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Chapter VI The New Queen of the Home

The day Cowperwood and Aileen were married – it was in an obscure village called Dalston, near Pittsburg, in western Pennsylvania, where they had stopped off to manage this matter – he had said to her: “I want to tell you, dear, that you and I are really beginning life all over. Now it depends on how well we play this game as to how well we succeed. If you will listen to me we won’t try to do anything much socially in Chicago for the present. Of course we’ll have to meet a few people. That can’t be avoided. Mr. and Mrs. Addison are anxious to meet you, and I’ve delayed too long in that matter as it is. But what I mean is that I don’t believe it’s advisable to push this social exchange too far. People are sure to begin to make inquiries if we do. My plan is to wait a little while and then build a really fine house so that we won’t need to rebuild. We’re going to go to Europe next spring, if things go right, and we may get some ideas over there. I’m going to put in a good big gallery,” he concluded. “While we’re traveling we might as well see what we can find in the way of pictures and so on.” <…>

Immediately after their marriage Cowperwood and Aileen journeyed to Chicago direct, and took the best rooms that the Tremont provided, for the time being. A little later they heard of a comparatively small furnished house at Twenty-third and Michigan Avenue, which, with horses and carriages thrown in, was to be had for a season or two on lease. They contracted for it at once, installing a butler, servants, and the general service of a well-appointed home. Here, because he thought it was only courteous, and not because he thought it was essential or wise at this time to attempt a social onslaught, he invited the Addisons and one or two others whom he felt sure would come – Alexander Rambaud, president of the Chicago & Northwestern, and his wife, and Taylor Lord, an architect whom he had recently called into consultation and whom he found socially acceptable. Lord, like the Addisons, was in society, but only as a minor figure.

Trust Cowperwood to do the thing as it should be done.[23] The place they had leased was a charming little gray-stone house, with a neat flight of granite, balustraded steps leading up to its wide-arched door, and a judicious use of stained glass to give its interior an artistically subdued atmosphere. Fortunately, it was furnished in good taste. Cowperwood turned over the matter of the dinner to a caterer and decorator. Aileen had nothing to do but dress, and wait, and look her best.

“I needn’t tell you,” he said, in the morning, on leaving, “that I want you to look nice to-night, pet. I want the Addisons and Mr. Rambaud to like you.”

A hint was more than sufficient for Aileen, though really it was not needed. On arriving at Chicago she had sought and discovered a French maid. Although she had brought plenty of dresses from Philadelphia, she had been having additional winter costumes prepared by the best and most expensive mistress of the art in Chicago – Theresa Donovan. Only the day before she had welcomed home a golden-yellow silk under heavy green lace, which, with her reddish-gold hair and her white arms and neck, seemed to constitute an unusual harmony. <…>

When she finally went down-stairs to see how the dining and reception rooms looked, and Fadette began putting away the welter of discarded garments[24] – she was a radiant vision – a splendid greenish-gold figure, with gorgeous hair, smooth, soft, shapely ivory arms, a splendid neck and bust, and a swelling form. She felt beautiful, and yet she was a little nervous – truly. <…>

The dinner, as such simple things go, was a success from what might be called a managerial and pictorial point of view. <…>

All the men outside of Cowperwood were thinking how splendid Aileen was physically, how white were her arms, how rounded her neck and shoulders, how rich her hair.