They put Paz on administrative leave while they investigated the shooting. He didn’t think it would be much of an investigation, because they had the guy’s gun, there was a civilian witness (Lorna Wise) backing up Paz’s story to the letter, and the victim was a well-known local scumbag named Amando Cortez, Dodo Cortez to his friends and the police, who knew him as a head breaker and enforcer for the dope people. He had a pair of murder arrests on his sheet, both of which he had beat at trial, and a thirty-six-month jolt for aggravated assault/attempted murder. He was also a whiteish Cuban and so could be shot by a cop of any color whatever without hysteria breaking out.
Paz was spending his first day of administrative leave with Lorna Wise, who had also taken the day off, and had called him early and then turned off her phone. He was surprised to have been thus called, but he had driven over, and now they were sitting in her little terrace out back under a mango tree, drinking iced tea together like old friends, which they certainly were not, but there was something working there, under the surface.
She asked whether he was in any trouble, and he explained that it was what they called a good shooting, and why.
” ‘A good shooting,’ ” she said. “What an expression!”
“As opposed to a bad one, the old lady shot in the back because a cop was under the impression that she was a crazed felon with a shotgun about to attack.”
“Does that happen?”
“In Miami? More than it should. We got a bunch of detectives on trial now for running sort of a death squad, whacking bad guys they didn’t like. How are you feeling, by the way?” He had noticed a crinkling around her eyes, as if she were going to cry.
“A little numb. I never saw anyone killed before. I never even saw a dead body, except for my mom.” She took a long, deep breath. “I guess you have, though.”
“Lots.” He paused and smiled slyly. “Would it be more comforting if I said you never get used to it or if I said oh, yeah, after a while it stops bothering you?”
“How about the actual truth?”
“Ah, the truth! Okay, the truth is, it depends on the condition and type of the corpse. A three-year-old kid’s been in a cardboard box for a week in August is rough, and a fresh gangbanger with one through the ear is no big deal.”
“What about killing people. Does that depend too?”
“I’m not sure on that one. I only ever killed two people, including your guy.”
“The other was that voodoo one.”
“Yeah, that one,” said Paz in a tone that closed the subject like the hatch on a sub.
He drank some tea and said, “So. We need to discuss a little. Off the record, for starters. I noticed you policed up that book your guy dropped. Emmylou’s notebook.”
“Yes. And please stop calling him ‘my guy,’ like we were dating.”
“Sorry. Anyway, the notebook. Technically, that’s violating the integrity of a crime scene.”
“Is it? I noticed you didn’t say anything about it to your colleagues. Technically, isn’t that abetting the violation of the integrity of a crime scene?”
He twitched his eyebrows like Groucho. “Yeah, we’re a couple of felons together. Meanwhile, are you going to let me read the thing?”
She put her iced tea down on the picnic table and walked off. Paz watched her body as she did so. Paz was an ass man, although he was amusedly conscious of how banal that preference was in a man of his culture. There it was, however, and it could not be denied that Lorna Wise had a terrific butt, although she had no idea of how to display it. In fact, he did not think he had ever seen a woman less at ease with her body. He studied her also as she came out of the house toward the little patio. A Gap dresser, naturally, khaki bermudas and a light blue T-shirt, wonderfully convexed. Paz did not mind a decent rack, the absence not a deal breaker for him as it was for some men, more of a nice-to-have, but clearly their owner did not agree. It was like she was trying to cross her shoulders over them. Peculiar, but interesting in a way.
“What?” she said, noticing at last. “Do I have egg on my shirt?”
“No, you’re egg free,” he replied and gestured at the notebook. “There it is. Do you mind if I read it now?”
“Not at all. I have some things to do around the house. Take your time.”
He did and it wasn’t easy, a little battle between his detective’s urge to seek out and absorb all evidence and his personal desire never to have anything more to do with Emmylou Dideroff or any of her works. He had hoped that it would be a regular confession, a list of facts, of crimes committed, not something so intimate, not something directed at him, Paz, as if he were a literal confessor. He felt as if she were looking into him in that hideous way she had in the interview room,something looking at him through her. He made himself finish it and then leaned back and closed his eyes. He was going crazy, getting undeniable now, it was affecting his work already, and now this flesh-crawling nauseated feeling as he read the notebook, he was going mad, or else…
His mind skipped a little, like a scratched record. He was going mad, or else…or else it was…Paz’s well-oiled circuit breakers popped. When he opened his eyes again, Lorna was sitting across from him, in the warm mango-scented shade.
“So, what do you think?”
He blinked and sat up. She said, “You were sleeping. Was it that boring?”
“No, I was just thinking,” he said, rubbing his face.
“No one will ever admit that they’re asleep, except when they’re in bed. I wonder why that is?”
“You’re the psychologist, Lorna. You tell me.”
She let this pass, pointing to the notebook. “Any conclusions?”
With some effort, Paz reinhabited his cop persona. “No, but I’m dying to hear the rest of it. Any chance of us doing a full-scale interrogation at this point?”
“On a mental patient? Look, this has to come out as it comes. She gets extremely hostile when you press her on stuff that’s outside the stream of the narrative. She seized the last time I pushed her.”
“But she’s playing with us. I mean you picked that up, right? You got that whole cornpone peckerwood thing, and there’s what sounds like an educated woman looking over her shoulder and making wiseass remarks, and then there’s the religious nut quoting St. Augustine. It doesn’t make sense. It’s not anything like a real confession.”
“No, but you’re not looking at an integrated personality here. We all agree that she’s seriously deranged.”
Paz got up abruptly and paced a few times across the flagstones, then turned to face her, pointing. “Say I give you that. Say it’s sound and fury, she’s traumatized, whatever, multiple personalities?”
“I didn’t say multiple personalities….”
“Well, whatever?deranged, like you said. The key thing here, thekey thing, is what’snot in that book. Hm?”
“The dog that didn’t bark in the night.”
“That dog.” A quick grin. “Which is, there is absolutely nothing there that would make anyone take the risk of doing a B and E to get it. An armed burglary, which is very rare. Burglars are almost never armed. I mean why risk it?the whole point of burglary is in-and-out, nobody sees you.”
“There’s the sexual stuff.”
“You mean for blackmail? No, the perp is dead, and I can’t see old Ray Bob’s family wanting to protect his good name after all these years. Okay, there’s the Foy dope dealing too, but I can’t see that either. She could say she bought smack from the governor, it’s not probative, it don’t mean anything without concrete evidence. It could be the ravings of a lunatic, no, itis the ravings of a lunatic. So why is it maybe worth killing for?”
“You think it’s connected to…”
He rolled his eyes. “Well, hell, yeah! The vic, the Arab, comes to town, he sells some oil and talks about a huge oil find, it’s going to change the world oil situation, and he also says he’s hiring muscle, he’s scared of something. Then, of all the people he could possibly meet in Miami, who does he run into but our girl Emmylou, who has a reason to whack him, and who gets found in his place after he gets slammed on the head with an auto part out of her truck and tossed off his balcony? You think that’s a coincidence?”
“It could be,” she says weakly.
“No way. My boss said it, and it’s true. Somebody’s playing with us, and…hm.” Paz stopped and stared off into the middle distance for a long half minute. Then he pulled a cell phone out of the pocket of his jeans. “Excuse me a second,” he said and called up a number. He walked a small distance away and turned his back.
“Yo, Tito, it’s me. Yeah, I’m good. Look, man, I want you to do something for me. Get the package on Dodo Cortez, tour his usual places, talk to his known associates. No, this’s got nothing to do with the shooting; the shooting is cool, but I want to know what he’s been up to recently, his source of income, who he was working for. I especially want to know if there’s any connection whatever between him and Jack Wilson. No, don’t go see Wilson. No, we’ll go see him together. Just get all the background you can. Are you following me here? You know why I want this, right?”
“Right,” said Paz after a longer pause. “Good man. Get back to me at my place tomorrow, on the land line, not the cell. Okay, take care.”
Paz sat down across from Lorna, his face more serious than it had been. “Lorna. Look, here’s the thing. I don’t want to freak you out or anything, but it just now hit me: I don’t like that they sent Dodo Cortez on this.”
“Why not?”
“Because he’s not a breakin artist at all. He’s a shooter. You would’ve been home that morning if I hadn’t called you and asked you to come to my place.”
A small gasp from Lorna. “What, you think he would’vethreatened me? But I don’tknow anything.”
“Yeah, butthey don’t know that. All they know is that she’s writing stuff down and you’re her therapist. People tell stuff to therapists. Maybe she told you the thing.”
“What thing?What? Oh, God, this is ridiculous! It’s like some movie…secret messages, guns, people getting shot. No, thank you, this isnot part of my job, this isnot happening to me.” She looked away from him. “I’m sorry. This is starting to look like a mistake on my part. I mean an interesting case and all, but, ah, I can’t have this kind of stuff, threats and bloodshed. No, I’m sorry, that’s not me.”
Nearly a minute slipped by in silence. Then Paz said, in a neutral voice, “Okay, you can pass the case on to somebody else. I mean, I think we can reduce the risk to…whoever, but if you can’t handle it, you can’t. I’ll keep this notebook and we’ll make arrangements to get any others she produces.”
He picked up the notebook. He said, “If you do decide to drop out, you’ll let me know who the new man is, okay? Nice seeing you again.”
He started to leave.
Lorna finds herself up on her feet, the metal chair scraping the flags with an unpleasant violent noise, and she hears her own voice saying, “No, please, stay. I didn’t mean it that way.”
She knows she did mean it that way. The new man. The new man. Did he do that on purpose, is he that manipulative? Doesn’t matter; she’s manipulated. He cocks his head a little and gives her a searching look, connecting, not staring at her tits this time; she’d thought Oh, no, not another one of those, and now she sees he’s not, although she doesn’t know quite what to think of his eyes on her body, and here they’re in the middle of a desperate professional conversation. The strong light through the mango tree renders a camouflage pattern on his tan face and lends glitter to his odd light eyes. She is frightened of him, there’s a voice in her head sayingStupid stupid crazy you’re crazy get away from this stupid crazy…. It’s a voice she knows well, her father’s voice, and these were and are his favorite expressions for anything outside the pale of his rationality.Don’t be stupid, Lorna! That’s crazy, Amy! The dead mom.Don’t be crazy, Amy, there’s nothing wrong with you. Was that something he actually said? Or something she imagined him saying. No,focus, Lorna…
The cop is still looking at her, but now there is a tiny wrinkle on his smooth forehead. “Are you okay?” he says.
“Yes, I’m fine.”
He grins impudently. “No one will ever admit they have a problem, except when they’re bleeding. Why is that?”
She can’t catch her breath and there is no strength in her legs. She goes down hard into her chair, and again that scraping sound.
After clearing her throat, swallowing some tea, she finds her voice. “I’m sorry, really. I guess it all just hit me at once. There was a…a killer in my house and you shot him dead right on my sidewalk.” She cries, not hysterics thank God, just a slow ooze of tears. She dabs delicately with a paper napkin, careful of her eye makeup.
“Oh, good, finally!” he says.
“What is that supposed to mean?”
“It means it’s okay to come apart a little when something like that goes down. They have therapy programs for incidents, people who’re involved in violence. Christ, you of all people should know that. I’ve been watching you, after it went down and now today, and I’m thinking where does she keep it and how is it going to come out? And here it is. You looked like you were about to keel over just then.”
“I was,” she says, but she knows it’s not just post-traumatic stress working here. There is deep stuff stirring, stuff that Mickey Lopez never got to in over two years of therapy, she thinks, and then quickly excuses Mickey, it’s all her fault really, but now some combination of Emmylou Dideroff, and violence, and this strange man on her patio, attractive and repellent at the same time (That body! That gun!), is working on the toxic sludge, raising clouds of fear, of excitement. She does not choose to explain this to the cop. She takes a number of deep breaths, attaining control. The tears dry.
“Uh-huh, and about continuing with Emmylou, you still want to pull out?”
“No!” Too vehement. More calmly, she says, “I mean, no, I don’t think it would be good for her to…change therapists at this point.”
She has to look away from him, for even to her own ears it sounds like sanctimonious bullshit. The moment passes. He sits down.
“Fine. Good. And now that we got that settled, I have to say I thought you showed a lot of class in this whole deal.”
“Class?”
“Yeah. Guy knocks you down and there’s a gun battle outside your house, you don’t run around in circles screaming, you calmly call 911 and then you calmly hide the vital evidence, and even though you’re scared right now, you decided to do the right thing. And you got a nice smile. Thank you.”
She feels like an idiot, grinning as she now is, and he is grinning too, that thin cat grin with the little lights in his eyes. “And there’s more,” he says, “truly the coolest thing, is that you didn’t ask me even once what I was doing handcuffed to my bed.”
“Well, we psychologists are trained to discretion.”
“You didn’t want to embarrass me.”
“You don’t strike me as someone easily embarrassed.”
“Trained to perception too. Cool, discreet, perceptive: that’s a nice trifecta.”
She laughs, not a maidenish titter, but a real laugh of pleasure. It is pleasant being tossed compliments by this attractive man, and she understands that these compliments are not mere sexual flattery, but the honest assessment of a potential comrade with whom she may be about to go in harm’s way. He really wants her to know what he thinks of her. It is unutterably refreshing and unlike any experience she has had with a man before. Some beaming here, and then this moment passes too.
“So,” he says with a brisk clap, “I owe you a boat ride. We could get some food and beer, run over to Bear Cut and have a picnic, get some fishing in. You up for that?”
She is. She goes into the house and dons the blue bikini without examining herself in the full-length mirror, and puts shorts and a Hawaiian shirt over that, and plops a canvas beach hat on her head. In his Z car they head north, and in the region known as Souwesera, he cuts into a strip of stores near the tan bulk of a rent-a-locker storage operation and enters a tacky-looking Cuban joint to get their picnic. She sits in the warming car, looking at the store-fronts through her sunglasses, slowly translating the signs in Spanish, wishing she had paid more attention during her single year of the language. She feels ridiculously content, the only little cloud being that at some point in the afternoon she may have to take off her shirt and shorts and stand revealed in this insanely revealing bathing suit.
It is well that she has stopped giving a shit, although she wonders why this is so. Perhaps a brain tumor in the rostral portion of the frontal lobes. As it grows, she will lose more and more inhibitions until she is putting out not only for her colleagues, but also for everyone, jail guards, this fat guy sitting in front of the Cuban joint in the wife-beater undershirt and the black cigar, or patients, maybe even Rigoberto Munoz, tardive dyskinesia and all, and just as she thinks this, who should appear within her field of vision but Rigoberto himself. He has deteriorated since the last time she saw him. He has his own wife-beater undershirt on, with an open dotted seersucker shirt over it, both filthy and torn. He is mumbling, grimacing, sticking his tongueall the way out and otherwise demonstrating that he is off the meds. He is attempting to correct this by self-medicating via a forty-ounce malt liquor clutched in a paper bag, and yes, he has spotted her, although she is now crouching low in her seat and pulling down on the brim of her beach hat.
He grins horribly and waggles his tongue. “Hey, Doc,” he calls and bellies up to the car, giving off a mighty stench: the beer train has crashed into the vomit factory.
“Hey, Doc, hey, I gotta job.”
“That’s wonderful, Rigoberto.”
“Yeah, hey, I gotta a job onna fish boat with, hey, you know my cousin Jorge? I gotta job with him cleaning fish up by, uh, that bridge, what you call it? The fish boat.”
In case she does not know how fish are cleaned, he demonstrates by taking a thick-handled, black-bladed knife out of a belt sheath and waving it in front of her nose.
“Them, hey, them people are back, Doc,” he says. “You know they talkin in my head again. They say to do bad things but I don’t listen to them no more, uh-uh. Like you said, um. Where you goin’ in the car, hey?” Waving the knife. She watches it, semihypnotized, feeling the smile straining at her lips.
Then Paz is there, with an arm around Munoz’s shoulders, gripping hard.”Oye, Rigoberto, mi hermano, zque tal?” he says, walking the man away from the car. There is a brief conversation in rapid Spanish, and the lunatic shambles off. Paz has taken the beer away, which he flings neatly into a trash barrel.
He returns to the car, places a paper bag and a plastic bag of ice onto the backseat.
“You know Rigoberto?” she asks.
“Oh, yeah, me and him go way back. He was one of my first collars when I was in uniform. He didn’t scare you, did he?”
“No, me and Rigoberto go way back too. But you get credit for another rescue.”
“I don’t know about rescue. He’s pretty harmless if you don’t set him off.”
“Yes, harmless for a violent paranoid schizophrenic with a big knife. But the amazing thing is I was just thisinstant thinking about him and here he is.”
“Plate o’ shrimp,” says Paz, tooling out of the lot and onto Twelfth Avenue.
“Pardon?”
“Plate o’ shrimp.Repo Man? The movie?”
“You lost me.”
Paz puts on a drawling accent. “Say you’re thinkin’ about a plate of shrimp, and all of a sudden somebody says ‘Plate o’ shrimp’ or ‘Plate of shrimp,’ just like that, out of the blue. No explanation. No point in lookin’ for one either.” In his ordinary voice he adds, “A little later in the movie you see this sign in a restaurant: ‘Plate of Shrimp $2.99.’ It’s a classic.”
“It sounds like it. I’ll have to rent the video.”
“I got it at home, we can watch it later.”
“You’re a full-service operation, Paz.”
“We don’t cash checks,” says Paz.
Paz’s boat is a twenty-three-foot locally built plywood cabin cruiser with a planing hull and a 150-horsepower Mercury outboard. It is painted fading pink on the topsides and chipped dirty white below, and is called the MATA II according to metallic stick-on letters applied to the stern. Lorna is completely charmed by it, having spent more time than she really wanted to on large, spotless doctors’ yachts where you had to wear special shoes so as not to mar the teak deck and got yelled at when you pulled on the wrong goddamned rope. Nothing seems to be required of her on this vessel, so she arranges herself on a padded locker at the stern and sits like the Queen of Sheba with a cold Miller as Paz arranges their departure and heads down the Miami River, under the bridges, past the little boatyards and moored boats, the downtown towers and the highway full of cars full of people who have somewhere to go, but they are free for the day, and when they leave the river’s mouth and clear Claughton Island, he opens it up. The boat sits up on its plane like a well-trained dog, and they are off on the sparkling blue bay, headed south, and a weight she didn’t know she was carrying lifts off her.
They fly under the causeway, and he veers left and cuts the motor to a burble and steers into the shallows. They coast, and when they are in two feet of water he heaves the motor back and tosses out an anchor. They float off a little beach backed by a line of mangroves and Australian pines waving and casting moving shadows on the sands. As it is a weekday, there are only a few blankets laid, Cuban matrons sitting and the tan children dashing about, their shrill calls like those of seabirds.
They wade ashore with their beach burdens. They spread their blanket, Paz’s blanket, none too clean unfortunately, but while she can detect no absolutely shameful stains, she cannot help wondering how many on this very blanket. He removes his garments and proves to be wearing a minuscule black French bathing suit. She forces her greedy eyes away from that zone and focuses instead on his chest. There’s that crucifix and that walnut-size brown lump on its thong. Before this, she has never consciously socialized with a man who wore a crucifix, although she has seen boys in high school who did. They usually spent a lot of time in shop. To distract herself from this memory, she asks, “What’s that around your neck?”
He touches the crucifix. “This? It’s a symbol of Christianity. You see, many centuries ago, God came down from heaven, and by the power of the Holy Spirit…”
Laughing at her. “I mean that other thing.”
“Oh, that! That’s anenkangue. A charm in Santeria. You know what Santeria is, right?”
“Vaguely. What does it charm?”
“It wards off zombies, among other things.”
“Have you been much troubled by zombies?” she asks archly.
“Not that much, recently,” he says, “but when I got it they were pretty thick on the ground.”
He does not seem to be joking, but he has to be; maybe there is something Cuban that she isn’t getting. Looking around, she says, “I can’t see any. It must be working.”
“QED,” he says and smiles at her.
They eat their sandwiches and drink cold Miller twelves. Paz takes out his cell and makes a call but gets no answer. Lorna doesn’t ask whom he’s calling, but hopes it is not another woman. She realizes she knows nothing about this man, that he might, in fact, be the kind who would be capable of lining up a date while on a date. If this is a date. She becomes by degrees a little depressed, and this makes her desire food. Ordinarily she doesn’t care much for Cuban fare, finding it fatty and crudely spiced, but when she bites into this sandwich she experiences deliciousness. The roll is absolutely fresh, the two meats succulent and tasting of the grill, fresh pepper, and anise, the cheese is real unprocessed Swiss, the pickles add just the right astringency, without that awful sweat-making rush.
She makes a spontaneous mmm of pleasure.
“Good sandwich?”
“Incredible!” she says around a wad of it.
He tells her about the sandwich, how it is the best Cuban sandwich in continental North America and why, how his mother found Manny Fernandez in his little shop years ago, how she encouraged his instincts toward perfection, how this sandwich became the featured item on the lunch truck she had before the restaurants, how her reputation spread, how Cubano construction and landscaping workers would drive miles to where she was parked and bring dozens of sandwiches back to the job site, how they prospered enough to buy their first little place.
She liked the way he told it, funny but without the mockery or resentment that many hard-knocks immigrants threw in. Then he said, “What about you? What’s your perfect Cuban sandwich?”
Lorna prides herself on being a good listener, a useful trait, considering the sort of men she has chosen to be around most of her life. One of the reasons she picked clinical psych was that people told you about their lives and did not wish very much to know about yours. So there is not a ready spate, her Cuban sandwich does not spring instantly to mind. He gets her resume therefore, together with the usual set-piece anecdotes about college and grad school and internship, but nothing deeper, and a number of the fibs she uses to ward off any efforts to dig. But she expresses her desire to find out what makes people tick, why they were so different, one from the other, and to learn if skilled interpretation of standard instruments can ferret out their secret pain. He listens. To her surprise, he asks informed questions, she warms to her subject. She began this outing with a number of expectations about what would transpire, but a lively discussion about the operational differences between nonparametric and parametric statistics was not one of them. She draws in the sand with a stick, the normal curve, the equations and tables that analyze variance….
There is at last a silence. “Getting hot,” he says. “Let’s have a swim.” He walks to the water, wades in, and dives below the surface with barely a splash. She pulls off her top and shorts. She has prepared herself with two beers, but this is always a sticky moment for her. She walks toward his head, now floating above the shimmering surface, slick and glistening like a seal’s. He watches her with an appreciative smile as she enters the water; she feels his gaze settle on her, and she hurries her steps to submerge her body. The water is tepid and has an oily feel, as if megagallons of bath oils have been added to Biscayne Bay.
They bob together, in chin-high water, touching briefly, then floating away like flotsam. She thinks it must be the beer, this voluptuous languor she now feels, she has not been out on the water since the breakup with Howie Kasdan, who now passes across her mind. If Howie were here, and he never would have come to so plebian a beach as Bear Cut, he would be swimming laps, making her swim laps too, coaching her, deprecating her style.
On the beach someone turns a radio up, music and a woman’s voice singing in Spanish. Paz turns to her and says, in a conversational tone, “She sang beyond the genius of the sea, the water never formed to mind or voice, like a body wholly body, fluttering its empty sleeves; and yet its mimic motion made constant cry…”
For a moment Lorna thinks he is translating the lyrics of the radio’s song, but after a moment she doubts that the sentiment is one ordinarily expressed on Cuban AM’s Top 40.
“…caused constantly a cry, that was not ours although we understood, inhuman, of the veritable ocean.” A grin after this and a gesture to the Bay, its sky, its littoral.
“What’s that?” she asked after an astonished pause.
” ‘The Idea of Order at Key West,’ first stanza,” he replied, “by Wallace Stevens. A friend of mine always used to recite the whole thing whenever we were out on the tropic seas.”
An unexpected little stab of jealousy here. “So you weren’t an English major.”
“Nope.”
“Not psych?”
“Not anything.”
“Everyone has a major. Where did you go to school?”
“Archbishop Curley High.”
“I mean college.”
“I didn’t,” he said.
“Really? But…how come…I mean…”
“How come a dumbass high school graduate cop can converse about clinical psych and spout modernist poetry?”
“I didn’t mean that.”
“You did, but I don’t take offense. I have smarts but no patience for sitting in a classroom or taking tests. I resent tests. I have a good memory for what I hear, and I’ve picked the brains of a lot of smart people, mainly women. I get books recommended. Sometimes I even read them. I use a dictionary for the big words. You could say that I went to the University of Girl. For example, before this afternoon I didn’t know what Wilcoxon’s signed rank test was, and now I do. But to be honest, I’m a mile wide and an inch deep. I don’t really know anything, alls I have are these bits and pieces, like one of those birds that collects shiny things, what d’y call ‘ems…?”
“Magpies.”
“Magpies, right. And that’s okay in a way because it turns out that knowing a little bit about a lot of stuff is handy if you’re a detective. Because there’s really only one thing I have absolutely got to know.”
“Which is?”
“How to read people,” says Paz and shifts slightly in the water so that he is facing her, with the sun at his back and the dazzle of it coming off the water and forming a bright nimbus about his head.
He says, “Can I ask you a personal question?”
She feels a pressure in her chest. An infarct? That Cuban sandwich? She takes a deep breath and another. “Sure,” she says.
“Why do you walk like you do?”
“What do you mean?” she asks, knowing very well.
“All slumped over with your shoulders rolled forward. Is this embarrassing? I mean you didn’t have some kind of tragic childhood disease?”
“No.” Floods of shame.
He slips behind her and puts his hands on her shoulders. His fingers probe, pull, gentle but insistent. “What is this in here, concrete?” he says. “Just relax, okay? Let me do this.” His left arm slides around the front of her and rests just above the line of her breasts and he pulls her into the pressure of his thumb, which now seems to be penetrating her body in a way that is both pleasant and slightly frightening. His hands move to the muscles around her neck. His thumbs press and move an inch, press and move on. It’s not at all sexy, but it’s not clinical either. She has been massaged before but nothing like this. She feels waves in her flesh. Control is slipping away, control she did not really know she was exerting. But now she exerts.
He feels the resistance and stops. She drifts a little away and says, “What was that?”
“Shiatsu. Your ki is blocked up big-time.”
“Thank you.” Coldly. “Did you learn that at the University of Girl?”
“I did.” Now she swims away from him, feeling anger. She is not sure she wants to join that faculty yet. She leaves the water and starts walking back to where they have left their blanket. She feels strange in her body, and at first she thinks it’s only because she’s been floating in salt water for so long, but then realizes that it’s not the usual heaviness and imbalance you get when you leave the support of the sea but its opposite. She feels lighter and more balanced on her feet. She is not slouching as much, her shoulders are back, her breasts seem to have filled with air.
They lie on the blanket at a respectable distance from each other. She has no idea what to say to him now. He is lying back with his eyes closed, a rolled towel behind his head.
“God, I’m really tired,” he says.
She starts to rub sunblock on her skin. “Take a nap,” she says. “Would you like me to put the handcuffs on you?”
“You’ve been dying to ask, right?”
“Busted.”
“The reason is because I’m a somnambulist.” He tells her about the egg-woman nightmare and his wanderings.
“Interesting. You’re being told that anonymous sex with eggheads is a room with no outlet. A closed hell.”
He laughs and says, “So no more sex with eggheads is the prescription for restful nights?”
“Oh, I think eggheads are fine. It’s the anonymity you have to watch.” Their eyes meet now and there is a silence that becomes uncomfortable. She looks away first.
“Have you tried pills?”
“No. Pills won’t help. What it is, to tell you the truth, I was sort of knocked out of the real world for a while. And some of that other…stuff stuck to me.”
“You mean that voodoo business?” Her eyes go to the thing around his neck.
“That voodoo business, yes.”
“But you don’t really, I meanreally, believe in all that.”
His eyes open and his stare is flat and baleful. “I don’t know what I believe anymore. But I’m not as ready to call it bullshit as I used to be. And I got news for you: Our girl Emmylou in your nuthouse, she’s been there too. I can always tell.”
His eyes close again. A small cloud covers the sun now, and a little chill wind like a wraith speeds along the beach. She feels a shiver pucker her skin.
By the time she finishes with the sunblock, Paz is breathing deeply, fast asleep. She is actually glad about this, as she needs time to think. Lorna does not care much for violent amusement park rides, but she has been on a few, and this is what it feels like when the roller coaster is towing the car up the first steep slope: anticipation, and the desire to flee, and the expectation of the screaming rush of descent. She works on her breathing.
She lies back and turns her face toward him. His skin is four inches from her mouth and out of nowhere comes an intense desire to lick it, and the thought that it will taste like caramel. Now she actually smells caramel coming off him. Synesthesia? No thank you! She sits up, astounded, and says stern things to herself. It’s ludicrous, she hardly knows the man, and with all those other girls, probably has three or four on the string right now, she absolutely does not need this after Rat Howie….
As if propelled by something other than her mind she jumps to her feet and goes to the water’s edge. She looks out at the cut. There is a large white cabin cruiser moving slowly across her field of view. There is a man on the rear deck. He wears a ball cap, and now he removes it and wipes his face with a bandanna. He is very pale and his hair is flaming red. He replaces the hat and raises something black to his face, a long tube of some kind. A telephoto lens, she can see the glint of the glass as he trains it in various directions. He is at it for an oddly long time. She looks around to see if there is any spectacular wildlife behind her, but there is nothing but mangroves and pines and a few gulls. The red-haired man turns to whoever is running the boat, and in the next moment the engine roars as the boat shoots away. It does not occur to her then that he has been photographing her and Paz and Paz’s boat, because why would anyone want to do that?
All that morning long the Prussian General von Steinmetz sent waves of young soldiers up the steep ravine of the Mance, where they were cut down in droves by the rifles of the French. Walking wounded began arriving at Bois Fleury shortly after Marie-Ange had settled the stricken peasants in her own bedroom, and when she saw these wretched men and realized that there would be many more in the same state or worse, she sprang into action with her characteristic energy and resolve. Marshaling the household servants and the farm workers, she had the carpets rolled, the furniture moved, lamps and candles arrayed, and pallets made of straw and the linen of the chateau. Maids were set to turning tablecloths and napkins into bandages. In short order, the German regimental surgeons learned what she was doing and set up their dressing stations in the grand ballroom.
Having seen to everything at the chateau, and having placed her steward in charge, the intrepid girl assembled some farmhands and wagons and made for the battlefield itself. There she directed the gathering of the helpless wounded onto carts and sending them back to Bois Fleury. She herself crawled through the thickets by the banks of the Mance to find wounded men caught there and then commanded terrified laborers and the few soldiers not engaged in the fighting to help drag them out while shells exploded and bullets snapped through the branches. By late afternoon, she had donned a cook’s apron and wound a large white damask napkin cloth around her head, but besides that she remained in the clothes she had put on that morning, under the cavalry cloak. Her house slippers were by then cut to rags and filthy, and a Prussian officer made her put on ammunition boots taken from the body of a French drummer boy. Those who recalled that dreadful day later described Marie-Ange as being everywhere at once, comforting the sick, collecting the wounded, lashing her people to greater efforts. Here she showed for the first time the remarkable powers of organization that would serve her well in later life. One Prussian officer reportedly remarked that “had this girl been our general instead of that old lunatic Steinmetz, half these poor devils would be walking still.”
Toward the end of the battle, the Prussians brought their heavy guns to bear and blew the French lines to pieces, after which the stream of wounded pouring into Bois Fleury were French and not German. Of course, these were cared for equally with their enemies, and dying men of both nations had as their last earthly vision the sight of a young girl’s face, full of compassion, framed by a white headdress spattered with blood and a white cook’s apron. Thus was born in the ranks of both armies the legend of the Angel of Gravelotte.
— FROM FAITHFUL UNTO DEATH: THE STORY OF THE NURSING SISTERS OF THE BLOOD OF CHRIST, BY SR. BENEDICTA COOLEY, SBC, ROSARIAN PRESS, BOSTON, 1947.