothing, I watched the blades cleave the water and the boats begin to move again. They were coming straight for me! Not very fast, but as relentlessly and ponderously as the old dreadnoughts of Jutland. Just before the floater of the first one, surely followed by the remaining nine, was about to smash into my head, I woke up.

Conrad was right, not in insisting that I should come back but in painting my situation as the result of some nervous disorder. But that’s a bit of an exaggeration. I’ve always had nightmares; I was the only one to blame—and possibly that idiot Charly for drowning. Conrad, however, saw instability in the fact that for the first time I was losing at Third Reich. I’m losing, true, but I haven’t resorted to playing dirty. To illustrate this, I laughed out loud a few times. (Germany, according to Conrad, lost because it played fair; the proof is that it didn’t use poison gas, not even against the Russians, ha-ha-ha.)

Before I left, the rescue worker asked me where Charly was buried. I told him I had no idea. We could go visit his grave some afternoon, he suggested. I can find out at Navy Headquarters. The idea that Charly might be buried in town lodged in my head like a time bomb. Don’t do it, I said. The rescue worker, I realized then, was drunk and overexcited. We must—he stressed the word—pay our friend our last respects. He wasn’t your friend, I muttered. It doesn’t matter, he could have been, we artists are brothers no matter where we are, dead or alive, beyond the limits of age or time. The likeliest thing is that they shipped him to Germany, I said. The rescue worker’s face flushed and then he snorted so violently with laughter that he almost fell over backward. That’s a rotten lie! You ship potatoes, not dead bodies, and definitely not during the summer. Our friend is here, he said, pointing at the floor in a way that admitted no response. I had to take him by the shoulders and order him to bed. He insisted on walking me out, with the excuse that the main door might be locked. And tomorrow I’ll find out where they’ve buried our brother. He wasn’t our brother, I repeated wearily, though I realized that at that precise instant, due to who knows what outrageous distortion, his world was made up almost exclusively of us three, the only individuals on a vast and uncharted sea. In this new light the rescue worker took on the guise of a hero or a madman. Standing in the doorway with him, I looked him in the face, and his glassy stare expressed gratitude for my look without entirely understanding it. We were like two trees, until the rescue worker began to take swipes at me. Like Charly. Then I decided to push him, to see what would happen, and as might have been expected, he fell and didn’t get up again, his legs drawn up and his face half covered by an arm, a white arm, untouched by the sun, like mine. Then I went coolly down the stairs and returned to the hotel with time enough to shower and have dinner.

Spring 1943. El Quemado makes his entrance a little later than usual. In fact, as the days go by, his arrival time keeps getting pushed back. If we go on like this, the final turn will start at six in the morning. Is there any significance to this? In the West I lose my last hex in England. El Quemado continues to have luck with the dice. In the East the front runs through Tallin–Vitebsk–Smolensk– Bryansk–Kharkov–Rostov–Maikop. In the Mediterranean I plot an American attack on Oran but I can’t take the offensive; in Egypt no change: the front holds in LL26 and MM26, the hexes along the Qattara Depression.