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Julia liked tall men with strong hands and sad eyes. Hugh had met her first at a party in a New York house. A couple of days later he ran into her at Phil's place and she asked if he cared to see Cunning Stunts, an "avant garde" hit, she had two tickets for herself and her mother, but the latter had had to leave for Washington on legal business (related to the divorce proceedings as Hugh correctly surmised): would he care to escort her? In matters of art, "avant garde" means little more than conforming to some daring philistine fashion, so, when the curtain opened, Hugh was not surprised to be regaled with the sight of a naked hermit sitting on a cracked toilet in the middle of an empty stage. Julia giggled, preparing for a delectable evening. Hugh was moved to enfold in his shy paw the childish hand that had accidentally touched his kneecap. She was wonderfully pleasing to the sexual eye with her doll's face, her slanting eyes and topaz-teared earlobes, her slight form in an orange blouse and black skirt, her slender-jointed limbs, her exotically sleek hair squarely cut on the forehead. No less pleasing was the conjecture that in his Swiss retreat, Mr. R„ who had bragged to an interviewer of being blessed with a goodish amount of tЙlЙpathie power, was bound to experience a twinge of jealousy at the present moment of spacetime.

Rumors had been circulating that the play might be banned after its very first night. A number of rowdy young demonstrators in protest against that contingency managed to disrupt the performance which they were actually supporting. The bursting of a few festive little bombs filled the hall with bitter smoke, a brisk fire started among unwound serpentines of pink and green toilet paper, and the theater was evacuated. Julia announced she was dying of frustration and thirst. A famous bar next to the theater proved hopelessly crowded and "in the radiance of an Edenic simplification of mores" (as R. wrote in another connection) our Person took the girl to his flat. Unwisely he wondered – after a too passionate kiss in the taxi had led him to spill a few firedrops of impatience – if he would not disappoint the expectations of Julia, who according to Phil had been debauched at thirteen by R„ right at the start of her mother's disastrous marriage.

The bachelor's flat Hugh rented on East Sixty-fifth had been found for him by his firm. Now it so happened that those rooms were the same in which Julia had visited one of her best young males a couple of years before. She had the good taste to say nothing, but the image of that youth, whose death in a remote war had affected her greatly, kept coming out of the bathroom or fussing with things in the fridge, and interfering so oddly with the small business in hand that she refused to be unzipped and bedded. Naturally after a decent interval the child gave in and soon found herself assisting big Hugh in his blundersome love-making." No' sooner, however, had the poking and panting run their customary course and Hugh, with a rather forlorn show of jauntiness, had gone for more drinks, than me image of bronzed and white-buttocked Jimmy Major again replaced bony reality. She noticed that the closet mirror as seen from the bed reflected exactly the same still-life arrangement, oranges in a wooden bowl, as it had in the garland-brief days of Jim, a voracious consumer of the centenarian's fruit. She was almost sorry when upon looking around she located the source of the vision in the folds of her bright things thrown over the back of a chair.

She canceled their next assignation at the last moment and soon afterwards went off to Europe. In Person's mind the affair left hardly anything more than a stain of light lipstick on tissue paper – and a romantic sense of having embraced a great writer's sweetheart. Time, however, sets to work on those ephemeral affairs, and a new flavor is added to the recollection.

We now see a torn piece of La Stampa and an empty wine bottle. A lot of construction work was going on.

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