Chapter 75

IN THE DUSTY BACK ROOM of the precinct house, Lawrence Berger lay sideways on a steel-reinforced hospital cot that had been loaned to the NYPD by the Brookhaven Obesity Clinic in Queens.

The chamber's fluorescent glare glistened off the layer of sweat on his pale face. He gazed with unfocused eyes at the wall beside him in a kind of rapture.

At first, when he'd been rolled into the pen, the strangeness of his new surroundings, the unclean taste of the stuffy air, and the stench of burnt coffee and old sweat and urine had been so overwhelming that he'd thrown up all over himself. The officers who were in charge of the holding pen let him lie in his vomit for over an hour before getting him some napkins and a new sheet.

Berger endured the humiliation by remembering the fate of the great throughout history who suffered at the hands of their inferiors. From his near-photographic memory, he conjured up Jacques-Louis David's The Death of Socrates.

He thought about Detective Michael Bennett. He'd actually been following Bennett's career ever since the St. Patrick's Cathedral hostage situation. For some time, he'd felt a kind of psychic link with the man, an almost metaphysical twinning. Confessing to him of all people had been like a dream come true, the icing on a long- and painstakingly planned birthday cake.

But now the party was coming to a close, wasn't it? he thought with a sigh.

And yet, through all his suffering and ponderings, he kept coming back to one thing. The only thing. What it always came down to in the end.

His family. His granddad and dad and brother. His beloved flesh and blood.

His grandfather, Jason Berger, had been a great man. World War I hero, brilliant civil engineer, businessman, and politician, he'd been essential not only in the development of the United States interstate highway system but also in the designing of many of New York City's bridges and parkways.

His father, Samuel J. Berger, had continued the familial tradition of greatness by being one of the first visionary businessmen of the computer age. The company he started, Berger Applications, had been one of the first venture capital firms in Silicon Valley and had, as billionaires so modestly put it, "done quite well."

Then came David. David was Berger's older brother, and if anything, he was the most talented Berger of them all. By the age of nine, his talent for musical composition had gained him an unheard-of admission to Julliard. By the time he was forty-five, his legendary career as a Hollywood composer paled perhaps only to the iconic John Williams's.

David easily would have earned more than the one Oscar he had but for his vocal disdain for the movie industry. All he wanted to do, and all he did, was make beautiful music. Sometimes in his La Jolla mountainside home. Sometimes in his villa in Burgundy. Lawrence had never been invited to either one, but he had seen pictures in an Architectural Digest article, and they were very nice.

David truly was a simple and gracious man. As simple and gracious as their father and his father before him. They were all examples of human potential fulfilled. They were Bergers, after all. All except for him, of course. Lawrence. Poor, sad, slow, embarrassing Lawrence.

Berger smiled up at the ceiling of his jail cell.

It had taken a century for all of the Berger family's amazing societal and global accomplishments.

If all went as planned, and it seemed like it would, he would successfully undo every last Berger triumph in a week.

Sorry, Grandpap. Sorry, Dad. Sorry, Bro, Berger thought with a shrug of his shoulders. Look on the bright side. The Berger name will be remembered. Just not the way you wanted.

Lawrence's last gift would eventually be delivered to his saintly, talented brother. It was the film footage of all of Lawrence's meticulously plotted crimes. It wasn't complete yet; there were a few choice scenes that needed to be added, but he was confident in its success. He couldn't have left his final wishes in more competent hands.

The film was for David to ponder over, to wonder about, and, hopefully, to eventually score.

Lawrence knew he was no Spielberg, no Scorsese or Coppola, but perhaps when all was said and done, his brother might one day come to understand that he, Lawrence, had a little talent, too.

Was that too much to ask?

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