Viriconium

4

Tomb the Dwarf came in through the southeastern or Gabelline Gate of the city, just before dawn, some two weeks after his strange meeting on the edge of the Rannoch. A fine rain was falling as he led his ponies beneath the heavy seeping curve of masonry-more tunnel than arch-where the guard dozed in a wicker cubicle and old men, woken by the rattle of wheel on cobble, squatted under their dripping felt hats and stared incuriously at him as he passed. Here, in an alcove in the wall of the arch, had once hung the notorious Gabelline Oracle, sought out and yet dreaded by all who entered or left the city: the severed head of a child hanging from a hook, beneath which had been constructed an alchemical “body” composed of yew twigs bound together by certain waxes and fats. A lamp being lit beneath the oracle, or in more special circumstances an inscribed wooden spatula being forced under its tongue, it would give in a low but penetrating voice the fortune either of the consultant or of the city itself. No one who had ever heard that voice could forget it; many would take the Gate of Nigg to avoid it.

Tomb heard nothing, though he cocked his head for echoes; but a breath of the past followed him a little way beyond the gate, a cold and depressing air generated in those outer regions, overflowing into the alleyways and peeling demimonde avenues of the suburbs where geranium leaves were turning ochre and a faint smell like cat’s urine issued from the mouldy brick. Viriconium, sump of time and alchemical child, sacrificer of children and comforter of ghosts-who can but shiver and forgive in the damp theatrical airs of dawn?

A red stain grew in the sky above the Haunted Gate. Against it floated the airy towers, suspended as if in water glass, while below were conjured shabby reflections-a glitter of fish scales, olive oil, broken glass, and the west wind shivering the wide shallow puddles in the empty squares. Asleep one minute and aware the next, the Pastel City woke like a whore, to commerce and betrayal, to pleasure and misery-to rare metals and offal, velvet and sackcloth, lust and holiness, litharge, lithia salts and horse cures. The red stain spread until it had filled the sky. Worm-eaten floorboards groaned. Gummy eyes gazed forth, half-blind already with boredom and disgust, to watch the dawn drop dead among the sodden chestnut leaves in the Rue Montdampierre! Tomb the Dwarf, recognizing in this suburb the same slut who had emptied the pockets of an impressionable Mingulay tinker’s son a hundred years before, was overcome by sentiment. He took deep delighted breaths, spoke almost kindly to his ponies, and grinned about like a juggler.

Beneath Minnet-Saba the Rivelin market spilled across his path like the encampment of a besieging army, dotted with paling flares and the little warm enclaves of charcoal braziers. It was a good-natured, anarchical siege, noisy and stinking, full of laughter and mock acrimony. Fish stalls predominated, but among them were distributed the kerbside pitches of tattooist and juggler, prostitute and priest; together with the booths of those deft-fingered old women who are equally happy to play at the cards for whatever stakes you name, or with them tell your fortune to the accompaniment of a practised homily. The gutters were filled with fish heads, with sneaking cats and unconscious thieves. Fishwives rubbed elbows with boys selling anemones from neck trays (while others offered filthy marzipan, or caramelized locusts like intricate jewellery from the forgotten towns of the dusty East). Over it all hung a marine reek, a pall of hot cooking fat and reedy, disconnected music.

Into this came the dwarf’s caravan like a spirit of chaos-pushing aside tottering stalls, running over unguarded feet, impervious to abuse, drawing forth as it passed each brazier the ironic catcalls of idlers and the shrieks of fishwives (who required that the dwarf come behind a booth with them and there bash the dents out of a pot they would show him). The anemone-boys rode his tall yellow wheels, grinned into his face, lost their balance, and fell into the street. All the while he moved steadily up the hill toward Minnet-Saba, the crowds eddying in his wake, until he came to the upper limit of the market; and there, on the precise interface of High and Low Cities, chanced on the booth of Fat Mam Etteilla.

Despite the coming and going about the booth, it had attracted few onlookers. Wan torches set at its corners guttered in the growing light. Its greasy satin curtains were drawn back to reveal the Mam herself, billowing over her three-legged stool and coughing like a horse in the raw air. In her vast lap sat a small drunken man with a depraved triangular face, from the top of which stuck straight up a stiff brush of almost crimson hair. His bottle-green jerkin was not only encrusted with old filth, but was sticky besides with new foulness, and he seemed to be confessing his part in some brawl or murder the night before. Tears were running down his cheeks; great twitches racked his body; odd spasms of free verse left him now and then like vomit. (“I renounce the blessed face,” he intoned, “the silent sister veiled in white and blue,” and made a sound like a choking cat. “What else could I do? He was no friend to me!”)

Before them on a flimsy baize-covered table were arranged the cards- four Urns above him; behind him the Conjuror reversed; the MANTIS crossing him; and many others. Each strange little scene glowed up from the grubby pasteboard as if viewed in a reducing mirror-leaning columns clustered beneath a vanished constellation, extinguished suns and naked supplicants, the shadowy hierarchical figures of a symbology as old or older than Viriconium, legacy perhaps of some Afternoon parlour game. “This,” she whispered, “is your card, MALADIE; and here are three towers and a dog, the future as yet unrevealed, also disgrace. (Another account speaks of greed frustrated.) Look! Here’s a deserted beach, and in the tide a hermit crab. Above fly three swans: APPUI. Between the alternatives there is no marriage possible-on the one hand magnificence; on the other, disease. (Also a certain clouded joy.)” The man with the red hair, though, would look anywhere but at the cards. If his glance fell on them by accident he would pretend to see someone he knew in the crowd.

But the dwarf saw little of this, and of what he saw retained only fragmentary impressions: a white, bony face; the scattered cards like pieces of coloured glass. He heard a voice like the outfall of a sewer say, “A locust the size of a man; a head two feet across!”

At this Fat Mam Etteilla shook herself as if surfacing from a dream. She looked down at the little drunk in her lap and put one of her great fat hands over his. “I wish I could help you, dearie,” she said with a sigh, and set him carefully on his feet. A fit of coughing overtook her as he bobbed about in front of her trying to bow. “Piss and blood!” he screamed suddenly. “I saw it!” He ran off into the market and vanished.

“Wait!” cried Tomb, any talk of insects having recently become of interest to him. “Stop!”-more to himself than to the retreating figure. The caravan was being carried forward, despite his best efforts, by the sheer weight of humanity behind it. He stood up on his seat to get a better view: nothing but a red coxcomb and a despairing cry. “Its head twice bigger than a man’s!” And then nothing at all but heads, bobbing and eddying; the market had ejected him and he was alone in the bleak formalistic spaces of the High City. The wind ruffled the puddles, and the Proton Circuit rose like a question mark into the air before him.

No one recognised him at the palace gates. An officer made him wait while they verified a complex sequence of passwords given him twenty years ago by someone who might have been dead for ten of them. His ponies fidgeted, and furtively bit one another. Servants came and went, but none of them looked at him. “It won’t take long. Look, can you move the caravan? We really need the room.” The city’s sudden indifference hurt him, although he pretended to take it with a certain stoical amusement. “Oh, well,” he told the officer. “Oh, well.” Then he jumped out of the caravan, ducked the presented arms of the gate guard, and ran off into the palace. Old wounds had given him a dragging, unsteady gait so that he looked from behind like some escaped ape. After a shocked silence a lot of shouting began.

A little while later he stopped to get his breath back in a corridor where the light fell as if strained through muslin. He had lost himself quite quickly in the maze of passageways which riddled the outer regions of the building like the interstices in a piece of pumice-quickly enough at any rate to evade the detachment which had tried to catch him at the front door. He grinned. He could still hear them faintly, crashing about in the empty lobbies and forgotten storerooms of quite another quarter, moving away from him all the time. But he realized now that he couldn’t reach the Queen without moving into the more frequented passages and thus being sighted. An undignified homecoming. His chest hurt. He leant against the back wall of the alcove, staring at some old machine and trying to remember with half his mind whether he or someone else had dug it up and brought it back here; and when finally he decided he did indeed recognise it, he found he had forgotten which desert had given it up to him, back when he was young. Whole sections of the palace were “his” in this respect, which only galled him further…

He was upset by his own actions and could hardly explain them to himself. An ironic game with the palace guard, conceived out of impatience and hurt pride-so it had seemed at the time-but now he felt like a man who, falling down a hole in a familiar street, discovers some artful yet not quite successful mimicry of the world he has known above. In his new subterranean existence he quarrels with familiar objects or alienates his friends-he yearns for escape but quickly finds he can no longer control events; cause and effect separate like worn-out old lovers. But it was not simply that he was out of temper with himself. The temper of the palace puzzled him, too.

Its previous calm beauty, ordered and formalistic, had become icy; monstrous passions seemed about to crystallise in its interstices. Something had invaded the corridors where the whispering light sculptures drifted about (their laughter so ancient and inscrutable that it no longer recalled anything human); something was abroad in the sudden nautiloid spaces, chilly and nacreous. Stumbling along in his dusty leather gear he had experienced a sudden gauntness, the feeling that he had allowed to go unnoticed some change which, though vast, showed itself only in the subtlest of signs: the dream of an old dwarf in a high place; a red-haired man in a market; footsteps in an empty passageway. The sounds of pursuit had for a moment mutated into a strange dry rustle, the geometry of the corridor into a mathematics, pure and bony and beyond him, and he had fancied himself the last human survivor on some craft spinning slowly through infinite space, rigging full of frozen sailors and royal faces staring from the windows at its stern…

I am a dwarf, not a philosopher. He touched the cold wall behind him. He had got his breath back. Since his arrival in the alcove the old machine had been making soft, persuasive little noises at him, as if it needed his help to attain some self-fulfilment he could never imagine; now it abandoned him abruptly. Oogabourundra! it whispered. Mourunga! it laughed, and extended a curious yellow film of light like a wing. Tomb stuck his head out and peered down the passage. A figure appeared, strange at first, warped by the unsteady yellow gleam into a shape like a praying mantis; the dwarf waited until it had become that of a young guard-a boy still, self-conscious in lacquered black mail and pewter-coloured cloak, new boots ringing on the worn flagstones, and on the thin chain round his neck a peculiar silver medallion-then withdrew. His grinning and apparently disembodied head snapped back into the corridor wall to leave a tunnel of bland saffron light, a throat down which the boy strode unaware. Tomb let the footsteps come level with him. He waited for perhaps fifty heartbeats, then slipped out.

The machine clucked disappointedly after him.

From corridor to corridor went the boy, up and down narrow flights of stairs and through abandoned halls-all the while moving towards the centre of the palace. Flickering columns of light accosted him, but he ignored them; the soft pleas of old machines he ignored. And after him came Tomb the Dwarf, hands like two bunches of bones and a grin like death- alert for the sound of voices, sidling round corners and hanging back at intersections, hoping the boy would flush up any guard that might be mounted there. The corridors were as cold as an omen, haunted by an ancient grief. Here, stairs spiralled into the upper gloom of the shell; there, faint footsteps vibrated in another passage, footsteps that might have been made in another age. As his confidence increased, Tomb began to play with the boy: scuttling up until he was only a few inches behind him, making obscene faces and gestures (and once touching the hem of his cloak) before falling back again. Success only whetted his appetite. He dodged in and out of alcoves, his head poked like a gargoyle’s round each new corner. He aped the boy’s stiff walk, pointing his toes extravagantly and sticking his nose in the air. He quite forgot about using him to reach the Queen unchallenged and set about tormenting him instead.

He hid behind a sculpture. He sniggered softly. When the boy looked round: nothing.

He let his feet scrape, with a horrible purpose.

He made quiet animal noises.

He was everywhere and nowhere; it was a cruel charade. The boy knew. He hurried: stopped: listened: stared over his shoulder, his hand feverishly clutching the pommel of his brand-new sword. He said nothing, because that would have been an admission. His eyes were round, glistening in the white like a boiled egg, boiled and shelled like a fresh egg. He touched the silver insect medallion at his throat; he began to run. Tomb only let him hear another chuckle. Their merged shadows fled away beneath them as they crossed a high elegant bridge, parted at a crossroads unused for two hundred years, only to join again and vanish at the moment of joining in a silent flare of purple light vented from some ancient artefact. Tomb grew careless. Swaggering along like the tame midget of some Southern prince in cockerel-coloured doublet and yellow stockings, he came abruptly face to face with his victim, who-finding himself confronted by an old mad dwarf with a knife in his gnarled hand and a series of peculiarly childish grimaces chasing themselves across his features-stared, appalled.

“I-” said Tomb. He looked down at his hand. He wondered how long he had been carrying the knife without knowing it.

The boy meanwhile trembled despairingly. His eyes were watering. He made a painful effort to draw his sword.

“Don’t!” said Tomb. “I didn’t mean-” And it might have rested there had he not heard the sound of feet coming along the corridor toward them.

“I’m sorry,” he told the boy, kicking him beneath the left kneecap. The boy lay on the floor, motionless, looking up at him like a hurt animal. Tomb hauled the new sword from its scabbard and tried it for balance. He had some idea of using it in the absence of his axe. “Rubbish,” he said, and threw it clattering across the passage out of harm’s way. “Get something decent as soon as you can afford it.” He knelt on the floor close to the boy, who made no move to stop him, set the point of his knife against his throat, and stared into the round hopeless eyes. “What’s this round your neck?” But the boy couldn’t speak. “Don’t worry,” said Tomb, “please.” In this manner both of them awaited the arrival of the footsteps.

Not long after, a Reborn Man came striding towards them down the corridor. He had on the fantastic blood-red plate armour of an important House, its contorted yellow ideograph flaming on the black cloak that billowed out behind him. The trembling glow of the armour made his image seem mythical, transitory, as if he flickered in and out of Time as we know it; its curious blunt shoulder spikes and elongated joints gave him the look of some mutated crustacean. His head was bare, his expression beleaguered, and his companions were an ill-assorted lot, comprising a woman of his own race, bitterly thin, shaven-headed, her gait awkward and un-graceful, as if her skeleton worked in a new, untested way (her smile was empty, and she was singing softly, We are off to Vegys now, Fal di la di a); a gutter bravo from the Low City, with the walk of a frustrated predator and the spoilt features of a minor aristocrat; and a dark silent figure wrapped like a corpse in an embroidered cloak.

Tomb started up with a cry. He took a pace forward, blinking and confused.

“Cromis?” he whispered.

Pain filled him and he forgot the boy on the floor. He went up close to Galen Hornwrack (for it was him, of course, morose as a wolf, petulant as an adolescent girl at finding himself so unmoved by his ancient bugbear the palace, which after all was only a place) and touched the wrecked metal bird that hung from his belt in lieu of a sword. He looked up into the assassin’s face for a moment, then sighed: there was little similarity once you looked closely, and he could find there only an anguished savagery he had never found in the face of the dead poet-hero. He shook his head and turned to Alstath Fulthor.

“I’m sorry, old friend. I thought for a moment-”

Fulthor smiled absently down at him.

“I know,” he said. “The similarities are superficial. What were you doing on the floor with that boy?”

He tilted his head to one side as if he were listening to something no one else could hear, and seemed to forget what he had been saying. There was an awkward pause. Then he went on. “You should be more patient, Dwarf. I heard there was a maniac or an ape of some kind loose in the corridors. When I saw the little caravan, I”-Fulthor shook his head as though to clear it of some double image-“I knew it must be you. Are you going to murder this lad, or can he get back to his post?” His tone was curious, friendly but ironical: absent.

Tomb bared his rotten old teeth. He was a little disconcerted by such a reception after twenty years. “I’m too old for patience, Reborn,” he said gruffly. “Are you all right?” When no answer came he turned his attention almost gratefully to the boy (who had risen to his knees: colour was coming back into his face), thinking: the whole city is in a dream which it will not share with me; these corridors are cursed. “Get up,” he told him. “What is that thing round your neck?” When the boy wouldn’t answer he asked Fulthor, but Fulthor didn’t hear.

Light streamed suddenly down the corridor, the colour of murder. It rushed over them like smoke, to be sucked away into the outer maze and there dissipate; their shadows followed it. The old machine from which it had issued, so long denied its proper function, began to shriek in horror and frustration, flailing its corroded limbs as if waking after millennia to the truth of its position. Echoes fled like bats.

Out of this abrupt madness crept a party of ten or fifteen men. A squad of the palace guard, they wore the same black and pewter uniforms as the boy, but their faces were distorted by the unsteady glare-salient features drifting into repulsive new relationships-and they came on not with a military gait but with a curious tiptoed tread, their eyes fixed on the dwarf with a feral yet somehow inorganic intensity. Had they shadowed him even as he shadowed the boy, passage to passage, all the way from the outer halls? How had he not felt those eyes like the empty lambent eyes of animals on a dark night? (Or perhaps he had.)

“Fulthor?”

But Fulthor was gazing emptily into the air again, his lips moving silently. There was no help there.

The dwarf shuddered, ambushed by circumstances. The city’s web was now complete, and he found himself enmeshed. It wasn’t much of a homecoming. Yet it would not be the first time he had fought his way down these corridors. He stood forward a little so as not to prolong the waiting. Nothing much was in his mind.

They were almost upon him when Fulthor whispered, “Stop.” His voice seemed to come from a long way off, and he looked almost surprised to hear it. “Stop!” For a moment nothing changed. Tomb snarled; Fulthor touched the hilt of his sword, faced with the motiveless slaughter of his own men. But then the world shook itself and threw off the nightmare. The old machine wailed despairingly, sagged, and was silent (in its frenzy it had melted parts of its own spine, and now, bent double like a crone, it twitched and contracted as the hot metal cooled). The evil light faded. The approaching men looked uncertainly at one another and put up their swords.

It was little enough, and grudgingly done: their captain nodded woodenly, staring straight ahead, while behind him they shuffled into two columns, looking embarrassed and elbowing one another sullenly. Each wore a medallion like the boy’s, a curious complex twist of silver the meaning of which retreated from its seeker like a vacant perspective. “Call off the search,” Fulthor ordered them. He spoke reluctantly, like a man hard put to control some pain or intense desire. “A mistake has been made. This is the Iron Dwarf, who has returned to help the city in its hour of need.” They regarded him warily for a few seconds, then turned their heads away as one man and marched off. When they had gone some distance down the corridor the boy leapt abruptly to his feet, flung the Reborn Man a glance of bitter hatred, and was off, flying down the passage after them, his sword abandoned where Tomb had thrown it. Tomb picked it up. “What do you make of all this?” he asked Fulthor. Fulthor stared blindly after the boy, his thin hands like a layer of white wax over bone.

“I am lost,” he said, and turned his face to the corridor wall. “They no longer accept my leadership. Soon one of them will disobey and I shall have to kill him.” He made a noise that might have been a laugh or a sob.

Through all this, Fulthor’s companions had hardly moved, but looked on with fear or irony or whatever emotion seemed appropriate. Now the Reborn Woman, sensing his distress, came forward and put one hand uncertainly on his shoulder. “I-” she said, and then something in a language Tomb could not follow. “ Mein Herz hat seine Liebe. In my youth I made-” It was clear she could not help him, which distressed her in her turn. She shook him. She looked around for help. “In my youth I made my small contribution. Blackpool and Venice become as one. Above the night the stars revolve, in circuits of the shuddering bear!” This last a shout. She wept. Oddly enough it was the assassin from the Low City who moved to comfort her. He touched her hand and his bloody, spoilt features writhed briefly: after a second’s puzzlement Tomb decided this was an attempt to smile. The woman smiled back, and her face was transfigured-where the dwarf had previously seen only a chilling vacancy there now flared delight, and an intelligence like a lamp uncovered. She let go of the assassin’s hand and danced away from him, singing,

We are off to Vegys now

Fal di la di a

We are off to Vegys now

Fal di la di a

On the shores of the diamond lake

We shall watch the fishes

On the summits of the mountains

Cry “Erecthalia!”

Fal di la di a

Fal di la di a

Di rol

Hearing this, Alstath Fulthor put his hands over his ears and groaned. “I cannot forget the people in the beautiful gardens!” he exclaimed. He hit the side of his head with the heel of his fist. “Arnac san Tehn! How long is it since I saw your sweet mad face at midnight, or trod with you the pavements of the Rue Morgue Avenue?” And still groaning, he ran away down the corridor toward the outside world, stripping off his armour as he went.

A thin wind passed down the corridor, smelling of dust and hyacinth; with it came silence-a substance, not an absence-to fill the ears with empty rooms and abandoned stairs and the motionless unspeaking figures of the earth’s innocence. In this silence Tomb the Dwarf sought desperately for reassurance. But the woman had retreated into her own memories, shoulders hunched and eyes hooded secretively, a ghost of tenderness playing about the corners of her mouth; nothing she said made sense anyway. And the assassin merely smiled sardonically, shrugging as if to absolve himself of this responsibility at least (the movement appeared to hurt him somewhere in the region of his lower ribs, and his expression immediately became sour and self-involved).

“Is everybody insane, then?” Tomb asked himself irritably, turning in the end-though something made him reluctant-to the man in the shroud-like cloak, who stood a little way off examining the distraught machine as if it might help him break the universe’s last mad code. The machine was crooning to him out of its incomprehensible pain, and he, standing like a mysterious parcelled statue, was whispering back; neither of them would ever understand the other. Tomb went up and stood between them, arms akimbo, staring aggressively into the unrelieved darkness of the man’s hood.

“Leave that, sir,” he said, “although I’m sure it must be very interesting, and tell me: has the city lost its senses?”

Silence.

“Very well, then: if you are a friend of Fulthor’s, at least tell me when his illness began. I am the Iron Dwarf (of whom you may have heard), who woke him from his aeon sleep to help defeat the North (which I did by means of knowledge gained from an old man).”

He craned his neck, but no face was visible despite that he felt eyes focused on him from somewhere under the hood. At this, his temper went. He pulled out his knife.

“Say something, you cold pudding, or I’ll serve you up in slices! Are you all ignorant or loony in here?”

But the man only chuckled and said, “You knew me last time we met, Dwarf, with your beard on fire and your broken head! Have you forgotten so soon? I would have asked you then, only there was no time: how has it been with you since our other fateful parting, there beneath the sad tower eighty years ago? What a change you and I have wrought in the world by our doings then! Do you see any of my children as you go about from desert to desert, from waste to waste?”

And he threw back his hood, laughing his dry old enigmatic laugh, and became Cellur, the Lord of the Birds…