Janice Galloway was bom in Ayrshire, Scotland, where she taught for ten years. Her first book, The Trick is to Keep Breathing, won a Scottish Arts Council Book Award and was shortlisted for the Whitbread First Novel Award and the Scottish First Book of the Year. She is working on another novel. “Blood” is from her collection of the same title and also appeared in The New Gothic.
The word “blood” is a powerful one. It’s loaded with connotations, particularly when juxtaposed with an adolescent girl. Although the blood in this story is from a tooth extraction, the power of the piece resides in all the symbolic and literal meanings of the word.
He put his knee up on her chest getting ready to pull, tilting the pliers. Sorry, he said. Sorry. She couldn’t see his face. The pores on the backs of his fingers sprouted hairs, single black wires curling onto the bleached skin of the wrist, the veins showing through. She saw an artery move under the surface as he slackened the grip momentarily, catching his breath; his cheeks a kind of mauve color, twisting at something inside her mouth. The bones in his hand were bruising her lip. And that sound of the gum tugging back from what he was doing, the jaw creaking. Her jaw. If you closed your eyes it made you feel dizzy, imagining it, and this through the four jags of anesthetic, that needle as big as a power drill. Better to keep her eyes open, trying to focus past the blur of knuckles to the cracked ceiling. She was trying to see a pattern, make the lines into something she could recognize, when her mouth started to do something she hadn’t given it permission for. A kind of suction. There was a moment of nothing while he steadied his hand, as if she had only imagined the give. She heard herself swallow and stop breathing. Then her spine lifting, arching from the seat, the gum parting with a sound like uprooting potatoes, a coolness in her mouth and he was holding something up in the metal clamp; great bloody lump of it, white trying to surface through the red. He was pleased.
There you go eh? Never seen one like that before. The root of the problem ha ha.
All his fillings showed when he laughed, holding the thing out, wanting her to look. Blood made a pool under her tongue, lapping at the back of her throat and she had to keep the head back instead. Her lips were too numb to trust: it would have run down the front of her blazer.
Rinse, he said. Cough and spit.
When she sat up he was holding the tooth out on a tissue, roots like a yellow clawhammer at the end, one point wrapping the other.
See the twist? Unusual to see something like that. Little twist in the roots.
Like a deformed parsnip. And there was a bit of flesh, a piece of gum or something nipped off between the crossed tips of bone.
Little rascal, he said.
Her mouth was filling up, she turned to the metal basin before he started singing again. She’s leaving now cos I just heard the slamming of the door then humming. He didn't really know the words. She spat dark red and thick into the basin. When she resurfaced, he was looking at her and wiping his hands on something like a dishtowel.
Expect it’ll bleed for a while, bound to be messy after that bother. Just take your time getting up. Take your time there. No rush.
She had slid to the edge of the chair, dunting the hooks and probes with having to hold on. The metal noise made her teeth sore. Her stomach felt terrible and she had to sit still, waiting to see straight.
Fine in a minute, he said. Wee walk in the fresh air. Wee walk back to school.
He finished wiping his hands and grinned, holding something out. A hard thing inside tissue. The tooth.
You made it, you have it haha. There you go. How's the jaw?
She nodded, and pointed to her mouth. This almost audible sound of a tank filling, a rising tide over the edges of the tongue.
Bleed for a while like I say. Don’t worry though. Redheads always bleed worse than other folk. Haha. Sandra’ll get you something: stop you making a mess of yourself.
Sandra was already away. He turned to rearrange the instruments she had knocked out of their neat arrangement on the green cloth.
Redheads, see. Don’t take your love to town.
Maybe it was a joke. She tried to smile back till the blood started silting again. He walked over to the window as Sandra came back with a white pad in her hand. The pad had gauze over the top, very thick with a blue stripe down one side. Loops. A sanitary towel. The dentist was still turned away, looking out of the window and wiping his specs and talking. It took a minute to realize he was talking to her. It should stop in about an hour or so he was saying. Maybe three at the outside. Sandra pushed the pad out for her to take. If not by six o’clock let him know and they could give her a shot of something ok? Looking out the whole time. She tried to listen, tucking the loops at the ends of the towel in where they wouldn’t be obvious, blushing when she put it up to her mouth. It was impossible to tell if they were being serious or not. The dentist turned back, grinning at the spectacles he was holding between his hands.
Sandra given you a wee special there. Least said haha. Redheads eh? Oh Roooobeee, not looking, wiping the same lens over and over with a cloth.
The fresh air was good. Two deep lungfuls before she wrapped her scarf round the white pad at her mouth and walked. The best way from the surgery was past the flats with bay windows and gardens. Some had trees, crocuses, and bits of cane. Better than up by the building site, full of those shouting men. One of them always shouted things, whistled loud enough to make the whole street turn and look. Bad enough at the best of times. Today would have been awful. This way was longer but prettier and there was nothing to stop her taking her time. She had permission. No need to worry about getting there for some particular ring of some particular bell. Permission made all the difference. The smell of bacon rolls at the cafe fetched her nose coffee and chocolate. They spoiled when they reached her mouth, heaped up with sanitary towel and the blood still coming. Her tongue wormed toward the soft place, the dip where the tooth had been, then back between tongue root and the backs of her teeth. Thick fluid. A man was crossing the road, a greyhound on a thin lead, a woman with a pram coming past the phone box. Besides, girls didn’t spit in the street. School wasn’t that far though, not if she walked fast. She clutched the tooth tight in her pocket and walked, head down. The pram was there before she expected it; sudden metal spokes too near her shoes before she looked up, eyes and nose over the white rim of gauze. The woman not even noticing but keeping on, plowing up the road while she waited at the curb with her eyes on the gutter, trying hard not to swallow. Six streets and a park to go. Six streets.
The school had no gate, just a gap in the wall with pillars on either side that led into the playground. The blacked-out window was the staff room; the others showed occasional heads, some white faces watching. The music block was nearest. Quarter to twelve. It would be possible to wait in the practice rooms till the dinner bell in fifteen minutes and not shift till the afternoon. She was in no mood, though, not even for that. Not even for the music. It wouldn’t be possible to play well. But there was no point in going home either because everything would have to be explained in triplicate when the mother got in and she never believed you anyway. It was all impossible. The pad round her mouth was slimy already, the wet going cold farther at the far sides. She could go over and ask Mrs. McNiven for another towel and just go anyway, have a lie-down or something but that meant going over to the other block, all the way across the playground again and the faces looking out knowing where you were going because it was the only time senior girls went there. And this thing round her mouth. Her stomach felt terrible too. She suddenly wanted to be in the music rooms, soothing herself with music. Something peaceful. Going there made her feel better just because of where it was. Not like at home. You could just go and play to your heart’s content. That would be nice now, right now this minute, going up there and playing something: the Mozart she’d been working on, something fresh and clean. Turning, letting the glass door close, she felt her throat thicken, closing over with film. And that fullness that said the blood was still coming. A sigh into the towel stung her eyes. The girls’ toilets were on the next landing.
Yellow. The light, the sheen off the mirrors. It was always horrible coming here. She could usually manage to get through the days without having to, waiting till she got home and drinking nothing. Most of the girls did the same, even just to avoid the felt-tip drawings on the girls’ door—mostly things like split melons only they weren’t. All that pretending you couldn’t see them on the way in and what went with them, girls are a bunch of cunts still visible under the diagonal scores of the cleaners’ Vim. Impossible to argue against so you made out it wasn’t there, swanning past the word cunts though it radiated like a black sun all the way from the other end of the corridor. Terrible. And inside, the yellow lights always on, nearly all the mirrors with cracks or warps. Her own face reflected yellow over the nearside row of sinks. She clamped her mouth tight and reached for the towel loops. Its peeling away made her mouth suddenly cold. In her hand, the pad had creased up the center, ridged where it had settled between her lips and smeared with crimson on the one side. Not as bad as she had thought, but the idea of putting it back wasn’t good. She wrapped it in three paper towels instead and stuffed it to the bottom of the wire bin under the rest, bits of paper and God knows what, then leaned over the sinks, rubbing at the numbness in her jaw, rinsing out. Big, red drips when she tried to open her mouth. And something else. She watched the slow tail of red on the white enamel, concentrating. Something slithered in her stomach, a slow dullness that made it difficult to straighten up again. Then a twinge in her back, a recognizable contraction. That’s what the sweating was, then, the churning in her gut. It wasn’t just not feeling well with the swallowing and imagining things. Christ. It wasn’t supposed to be due for a week yet. She’d have to use that horrible toilet paper and it would get sore and slip about all day. Better that than asking Mrs. McNiven for two towels, though, anything was better than asking Mrs. McNiven. The cold tap spat water along the length of one blazer arm. She was turning it the wrong way. For a frightening moment, she couldn’t think how to turn it off then managed, breathing out, tilting forward. It would be good to get out of here, get to something fresh and clean, Mozart and the white room upstairs. She would patch something together and just pretend she wasn’t bleeding so much, wash her hands and be fit for things. The white keys. She pressed her forehead against the cool concrete of the facing wall, swallowing. The taste of blood like copper in her mouth, lips pressed tight.
The smallest practice room was free. The best one: the rosewood piano and the soundproofing made it feel warm. There was no one in either of the other two except the student who taught cello. She didn’t know his name, just what he did. He never spoke. Just sat in there all the time waiting for pupils, playing or looking out of the window. Anything to avoid catching sight of people. Mr. Gregg said he was afraid of the girls and who could blame him haha. She’d never understood the joke too well but it seemed to be right enough. He sometimes didn’t even answer the door if you knocked or made out he couldn’t see you when he went by you on the stairs. It was possible to count yourself alone, then, if he was the only one here. It was possible to relax. She sat on the piano stool, hunched over her stomach, rocking. C-major triad. This piano had a nice tone, brittle and light. The other two made a fatter, fuzzier noise altogether. This one was leaner, right for the Mozart anyway. Descending chromatic scale with the right hand. The left moved in the blazer pocket, ready to surface, tipping something soft. Crushed tissue, something hard in the middle. The tooth. She had almost forgotten about the tooth. Her back straightened to bring it out, unfold the bits of tissue to hold it up to the light. It had a ridge about a third of the way down, where the glaze of enamel stopped. Below it, the roots were huge, matte like suede. The twist was huge, still bloody where they crossed. Whatever it was they had pulled out with them, the piece of skin, had disappeared. Hard to accept her body had grown this thing. Ivory. She smiled and laid it aside on the wood slat at the top of the keyboard, like a misplaced piece of inlay. It didn’t match. The keys were whiter.
Just past the hour already. In four minutes the bell would go and the noise would start: people coming in to stake claims on the rooms, staring in through the glass panels on the door. Arpeggios bounced from next door. The student would be warming up for somebody’s lesson, waiting. She turned back to the keys, sighing. Her mouth was filling up again, her head thumping. Fingers looking yellow when she stretched them out, reaching for chords. Her stomach contracted. But if she could just concentrate, forget her body and let the notes come, it wouldn’t matter. You could get past things that way, pretend they weren’t there. She leaned toward the keyboard, trying to be something else: a piece of music. Mozart, the recent practice. Feeling for the clear, clean lines. Listening. She ignored the pain in her stomach, the pressure of paper towels at her thighs, and watched the keys, the pressure of her fingers that buried or released them. And watching, listening to Mozart, she let the music get louder, and the door opened, the abrupt tearing sound of the doorseals seizing her stomach like a fist. The student was suddenly there and smiling to cover the knot on his forehead where the fear showed, smiling fit to bust, saying, Don’t stop, it’s lovely; Haydn isn’t it? and she opened her mouth not able to stop, opened her mouth to say Mozart. It’s Mozart—before she remembered.
Welling up behind the lower teeth, across her lips as she tilted forward to keep it off her clothes. Spilling over the white keys and dripping onto the clean tile floor. She saw his face change, the glance flick to the claw roots in the tissue before he shut the door hard, not knowing what else to do. And the bell rang, the steady howl of it as the outer doors gave, footfalls in the corridor gathering like an avalanche. They would be here before she could do anything, sitting dumb on the piano stool, not able to move, not able to breathe, at this blood streaking over the keys, silting the action. The howl of the bell. This unstoppable redness seeping through the fingers at her open mouth.