by George R. R. Martin
When he'd moved into the dorm back in September, the first thing that Thomas Tudbury had done was tack up his signed photograph of President Kennedy, and the tattered 1944 Time cover with Jetboy as Man of the Year.
By November, the picture of Kennedy was riddled with holes from Rodneys darts. Rod had decorated his side of the room with a Confederate flag and a dozen Playboy centerfolds.
He hated Jews, niggers, jokers, and Kennedy, and didn't like Tom much either. All through the fall semester, he had fun; covering Tom's bed with shaving cream, short-sheeting him, hiding his eyeglasses, filling his desk drawer with dog turds.
On the day that Kennedy was killed in Dallas, Tom came back to his room fighting to hold the tears. Rod had left him a present. He'd used a red pen. The whole top of Kennedy's head was dripping blood now, and over his eyes Rod had drawn little red X's. His tongue was sticking out of the corner of his mouth.
Thomas Tudbury stared at that for a long, long time. He did not cry; he would not allow himself to cry. He began to pack his suitcases.
The freshman parking lot was halfway across campus. The trunk on his '54 Mercury had a broken lock, so he tossed the bags into the backseat. He let the car warm up for a long time in the November chill. He must have looked funny sitting there; a short, overweight guy with a crewcut and horn-rim glasses, pressing his head against the top of the steering wheel like he was going to be sick.
As he was driving out of the lot, he spied Rodney's shiny new Olds Cutlass.
Tom shifted to neutral and idled for a moment, considering. He looked around. There was no one in sight; everybody was inside watching the news. He licked his lips nervously, then looked back at the Oldsmobile. His knuckles whitened around the wheel. He stared hard, furrowed his brow, and squeezed.
The door panels gave first, bending inward slowly under the pressure. The headlights exploded with small pops, one after the other. Chrome trim clattered to the ground, and the rear windshield shattered suddenly, glass flying everywhere. Fenders buckled and collapsed, metal squealing in protest. Both rear tires blew at once, the side panels caved in, then the hood; the windshield disintegrated entirely. The crankcase gave, and then the walls of the gas tank; oil, gasoline, and transmission fluid pooled under the car. By then Tom Tudbury was more confident, and that made it easier. He imagined he had the Olds caught in a huge invisible fist, a strong fist, and he squeezed all the harder. The crunch of breaking glass and the scream of tortured metal filled the parking lot, but there was no one to hear. He methodically mashed the Oldsmobile into a ball of crushed metal.
When it was over, he shifted into gear and left college, Rodney, and childhood behind forever.
Somewhere a giant was crying.
Tachyon woke disoriented and sick, his hangover throbbing in time to the mammoth sobs. The shapes in the dark room were strange and unfamiliar. Had the assassins come in the night again, was the family under attack? He had to find his father. He lurched dizzily to his feet, head swimming, and put a hand against the wall to steady himself.
The wall was too close. These weren't his chambers, this was all wrong, the smell… and then the memories came back. He would have preferred the assassins.
He had dreamed of Takis again, he realized. His head hurt, and his throat was raw and dry. Fumbling in the darkness, he found the chain-pull for the overhead light. The bulb swung wildly when he yanked, making the shadows dance. He closed his eyes to still the lurching in his gut. There was a foul taste at the back of his mouth. His hair was matted and filthy, his clothing rumpled. And worst of all, the bottle was empty. Tachyon looked around helplessly. A six-by-ten room on the second floor of a lodging house named ROOMS, on a street called the Bowery. Confusingly, the surrounding neighborhood had once been called the Bowery too-Angelface had told him that. But that was before; the area had a different name now. He went to the window, pulling up the shade. The yellow light of a streetlamp filled the room. Across the street, the giant was reaching for the moon, and weeping because he could not grasp it.
Tiny, they called him. Tachyon supposed that was human wit. Tiny would have been fourteen feet tall if only he could stand up. His face was unlined and innocent, crowned with a tangle of soft dark hair. His legs were slender, and perfectly proportioned. And that was the joke: slender, perfectly proportioned legs could not begin to support the weight of a fourteen-foot-tall man. Tiny sat in a wooden wheelchair, a great mechanized thing that rolled through the streets of Jokertown on four bald tires from a wrecked semi. When he saw Tach in the window, he screamed incoherently, almost as though he recognized him. Tachyon turned away from the window, shaking. It was another Jokertown night. He needed a drink.
His room smelled of mildew and vomit, and it was very cold. ROOMS was not as well heated as the hotels he had frequented in the old days. Unbidden, he remembered the Mayflower down in Washington, where he and Blythe… but no, better not to think of that. What time was it anyway? Late enough. The sun was down, and Jokertown came to life at night.
He plucked his overcoat from the floor and slipped it on. Soiled as it was, it was still a marvelous coat, a lovely rich rose color, with fringed golden epaulets on the shoulders and loops of golden braid to fasten the long row of buttons. A musician's coat, the man at the Goodwill had told him. He sat on the edge of his sagging mattress to pull on his boots.
The washroom was down at the end of the hall. Steam rose from his urine as it splashed against the rim of the toilet; his hands shook so badly that he couldn't even aim right. He slapped cold, rust-colored water on his face, and dried his hands on a filthy towel.
Outside, Tach stood for a moment beneath the creaking ROOMS sign, staring at Tiny. He felt bitter and ashamed. And much too sober. There was nothing to be done about Tiny, but he could deal with his sobriety. He turned his back on the weeping giant, slid his hands deep into the pockets of his coat, and walked off briskly down the Bowery.
In the alleys, jokers and winos passed brown paper bags from hand to hand, and stared with dull eyes at the passersby. Taverns, pawnbrokers, and mask shops were all doing a brisk trade. The Famous Bowery Wild Card Dime Museum (they still called it that, but admission was a quarter now) was closing for the day. Tachyon had gone through it once, two years ago, on a day when he was feeling especially guilt-ridden; along with a half-dozen particularly freakish jokers, twenty jars of "monstrous joker babies" floating in formaldehyde, and a sensational little newsreel about the Day of the Wild Card, the museum had a waxworks display whose dioramas featured Jetboy, the Four Aces, a Jokertown Orgy… and him.
A tour bus rolled past, pink faces pressed to the windows. Beneath the neon light of a neighborhood pizza parlor, four youths in black leather jackets and rubber facemasks eyed Tachyon with open hostility. They made him uneasy. He averted his eyes and dipped into the mind of the nearest: mincing pansy looka that hair dye job fershure thinks he's inna marching band like to beat his fuckin' drums but no wait shit there's better we'U find us a good one tonight yeah wanna get one that squishes when we hit it. Tach broke the contact with distaste and hurried on. It was old news, and a new sport: come down to the Bowery, buy some masks, beat up a joker. The police didn't seem to care.
The Chaos Club and its famous All-Joker Revue had the usual big crowd. As Tachyon approached, a long gray limo pulled up to the curb. The doorman, wearing a black tuxedo over luxuriant white fur, opened the door with his tail and helped out a fat man in a dinner jacket. His date was a buxom teenager in a strapless evening gown and pearls, her blond hair piled high in a bouffant hairdo.
A block farther on, a snake-lady called out a proposition from the top of a nearby stoop. Her scales were rainbowcolored, glistening. "Don't be scared, Red," she said, "it's still soft inside." He shook his head.
The Funhouse was housed in a long building with giant picture windows fronting the street, but the glass had been replaced with one-way mirrors. Randall stood out front, shivering in tails and domino. He looked perfectly normaluntil you noticed that he never took his right hand out of his pocket. "Hey, Tacky," he called out. "Whattaya make of Ruby?"
"Sorry, I don't know her," Tachyon said.
Randall scowled. "No, the guy who killed Oswald."
"Oswald?" Tach said, confused. "Oswald who?"
"Lee Oswald, the guy who shot Kennedy. He got killed on TV this afternoon."
"Kennedy's dead?" Tachyon said. It was Kennedy who'd permitted his return to the United States, and Tach admired the Kennedys; they seemed almost Takisian. But assassination was part of leadership. "His brothers will avenge him," he said. Then he recalled that they didn't do things that way on earth, and besides, this man Ruby had already avenged him, it seemed. How strange that he had dreamed of assassins.
"They got Ruby in jail," Randall was saying. "If it was me, I'd give the fucker a medal." He paused. "He shook my hand once," he added. "When he was running against Nixon, he came through to give a speech at the Chaos Club. Afterward, when he was leaving, he was shaking hands with everybody." The doorman took his right hand out of his pocket. It was hard and chitinous, insectile, and in the middle was a cluster of swollen blind eyes. "He didn't even flinch," Randall said. "Smiled and said he hoped I'd remember to vote."
Tachyon had known Randall for a year, but he had never seen his hand before. He wanted to do what Kennedy had done, to grasp that twisted claw, embrace it, shake it. He tried to slide his hand out of the pocket of his coat, but the bile rose in the back of his throat, and somehow all he could do was look away, and say, "He was a good man."
Randall hid his hand again. "Go on inside, Tacky," he said, not unkindly. "Angelface had to go and see a man, but she told Des to keep your table open."
Tachyon nodded and let Randall open the door for him. Inside, he gave his coat and shoes to the girl in the checkroom, a joker with a trim little body whose feathered owl mask concealed whatever the wild card had done to her face. Then he pushed through the interior doors, his stockinged feet sliding with smooth familiarity over the mirrored floor. When he looked down, another Tachyon was staring back up at him, framed by his feet; a grossly fat Tachyon with a head like a beachball.
Suspended from the mirrored ceiling, a crystal chandelier glittered with a hundred pinpoint lights, its reflections sparkling of the floor tiles and walls and mirrored alcoves, the silvered goblets and mugs, and even the waiters' trays. Some of the mirrors reflected true; the others were distorting mirrors, funhouse mirrors. When you looked over your shoulder in the Funhouse, you could never tell what you'd find looking back. It was the only establishment in Jokertown that attracted jokers and normals in equal numbers. In the Funhouse the normals could see themselves twisted and malformed, and giggle, and play at being jokers; and a joker, if he was very lucky, might glance in the right mirror and see himself as he once had been.
"Your booth is waiting, Doctor Tachyon," said Desmond, the maitre d'. Des was a large, florid man; his thick trunk, pink and wrinkled, curled around a wine list. He lifted it, and beckoned for Tachyon to follow with one of the fingers that dangled from its end. "Will you be having your usual brand of cognac tonight?"
"Yes," Tach said, wishing he had some money for a tip. That night he had his first drink for Blythe, as always, but his second was for John Fitzgerald Kennedy.
The rest were for himself.
At the end of Hook Road, past the abandoned refinery and the import/export warehouses, past the railroad sidings with their forlorn red boxcars, beneath the highway underpass, past the empty lots full of weeds and garbage, past the huge soybean-oil tanks, Tom found his refuge. It was almost dark by the time he arrived, and the engine in the Mere was thumping ominously. But Joey would know what to do about that.
The junkyard stood hard on the oily polluted waters of New York Bay. Behind a ten-foot-high chain link fence topped with three curly strands of barbed wire, a pack of junkyard dogs kept pace with his car, barking a raucous welcome that would have terrified anyone who knew the dogs less well. The sunset gave a strange bronze cast to the mountains of shattered, twisted, rusted automobiles, the acres of scrap metal, the hills and valleys of junk and trash. Finally Tom came to the wide double gate. On one side a metal sign warned TRESPASSERS KEEP OUT, on the other side another sign told them to BEWARE OF THE DOGS. The gate was chained and locked.
Tom stopped and honked his horn.
Just beyond the fence he could see the four-room shack that Joey called home. A huge sign was mounted on top of the corrugated tin roof, with yellow spotlights stuck up there to illuminate the letters. It said DI ANGELIS SCRAP METAL amp; AUTO PARTS. The paint was faded and blistered by two decades of sun and rain; the wood itself had cracked, and one of the spots had burned out. Next to the house was parked an ancient yellow dump truck, a tow truck, and Joey's pride and joy, a blood-red 1959 Cadillac coupe with tail fins like a shark and a monster of a hopped-up engine poking right up through its cutaway hood.
Tom honked again. This time he gave it their special signal, tooting out the Here-he-comes-to-save-the-daaaay! theme from the Mighty Mouse cartoons they'd watched as kids.
A square of yellow light spilled across the junkyard as Joey came out with a beer in either hand.
They were nothing alike, him and Joey. They came from different stock, lived in different worlds, but they'd been best friends since the day of the third-grade pet show. That was the day he'd found out that turtles couldn't fly; the day he realized what he was, and what he could do.
Stevie Bruder and Josh Jones had caught him out in the schoolyard. They played catch with his turtles, tossing them back and forth while Tommy ran between them, red-faced and crying. When they got bored, they bounced them off the punchball square chalked on the wall. Stevie's German shepherd ate one. When Tommy tried to grab the dog, Stevie laid into him and left him on the ground with broken glasses and a split lip.
They would have done worse, except for Junkyard Joey, a scrawny kid with shaggy black hair, two years older than his classmates, but he'd already been left back twice, couldn't hardly read, and they always said he smelled bad on account of his father, Dom, owned the junkyard. Joey wasn't as big as Stevie Bruder, but he didn't care, that day or any day. He just grabbed Stevie by the back of his shirt and yanked him around and kicked him in the balls. Then he kicked the dog too, and he would have kicked Josh Jones, except josh ran away. As he fled, a dead turtle floated off the ground and flew across the schoolyard to smack him in the back of his fat red neck.
Joey had seen it happen. "How'd you do that?" he said, astonished. Until that moment, even Tommy hadn't realized that he was the reason his turtles could fly.
It became their shared secret, the glue that held their odd friendship together. Tommy helped Joey with his homework and quizzed him for tests. Joey became Tommy's protector against the random brutality of playground and schoolyard. Tommy read comic books to Joey, until Joey's own reading got so much better that he didn't need Tommy. Dom, a grizzled man with salt-and-pepper hair, a beer belly, and a gentle heart, was proud of that; he couldn't read himself, not even Italian. The friendship lasted through grammar school and high school and Joey's dropping out. It survived their discovery of girls, weathered the death of Dom DiAngelis and Toms family moving off to Perth Amboy. Joey DiAngelis was still the only one who knew what Tom was.
Joey popped the cap on another Rheingold with the church key that hung around his neck. Under his sleeveless white undershirt a beer belly like his father's was growing. "You're too fucking smart to be doing shitwork in a TV repair shop," he was saying.
"It's a job," Tom said. "I did it last summer, I can do it full time. It's not important what kind of job I have. What's important is what I do with my, uh, talent."
"Talent?" Joey mocked.
"You know what I mean, you dumb wop." Tom set his empty bottle down on the top of the orange crate next to the armchair. Most of Joey's furnishings weren't what you'd call lavish; he scavenged them from the junkyard. "I been thinking about what Jetboy said at the end, trying to think what it meant. I figure he was saying that there were things he hadn't done yet. Well, shit, I haven't done anything. All the way back I asked what I could do for the country, y 'know? Well, fuck, we both know the answer to that one."
Joey rocked back in his chair, sucking on his Rheingold and shaking his head. Behind him, the wall was lined with the bookshelves that Dom had built for the kids almost ten years ago. The bottom row was all men's magazines. The rest were comic books. Their comic books. Supermans and Batmans, Action Comics and Detective, the Classics Illustrateds that Joey had mined for all his book reports, horror comics and crime comics and air-war comics, and best of all, their treasure-an almost complete run of Jetboy Comics.
Joey saw what he was looking at. "Don't even think it," he said, "you're no fuckin' Jetboy, Tuds."
"No," said Tom, "I'm more than he was. I'm-"
"A dork," Joey suggested.
"An ace," he said gravely. "Like the Four Aces."
"They were a colored doo-wop group, weren't they?" Tom flushed. "You dump wop, they weren't singers, they-"
Joey cut him of with a sharp gesture. "I know who the fuck they were, Tuds. Gimme a break. They were dumb shits, like you. They all went to jail or got shot or something, didn't they? Except for the fuckin' snitch, whatsisname." He snapped his fingers. "You know, the guy in Tarzan."
"Jack Braun," Tom said. He'd done a term paper on the Four Aces once. "And I bet there are others, hiding out there. Like me. I've been hiding. But no more."
"So you figure you're going to go to the Bayonne Times and give a fucking show? You asshole. You might as well tell em you're a commie. They'll make you move to Jokertown and they'll break all the goddamned windows in your dad's house. They might even draft you, asswipe."
"No," said Tom. "I've got it scoped out. The Four Aces were easy targets. I'm not going to let them know who I am or where I live." He used the beer bottle in his hand to gesture vaguely at the bookshelves. "I'm going to keep my name secret. Like in the comics."
Joey laughed out loud. "Fuckin' A. You gonna wear longjohns too, you dumb shit?"
"God damn it," Tom said. He was getting pissed of. "Shut the fuck up." Joey just sat there, rocking and laughing. "Come on, big mouth," Tom snapped, rising. "Get of your fat ass and come outside, and I'll show just how dumb I am. C'mon, you know so damned much."
Joey DiAngelis got to his feet. "This I gotta see." Outside, Tom waited impatiently, shifting his weight from foot to foot, breath steaming in the cold November air, while Joey went to the big metal box on the side of the house and threw a switch. High atop their poles, the junkyard lights blazed to life. The dogs gathered around, sniffing, and followed them when they began to walk. Joey had a beer bottle poking out of a pocket of his black leather jacket.
It was only a junkyard, full of garbage and scrap metal and wrecked cars, but tonight it seemed as magical as when Tommy was ten. On a rise overlooking the black waters of New York Bay, an ancient white Packard loomed like a ghostly fort. That was just what it had been, when Joey and he had been kids; their sanctum, their stronghold, their cavalry outpost and space station and castle rolled all in one. It shone in the moonlight, and the waters beyond were full of promise as they lapped against the shore. Darkness and shadows lay heavy in the yard, changing the piles of trash and metal into mysterious black hills, with a maze of gray alleys between them. Tom led them into that labyrinth, past the big trash heap where they'd played king-of-the-mountain and dueled with scrapiron swords, past the treasure troves where they'd found so many busted toys and hunks of colored glass and deposit bottles, and once even a whole cardboard carton full of comic books.
They walked between rows of twisted, rusty cars stacked one on another; Fords and Chevys, Hudsons and DeSotos, a Corvette with a shattered accordion hood, a litter of dead Beetles, a dignified black hearse as dead as the passengers it had carried. Tom looked at them all carefully. Finally he stopped. "That one," he said, pointing to the remains of a gutted old Studebaker Hawk. Its engine was gone, as were its tires; the windshield was a spiderweb of broken glass, and even in the darkness they could see where rust had chewed away at the fenders and side panels. "Not worth anything, right?"
Joey opened his beer. "Go ahead, it's all yours."
Tom took a deep breath and faced the car. His hands became fists at his side. He stared hard, concentrating. The car rocked slightly. Its front grill lifted an unsteady couple of inches from the ground.
"Whooo-eeee," Joey said derisively, punching Tom lightly in the shoulder. The Studebaker dropped with a clang, and a bumper fell off. "Shit, I'm impressed,". Joey said.
"Damn it, keep quiet and leave me alone," Tom said. "I can do it, I'll show you, just shut your fuckin' mouth for a minute. I've been practicing. You don't know the things I can do."
"Won't say a fuckin' word," Joey promised, grinning. He took a swig of his beer.
Tom turned back to the Studebaker. He tried to blot out everything, forget about Joey, the dogs, the junkyard; the Studebaker filled his world. His stomach was a hard little ball. He told it to relax, took several deep breaths, let his fists uncurl. Come on, come on, take it easy, don't get upset, do it, you've done more than this, this is easy, easy.
The car rose slowly, drifting upward in a shower of rust. Tom turned it around and around, faster and faster. Then, with a triumphant smile, Tom threw it fifty feet across the junkyard.
It crashed into a stack of dead Chevys and brought the whole thing down in an avalanche of metal.
Joey finished his Rheingold. "Not bad. A few years ago, you could barely lift me over a fence."
"I'm getting stronger all the time," Tom said.
Joey DiAngelis nodded, and tossed his empty bottle to the side. "Good" he said, "then you won't have any problem with me, willya?" He gave Tom a hard push with both hands.
Tom staggered back a step, frowning. "Cut it out, Joey."
"Make me," Joey said. He shoved him again, harder. This time Tom almost lost his footing.
"Damn it, stop it," Tom said. "It's not funny, Joey."
"No?" Joey said. He grinned. "I think it's fuckin' hilarious. But hey, you can stop me, can't you? Use your damn power." He moved right up in Tom's face and slapped him lightly across the cheek. "Stop me, ace," he said. He slapped him harder. "C'mon, Jetboy, stop me." The third slap was the hardest yet. "Let's go, supes, whatcha waitin' for?" The fourth blow had a sharp sting; the fifth snapped Tom's head half around. Joey stopped smiling; Tom could smell the beer on his breath. Tom tried to grab his hand, but Joey was too strong, too fast; he evaded Tom's grasp and landed another slap. "You wanna box, ace? I'll turn you into fuckin' dogmeat. Dork. Asshole." The slap almost tore Tom's head off, and brought stinging tears to his eyes. "Stop me, jagoff," Joey screamed. He closed his hand, and buried his fist in Tom's stomach so hard it doubled him over and took his breath away.
Tom tried to summon his concentration, to grab and push, but it was the schoolyard all over again, Joey was everywhere, fists raining down on him, and it was all he could to do get his hands up and try to block the blows, and it was no good anyway, Joey was much stronger, he pounded him, pushed him, screaming all the while, and Tom couldn't think, couldn't focus, couldn't do anything but hurt, and he was retreating, staggering back, and Joey came after him, fists cocked, and caught him with an uppercut that landed right on his mouth with a crack that made his teeth hurt. All of a sudden Tom was lying on his back on the ground, with a mouth full of blood.
Joey stood over him frowning. "Fuck," he said. "I didn't mean to bust your lip." He reached down, took Tom by the hand, and yanked him roughly to his feet.
Tom wiped blood from his lip with the back of his hand. There was blood on the front of his shirt too. "Look at me, I'm all messed up," he said with disgust. He glared at Joey. "That wasn't fair. You can't expect me to do anything when you're pounding on me, damn it."
"Uh-huh," Joey said. "And while you're concentrating and squinting your eyes, you figure the fuckin' bad guys are just gonna leave you alone, right?" He clapped Tom across the back. "They'll knock out all your fuckin' teeth. That's if you're lucky, if they don't just shoot you. You ain't no Jetboy, Tuds." He shivered. "C'mon. It's fuckin' cold out here."
When he woke in warm darkness, Tach remembered only a little of the binge, but that was how he liked it. He struggled to sit up. The sheets he was lying on were satin, smooth and sensual, and beneath the odor of stale vomit he could still smell a faint trace of some flowery perfume.
Unsteady, he tossed off the bedclothes and pulled himself to the edge of the four-poster bed. The floor beneath his bare feet was carpeted. He was naked, the air uncomfortably warm on his bare skin. He reached out a hand, found the light switch, and whimpered a little at the brightness. The room was pink-and-white clutter with Victorian furnishings and thick, soundproofed walls. An oil painting of John R Kennedy smiled down from above the hearth; in one corner stood a three-foot-tall plaster statue of the Virgin Mary.
Angelface was seated in a pink wingback chair by the cold fireplace, blinking at him sleepily and covering her yawn with the back of her hand.
Tach felt sick and ashamed. "I put you out of your own bed again, didn't I?" he said.
"It's all right," she replied. Her feet were resting on a tiny footstool. Her soles were ugly and bruised, black and swollen despite the special padded shoes she wore. Otherwise she was lovely. Unbound, her black hair fell to her waist, and her skin had a flushed, radiant quality to it, a warm glow of life. Her eyes were dark and liquid, but the most amazing thing, the thing that never failed to astonish Tachyon, was the warmth in them, the affection he felt so unworthy of. With all he had done to her, and to all the rest of them, somehow this woman called Angelface forgave, and cared.
Tach raised a hand to his temple. Someone with a buzzsaw was trying to remove the back of his skull. "My head," he groaned. "At your prices, the least you could do is take the resins and poisons out of the drinks you sell. On Takis, we-"
"I know," Angelface said. "On Takis you've bred hangovers out of your wines. You told me that one already." Tachyon gave her a weary smile. She looked impossibly fresh, wearing nothing but a short satin tunic that left her legs bare to the thigh. It was a deep, wine red, lovely against her skin. But when she rose, he glimpsed the side of her face, where her cheek had rested against the chair as she slept. The bruise was darkening already, a purple blossom on her cheek. "Angel.." he began.
"It's nothing," she said. She pushed her hair forward to cover the blemish. "Your clothes were filthy. Mal took them out to be cleaned. So you're my prisoner for a while."
"How long have I slept?" Tachyon asked.
"All day," Angelface replied. "Don't worry about it. Once I had a customer get so drunk he slept for five months." She sat down at her dressing table, lifted a phone, and ordered breakfast: toast and tea for herself, eggs and bacon and strong cofee with brandy for Tachyon. With aspirin on the side. "No," he protested. "All that food. I'll get sick."
"You have to eat. Even spacemen can't live on cognac alone."
"Please…"
"If you want to drink, you'll eat," she said brusquely. "That's the deal, remember?"
The deal, yes. He remembered. Angelface provided him with rent money, food, and an unlimited bar tab, as much drink as he'd ever need to wash away his memories. All he had to do was eat and tell her stories. She loved to listen to him talk. He told her family anecdotes, lectured about Takisian customs, filled her with history and legends and romances, with tales of balls and intrigues and beauty far removed from the squalor of Jokertown.
Sometimes, after closing, he would dance for her, tracing the ancient, intricate pavanes of Takis across the nightclub's mirrored floors while she watched and urged him on. Once, when both of them had drunk far too much wine, she talked him into demonstrating the Wedding Pattern, an erotic ballet that most Takisians danced but once, on their wedding night. That was the only time she had ever danced with him, echoing the steps, hesitantly at first, and then faster and faster, swaying and spinning across the floor until her bare feet were raw and cracked and left wet red smears upon the mirror tiles. In the Wedding Pattern, the dancing couple came together at the end, collapsing into a long triumphant embrace. But that was on Takis; here, when the moment came, she broke the pattern and shied away from him, and he was reminded once again that Takis was far away.
Two years before, Desmond had found him unconscious and naked in a Jokertown alley. Someone had stolen his clothing while he slept, and he was fevered and delirious. Des had summoned help to carry him to the Funhouse. When he came to, he was lying on a cot in a back room, surrounded by beer kegs and wine racks. "Do you know what you were drinking?" Angelface had asked him when they'd brought him to her office. He hadn't known; all he recalled was that he'd needed a drink so badly it was an ache inside him, and the old black man in the alley had generously offered to share. "It's called Sterno," Angelface told him. She had Des bring in a bottle of her finest brandy. "If a man wants to drink, that's his business, but at least you can kill yourself with a little class. The brandy spread thin tendrils of warmth through his chest and stopped his hands from shaking. When he'd emptied the snifter, Tach had thanked her effusively, but she drew back when he tried to touch her. He asked her why. "I'll show you, she had said, offering her hand. "Lightly," she told him. His kiss had been the merest brush of his lips, not on the back of her hand but against the inside of her wrist, to feel her pulse, the life current inside her, because she was so very lovely, and kind, and because he wanted her.
A moment later he'd watched with sick dismay as her skin darkened to purple and then black. Another one of mine, he'd thought.
Yet somehow they had become friends. Not lovers, of course, except sometimes in his dreams; her capillaries ruptured at the slightest pressure, and to her hypersensitive nervous system even the lightest touch was painful. A gentle caress turned her black and blue; lovemaking would probably kill her. But friends, yes. She never asked him for anything he could not give, and so he could never fail her.
Breakfast was served by a hunchbacked black woman named Ruth who had pale blue feathers instead of hair. "The man brought this for you this morning," she told Angelface after she'd set the table, handing across a thick, square packet wrapped in brown paper. Angelface accepted it without comment while Tachyon drank his brandy-laced coffee and lifted knife and fork to stare with sick dismay at the implacable bacon and eggs.
"Don't look so stricken," Angelface said.
"I don't think I've told you about the time the Network starship came to Takis, and what my great-grandmother Amurath had to say to the Ly'bahr envoy," he began.
"No," she said. "Go on. I like your great-grandmother."
"That's one of us. She terrifies me," Tachyon said, and launched into the story.
Tom woke well before dawn, while Joey was snoring in the back room. He brewed a pot of coffee in a battered percolator and popped a Thomas English muffin into the toaster. While the coffee perked, he folded the hide-a-bed back into a couch. He covered his muffins with butter and strawberry preserves, and looked around for something to read. The comics beckoned.
He remembered the day they'd saved them. Most had been his, originally, including the run ofJetboy he got from his dad. He'd loved those comics. And then one day in 1954 he'd come home from school and found them gone, a full bookcase and two orange crates of funny books vanished. His mother said some women from the PTA had come by to tell her what awful things comic books were. They'd shown her a copy of a book by a Dr. Wertham about how comics turned kids into juvenile delinquents and homos, and how they glorified aces and jokers, and so his mother had let them take Tom's collection. He screamed and yelled and threw a tantrum, but it did no good.
The PTA had gathered up comic books from every kid in school. They were going to burn them all Saturday, in the schoolyard. It was happening all over the country; there was even talk of a law banning comic books, or at least the kinds about horror and crime and people with strange powers. Wertham and the PTA turned out to be right: that Friday night, on account of comic books, Tommy Tudbury and Joey DiAngelis became criminals.
Tom was nine; Joey was eleven, but he'd been driving his pop's truck since he was seven. In the middle of the night, he swiped the truck and Tom snuck out to meet him. When they got to the school, Joey jimmied open a window, and Tom climbed on his shoulders and looked into the dark classroom and concentrated and grabbed the carton with his collection in it and lifted it up and floated it out into the bed of the truck. Then he snatched four or five other cartons for good measure.
The PTA never noticed; they still had plenty to burn. If Dom DiAngelis wondered where all the comics had come from, he never said a word; he just built the shelves to hold them, proud as punch of his son who could read. From that day on, it was their collection, jointly.
Setting his coffee and muffin on the orange crate, Tom went to the bookcase and took down a couple of issues of Jetboy Comics. He reread them as he ate, Jetboy on Dinosaur Island, Jetboy and the Fourth Reich, and his favorite, the final issue, the true one, Jetboy and the Aliens. Inside the cover, the title was "Thirty Minutes Over Broadway." Tom read it twice as he sipped his cooling coffee. He lingered over some of the best panels. On the last page, they had a picture of the alien, Tachyon, weeping. Tom didn't know if that had happened or not. He closed the comic book and finished his English muffin. For a long time he sat there thinking.
Jetboy was a hero. And what was he? Nothing. A wimp, a chickenshit. A fuck of a lot of good his wild card power did anybody. It was useless, just like him.
Dispiritedly, he shrugged into his coat and went outside. The junkyard looked raw and ugly in the dawn, and a cold wind was blowing. A few hundred yards to the east, the bay was green and choppy. Tom climbed up to the old Packard on its little hill. The door creaked when he yanked it open. Inside, the seats were cracked and smelled of rot, but at least he was out of that wind. Tom slouched back with his knees up against the dash, staring out at sunrise. He sat unmoving for a long time; across the yard, hubcaps and old tires floated up in the air and went screaming off to splash into the choppy green waters of New York Bay. He could see the Statue of Liberty on her island, and the hazy outlines of the towers of Manhattan off to the northeast.
It was nearly seven-thirty, his limbs were stiff, and he'd lost count of the number of hubcaps he'd flung, when Tom Tudbury sat up with a strange expression on his face. The icebox he'd been juggling forty feet from the ground came down with a crash. He ran his fingers through his hair and lifted the icebox again, moved it over twenty yards or so, and dropped it right on Joey's corrugated tin roof. Then he did the same with a tire, a twisted bicycle, six hubcaps, and a little red wagon.
The door to the house flew open with a bang, and Joey came charging out into the cold wearing nothing but boxer shorts and a sleeveless undershirt. He looked real pissed. Tom snatched his bare feet, pulled them out from under him, and dumped him on his butt, hard. Joey cursed.
Tom grabbed him and yanked him into the air, upside down. "Where the fuck are you, Tudbury?" Joey screamed. "Cut it out, you dork. Lemme down."
Tom imagined two huge invisible hands, and tossed Joey from one to the other. "When I get down, I'm going to punch you so fuckin' hard you'll eat through a straw for the rest of your life," Joey promised.
The crank was stiff from years of disuse, but Tom finally managed to roll down the Packard's window. He stuck his head out. "Hiya kids, hiya, hiya, hiya," he croaked, chortling.
Suspended twelve feet from the ground, Joey dangled and made a fist. "I'll pluck your fuckin' magic twanger, shithead," he shouted. Tom yanked off his boxer shorts and hung them from a telephone pole. "You're gonna die, Tudbury" Joey said.
Tom took a big breath and set Joey on the ground, very gently. The moment of truth. Joey came running at him, screaming obscenities. Tom closed his eyes, put his hands on the steering wheel, and lifted. The Packard shifted beneath him. Sweat dotted his brow. He shut out the world, concentrated, counted to ten, slowly, backward.
When he finally opened his eyes, half expecting to see Joey's fist smashing into his nose, there was nothing to behold but a seagull perched on the hood of the Packard, its head cocked as it peered through the cracked windshield. He was floating. He was flying.
Tom stuck his head out of the window. Joey stood twenty feet below him, glaring, hands on his hips and a disgusted look on his face. "Now," Tom yelled down, smiling, "what was it you were saying last night?"
"I hope you can stay up there all day, you son of a bitch," Joey said. He made an ineffectual fist, and waved it. Lank black hair fell across his eyes. "Ah, shit, what does this prove? If I had a gun, you'd still be dead meat."
"If you had a gun, I wouldn't be sticking my head out the window," Tom said. "In fact, it'd be better if I didn't have a window." He considered that for a second, but it was hard to think while he was up here. The Packard was heavy. "I'm coming down," he said to Joey. "You, uh, you calmed down?" Joey grinned. "Try me and see, Tuds."
"Move out of the way. I don't want to squash you with this damn thing."
Joey shuffled to one side, bare-ass and goose-pimpled, and Tom let the Packard settle as gently as an autumn leaf on a still day. He had the door half open when Joey reached in, grabbed him, yanked him up, and pushed him back against the side of the car, his other hand cocked into a fist. "I oughtta-" he began. Then he shook his head, snorted, and punched Tom lightly in the shoulder. "Gimme back my fuckin drawers, ace," he said.
Back inside the house, Tom reheated the leftover coffee. "I'll need you to do the work," he said as he made himself some scrambled eggs and ham and a couple more English muffins. Using his teke always gave him quite an appetite. "You took auto shop and welding and all that shit. I'll do the wiring. "
"Wiring?" Joey said, warming his hands over his cup. "What the fuck for?"
"The lights and the TV cameras. I don't want any windows people can shoot through. I know where we can get some cameras cheap, and you got lots of old sets around here, I'll just fix them up." He sat down and attacked his eggs wolfishly. "I'll need loudspeakers too. Some kind of PA system. A generator. Wonder if I'll have room for a refrigerator in there?"
"That Packard's a big motherfucker," Joey said. "Take out the seats and you'll have room for three of the fuckers."
"Not the Packard," Tom said. "I'll find a lighter car. We can cover up the windows with old body panels or something." Joey pushed hair out of his eyes. "Fuck the body panels. I got armor plate. From the war. They scrapped a bunch of ships at the Navy base in '46 and '47, and Dom put in a bid for the metal, and bought us twenty goddamn tons. Fuckin' waste a money-who the fuck wants to buy battleship armor? I still got it all, sitting way out back rusting. You need a fuckin' sixteeninch gun to punch through that shit, Tuds. You'll be safe asfuck, I dunno. Safe, anyhow."
Tom knew. "Safe," he said loudly, "as a turtle in its shell!"
Only ten shopping days were left until Christmas, and Tach sat in one of the window alcoves, nursing an Irish coffee against the December cold and gazing through the one-way glass at the Bowery. The Funhouse wouldn't open for another hour yet, but the back door was always unlocked for Angelface's friends. Up on stage, a pair of joker jugglers who called themselves Cosmos and Chaos were tossing bowling balls around. Cosmos floated three feet above the stage in the lotus position, his eyeless face serene. He was totally blind, but he never missed a beat or dropped a ball. His partner, six-armed Chaos, capered around like a lunatic, chortling and telling bad jokes and keeping a cascade of flaming clubs going behind his back with two arms while the other four flung bowling balls at Cosmos. Tach spared them only a glance. As talented as they were, their deformities pained him.
Mal slid into his booth. "How many of those you had?" the bouncer demanded, glaring at the Irish coffee. The tendrils that hung from his lower lip expanded and contracted in a blind wormlike pulsing, and his huge, malformed blue-black jaw gave his face a look of belligerent contempt.
"I don't see that it's any of your business."
"You're no damn use at all, are you?"
"I never claimed I was."
Mal grunted. "You're worth 'bout as much as a sack of shit. I don't see why the hell Angel needs no damn pantywaist spaceman hanging 'round the place sopping up her booze…"
"She doesn't. I told her that."
"You can't tell that woman nothin'," Mal agreed. He made a fist. A very large fist. Before the Day of the Wild Card, he'd been the eighth-ranked heavyweight contender. Afterward, he had climbed as high as third… until they'd banned wild cards from professional sports, and wiped out his dreams in a stroke. The measure was aimed at aces, they said, to keep the games competitive, but there had been no exceptions made for jokers. Mal was older now, sparse hair turned iron gray, but he still looked strong enough to break Floyd Patterson over his knee and mean enough to stare down Sonny Liston. "Look at that," he growled in disgust, glaring out the window. Tiny was outside in his chair. "What the hell is he doing here? I told him not to come by here no more." Mal started for the door.
"Can't you just leave him alone?" Tachyon called after him. "He's harmless."
"Harmless?" Mal rounded on him. "His screamin' scares of all the fuckin' tourists, and who the hell's gonna pay for all your free booze?"
But then the door pushed open, and Desmond stood there, overcoat folded over one arm, his trunk half-raised.
"Let him be, Mal," the maitre d' said wearily. "Go on, now." Muttering, Mal stalked off. Desmond came over and seated himself in Tachyon's booth. "Good morning, Doctor," he said.
Tachyon nodded and finished his drink. The whiskey had all gone to the bottom of the cup, and it warmed him on the way down. He found himself staring at the face in the mirrored tabletop: a worn, dissipated, coarse face, eyes reddened and puffy, long red hair tangled and greasy, features distorted by alcoholic bloat. That wasn't him, that couldn't be him, he was handsome, clean-featured, distinguished, his face was Desmond's trunk snaked out, its fingers locking around his wrist roughly, yanking him forward. "You haven't heard a word I've said, have you?" Des said, his voice low and urgent with anger. Blearily, Tach realized that Desmond had been talking to him. He began to mutter apologies.
"Never mind about that," Des said, releasing his grip. "Listen to me. I was asking for your help, Doctor. I may be a joker, but I'm not an uneducated man. I've read about you. You have certain-abilities, let us say."
"No," Tach interrupted. "Not the way you're thinking."
"Your powers are quite well documented," Des said. "I don't…" Tach began awkwardly. He spread his hands. "That was then. I've lost-I mean, I can't, not anymore." He stared down at his own wasted features, wanting to look Des in the eye, to make him understand, but unable to bear the sight of the joker's deformity.
"You mean you won't," Des said. He stood up. "I thought that if I spoke to you before we opened, I might actually find you sober. I see I was mistaken. Forget everything I said."
"I'd help you if I could," Tach began to say.
"I wasn't asking for me," Des said sharply.
When he was gone, Tachyon went to the long silverchrome bar and got down a full bottle of cognac. The first glass made him feel better; the second stopped his hands from shaking. By the third he had begun to weep. Mal came over and looked down at him in disgust. "Never knew no man cried as much as you do," he said, thrusting a dirty handkerchief at Tachyon roughly before he left; to help them open.
He had been aloft for four and a half hours when the news of the fire came crackling over the police-band radio down by his right foot. Not very far aloft, true, only about six feet from the ground, but that was enough-six feet or sixty, it didn't make all that much difference, Tom had found. Four and a half hours, and he didn't feel the least bit tired yet. In fact, he felt sensational.
He was strapped securely into a bucket seat Joey had pulled from a mashed-up Triumph TR-3 and mounted on a low pivot right in the center of the VW The only light was the wan phosphor glow from an array of mismatched television screens that surrounded him on all sides. Between the cameras and their tracking motors, the generator, the ventilation system, the sound equipment, the control panels, the spare box of vacuum tubes, and the little refrigerator, he hardly had space to swing around. But that was okay. Tom was more a claustrophile than a claustrophobe anyway; he liked it in here. Around the exterior of the gutted Beetle, Joey had mounted two overlapping layers of thick battleship armor. It was better than a goddamned tank. Joey had already pinged a few shots off it with the Luger that Dom had taken off a German officer during the war. A lucky shot might be able to take out one of his cameras or lights, but there was no way to get to Tom himself inside the shell. He was better than safe, he was invulnerable, and when he felt this secure and sure of himself, there was no limit on what he might be able to do.
The shell was heavier than the Packard by the time they'd gotten finished with it, but it didn't seem to matter. Four and a half hours, never touching ground, sliding around silently and almost effortlessly through the junkyard, and Tom hadn't even worked up a sweat.
When he heard the report over the radio, a jolt of excitement went through him. This is it! he thought. He ought to wait for Joey, but Joey had driven to Pompeii Pizza to pick up dinner (pepperoni, onion, and extra cheese) and there was no time to waste, this was his chance.
The ring of lights on the bottom of the shell threw stark shadows over the hills of twisted metal and trash as Tom pushed the shell higher into the air, eight feet up, ten, twelve.
His eyes flicked nervously from one screen to the next, watching the ground recede. One set, its picture tube filched from an old Sylvania, began a slow vertical roll. Tom played with a knob and stopped it. His palms were sweaty. Fifteen feet up, he began to creep forward, until the shell reached the shoreline. In front of him was darkness; it was too thick a night to see New York, but he knew it was there, if he could reach it. On his small black-and-white screens, the waters of New York Bay seemed even darker than usual, an endless choppy ocean of ink looming before him. He'd have to grope his way across, until the city lights came into sight. And if he lost it out there, over the water, he'd be joining Jetboy and J. F K. a lot sooner than he planned; even if he could unscrew the hatch quick enough to avoid drowning, he couldn't swim.
But he wasn't going to lose it, Tom thought suddenly. Why the fuck was he hesitating? He wasn't going to lose it ever again, was he? He had to believe that.
He pressed his lips together, pushed off with his mind, and the shell slid smoothly out over the water. The salt waves beneath him rose and fell. He'd never had to push against water before; it felt different. Tom had an instant of panic; the shell rocked and dropped three feet before he caught hold of himself and adjusted. He calmed himself with an effort, shoved upward, and rose. High, he thought, he'd come in high, he'd fly in, like Jetboy, like Black Eagle, like a fucking ace. The shell moved out, faster and faster, gliding across the bay with swift serenity as Tom gained confidence. He'd had never felt so incredibly powerful, so good, so goddamned right.
The compass worked fine; in less than ten minutes, the lights of the Battery and the Wall Street district loomed up before him. Tom pushed still higher, and floated uptown, hugging the shoreline of the Hudson. Jetboy's Tomb came and went beneath him. He'd stood in front of it a dozen times, gazing up at the face of the big metal statue out front. He wondered what that statue might think if it could look up and see him tonight.
He had a New York street map, but tonight he didn't need it; the flames could be seen almost a mile off. Even inside his armor Tom could feel the heat waves licking up at him when he made a pass overhead. He carefully began a descent. His fans whirred, and his cameras tracked at his command; below was chaos and cacophony, sirens and shouting, the crowd, the hurrying firemen, the police barricades and the ambulances, big hook-and-ladder trucks spraying water into the inferno. At first no one noticed him, hovering fifty feet above the sidewalk-until he came in low enough for his lights to play on the walls of the building. Then he saw them looking up, pointing; he felt giddy with excitement.
But he had only an instant to relish the feeling. Then, from the corner of an eye, he saw her in one of his screens. She appeared suddenly in a fifth-floor window, bent over and coughing, her dress already afire. Before he could act, the flames licked at her; she screamed and jumped.
He caught her in midair, without thinking, without hesitating, without wondering whether he could do it. He just did it, caught her and held her and lowered her gently to the ground. The firemen surrounded her, put out her dress, and hustled her into an ambulance. And now, Tom saw, everyone was looking up at him, at the strange dark shape floating high in the night, with its ring of shining lights. The police band was crackling; they were reporting him as a flying saucer, he heard. He grinned.
A cop climbed up on top of his police car, holding a bullhorn, and began to hail him. Tom turned off the radio to hear better over the roar of the flames. He was telling Tom to land and identify himself, asking who he was, what he was. That was easy. Tom turned on his microphone. "I'm the Turtle," he said. The VW had no tires; in the wheel wells, Joey had rigged the most humongous speakers they could find, powered by the largest amp on the market. For the first time, the voice of the Turtle was heard in the land a booming "I'M THE TURTLE" echoing down the streets and alleys, a rolling thunder crackling with distortion. Except what he said didn't sound quite right. Tom cranked the volume up even higher, injected a little more bass into his voice. "I AM THE GREAT AND POWERFUL TURTLE," he announced to them all.
Then he flew a block west, to the dark polluted waters of the Hudson, and imagined two huge invisible hands forty feet across. He lowered them into the river, cupped them full, and lifted. Rivulets of water dribbled to the street all the way back. When he dropped the first cascade on the flames, a ragged cheering went up from the crowd below.
"Merry Christmas," Tach declared drunkenly when the clock struck midnight and the record Christmas Eve crowd began to whoop and shout and pound on the tables. On stage,
Humphrey Bogart cracked a lame joke in an unfamiliar voice. All the lights in the house dimmed briefly; when they came back up, Bogart had been replaced by a portly, round-faced man with a red nose. "Who is he now?" Tach asked the twin on his left.
"W C. Fields," she whispered. She slid her tongue around the inside of his ear. The twin on the right was doing something even more interesting under the table, where her hand had somehow found a way into his trousers. The twins were his Christmas gift from Angelface. "You can pretend they're me," she'd told him, though of course they were nothing like her. Nice kids, both of them, buxom and cheerful and absolutely uninhibited, if a bit simpleminded; they reminded him of Takisian sex toys. The one on the right had drawn the wild card, but she wore her cat mask even in bed, and there was no visible deformity to disturb the sweet pleasure of his erection.
W C. Fields, whoever he was, ofered some cynical observations about Christmas and small children. The crowd hooted him off the stage. The Projectionist had an astonishing array of faces, but he couldn't tell a joke. Tach didn't mind; he had all the diversion he needed.
"Paper, Doe?" The vendor thrust a copy of the Herald Tribune across the table with a thick three-fingered hand. His flesh was blue-black and oily looking. "All the Christmas news," he said, shifting the clumsy stack of papers under his arm. Two small curving tusks protruded from the corners of his wide, grinning mouth. Beneath a porkpie hat, the great bulge of his skull was covered with tufts of bristly red hair. On the streets they called him the Walrus.
"No thank you, Jube," Tach said with drunken dignity. "I have no desire to wallow in human folly tonight."
"Hey, look," said the twin on the right. "The Turtle!" Tachyon looked around, momentarily befuddled, wondering how that huge armored shell could possibly have gotten inside the Funhouse, but of course she was referring to the newspaper.
"You better buy it for her, Tacky," the twin on the left said, giggling. "If you don't she'll pout."
Tachyon sighed. "I'll take one. But only if I don't have to listen to any of your jokes, Jube."
"Heard a new one about a joker, a Polack, and an Irishman stuck on a desert island, but just for that I'm not going to tell it," the Walrus replied with a rubbery grin.
Tachyon dug for some coins, found nothing in his pockets but a small, feminine hand. Jube winked. "I'll get it from Des," he said. Tachyon spread the newspaper out on the table, while the club erupted in applause as Cosmos and Chaos made their entrance.
A grainy photograph of the Turtle was spread across two columns. Tachyon thought it looked like a flying pickle, a big lumpy dill covered with little bumps. The Turtle had apprehended a hit-and-run driver who had killed a nine-year-old boy in Harlem, intercepting his flight and lifting the car twenty feet off the ground, where it floated with its engine roaring and its tires spinning madly until the police finally caught up. In a related sidebar, the rumor that the shell was an experimental robot flying tank had been denied by an Air Force spokesman.
"You'd think they'd have found something more important to write about by now," Tachyon said. It was the third big story about the Turtle this week. The letter columns, the editorial pages, everything was Turtle, Turtle, Turtle. Even television was rabid with Turtle speculation. Who was he? What was he? How did he do it?
One reporter had even sought out Tach to ask that question. "Telekinesis," Tachyon told him. "It's nothing new. Almost common, in fact." Teke had been the single ability most frequently manifested by virus victims back in '46. He'd seen a dozen patients who could move paper clips and pencils, and one women who could lift her own body weight for ten minutes at a time. Even Earl Sanderson's flight had been telekinetic in origin. What he did not tell them was that teke on this scale was unprecedented. Of course, when the story ran, they got half of it wrong.
"He's a joker, you know," whispered the twin on the right, the one in the silver-gray cat mask. She was leaning against his shoulder, reading about the Turtle.
"A joker?" Tach said.
"He hides inside a shell, doesn't he? Why would he do that unless he was really awful to look at?" She had taken her hand out of his trousers. "Could I have that paper?"
Tach pushed it toward her. "They're cheering him now," he said sharply. "They cheered the Four Aces too."
"That was a colored group, right?" she said, turning her attention to the headlines.
"She's keeping a scrapbook," her sister said. "All the jokers think he's one of them. Stupid, huh? I bet its just a machine, some kind of Air Force flying saucer."
"He is not," her twin said. "It says so right here." She pointed to the sidebar with a long, red-painted nail. "Never mind about her," the twin on the left said. She moved closer to Tachyon, nibbling on his neck as her hand went under the table. "Hey, what's wrong? You're all soft."
"My pardons," Tachyon said gloomily. Cosmos and Chaos were flinging axes, machetes, and knives across the stage, the glittering cascade multiplied into infinity by the mirrors around them. He had a bottle of fine cognac at hand, and lovely, willing women on either side of him, but suddenly, for some reason he could not have named, it did not feel like such a good night after all. He filled his glass almost to the brim and inhaled the heady alcoholic fumes. "Merry Christmas," he muttered to no one in particular.
Consciousness returned with the angry tones of Mal's voice. Tach lifted his head groggily from the mirrored tabletop, blinking down at his puffy red reflection. The jugglers, the twins, and the crowd were long gone. His cheek was sticky from lying in a puddle of spilled liquor. The twins had jollied him and fondled him and one of them had even gone under the table, for all the good it did. Then Angelface had come to the tableside and sent them away. "Go to sleep, Tacky," she'd said. Mal had come up to ask if he should lug him back to bed. "Not today," she'd said, "you know what day this is. Let him sleep it off here." He couldn't recall when he'd gone to sleep.
His head was about to explode, and Mal's shouting wasn't making things any better. "I don't give a flyin' fuck what you were promised, scumbag, you're not seeing her," the bouncer yelled. A softer voice said something in reply. "You'll get your fuckin money, but that's all you'll get," Mal snapped.
Tach raised his eyes. In the mirrors he saw their reflections darkly: odd twisted shapes outlined in the wan dawn light, reflections of reflections, hundreds of them, beautiful, monstrous, uncountable, his children, his heirs, the offspring of his failures, a living sea of jokers. The soft voice said something else. "Ah, kiss my joker ass," Mal said. He had a body like a twisted stick and a head like a pumpkin; it made Tach smile. Mal shoved someone and reached behind his back, groping for his gun.
The reflections and the reflections of the reflections, the gaunt shadows and the bloated ones, the round-faced ones and the knife-thin ones, the black and the white, they moved all at once, filling the club with noise; a hoarse shout from Mal, the crack of gunfire. Instinctively Tach dove for cover, cracking his forehead hard on the edge of the table as he slid down. He blinked back tears of pain and lay curled up on the floor, peering out at the reflections of feet while the world disintegrated into a sharp-edged cacophony. Glass was shattering and falling, mirrors breaking on all sides, silvered knives flying through the air, too many for even Cosmos and Chaos to catch, dark splinters eating into the reflections, taking bites out of all the twisted shadow-shapes, blood spattering against the cracked mirrors.
It ended as suddenly as it had begun. The soft voice said something and there was the sound of footsteps, the crunch of glass underfoot. A moment later, a muffled scream from off behind him. Tach lay under the table, drunk and terrified. His finger hurt: bleeding, he saw, sliced open by a sliver of mirror. All he could think of were the stupid human superstitions about broken mirrors and bad luck. He cradled his head in his arms so the awful nightmare would go away.
When he woke again, a policeman was shaking him roughly.
Mal was dead, one detective told him; they showed him a morgue photo of the bouncer lying in a pool of blood and a welter of broken glass. Ruth was dead too, and one of the janitors, a dim-witted cyclops who had never hurt anyone. They showed him a newspaper. The Santa Claus Slaughter, that was what they called it, and the lead was about three jokers who'd found death waiting under the tree on Christmas morning.
Miss Fascetti was gone, the other detective told him, did he know anything about that? Did he think she was involved? Was she a culprit or a victim? What could he tell them about her? He said he didn't know any such person, until they explained that they were asking about Angela Fascetti and maybe he knew her better as Angelface. She was gone and Mal was shot dead, and the most frightening thing of all was that Tach did not know where his next drink was coming from.
They held him for four days, questioning him relentlessly, going over the same ground again and again, until Tachyon was screaming at them, pleading with them, demanding his rights, demanding a lawyer, demanding a drink. They gave him only the lawyer. The lawyer said they couldn't hold him without charging him, so they charged him with being a material witness, with vagrancy, with resisting arrest, and questioned him again.
By the third day, his hands were shaking and he was having waking hallucinations. One of the detectives, the kindly one, promised him a bottle in return for his cooperation, but somehow his answers never quite satisfied them, and the bottle was not forthcoming. The bad-tempered one threatened to hold him forever unless he told the truth. I thought it was a nightmare, Tach told him, weeping. I was drunk, I'd been asleep. No, I couldn't see them, just the reflections, distorted, multiplied. I don't know how many there were. I don't know what it was about. No, she had no enemies, everyone loved Angelface. No, she didn't kill Mal, that didn't make sense, Mal loved her. One of them had a soft voice. No, I don't know which one. No, I can't remember what they said. No, I don't know if they were jokers or not, they looked like jokers, but the mirrors distort, some of them, not all of them, don't you see? No, I couldn't possibly pick them out of a lineup, I never really saw them. I had to hide under the table, don t you see, the assassins had come, that's what my father always told me, there wasn't anything I could do.
When they realized that he was telling them all he knew, they dropped the charges and released him. To the dark streets of Jokertown and the cold of the night.
He walked down the Bowery alone, shivering. The Walrus was hawking the evening papers from his newsstand on the corner of Hester. "Read all about it," he called out. "Turtle Terror in Jokertown." Tachyon paused to stare dully at the headlines. POLICE SEEK TURTLE, the Post reported. TURTLE CHARGED WITH ASSAULT, announced the World-Telegram. So the cheering had stopped already. He glanced at the text. The Turtle had been prowling Jokertown the past two nights, lifting people a hundred feet in the air to question them, threatening to drop them if he didn't like their answers. When police tried to make an arrest last night, the Turtle had deposited two of their black-and-whites on the roof of Freakers at Chatham Square. CURB THE TURTLE, the editorial in the WorldTelegram said.
"You all right, Doc?" the Walrus asked.
"No," said Tachyon, putting down the paper. He couldn't afford to pay for it anyway.
Police barriers blocked the entrance to the Funhouse, and a padlock secured the door. CLOSED INDEFINITELY, the sign said. He needed a drink, but the pockets of his bandleader's coat were empty. He thought of Des and Randall, and realized that he had no idea where they lived, or what their last names might be.
Trudging back to ROOMS, Tach climbed wearily up the stairs. When he stepped into the darkness, he had just enough time to notice that the room was frigidly cold; the window was open and a bitter wind was scouring out the old smells of urine, mildew, and drink. Had he done that? Confused, he stepped toward it, and someone came out from behind the door and grabbed him.
It happened so fast he scarcely had time to react. The forearm across his windpipe was an iron bar, choking off his scream, and a hand wrenched his right arm up behind his back, hard. He was choking, his arm close to breaking, and then he was being shoved toward the o en window, running at it, and Tachyon could only thrash feebly in a grip much stronger than his own. The windowsill caught him square in the stomach, knocking the last of his breath right out of him, and suddenly he was falling, head over heels, locked helplessly in the steel embrace of his attacker, both of them plunging toward the sidewalk below.
They jerked to a stop five feet above the cement, with a wrench that elicited a grunt from the man behind him. Tach had closed his eyes before the instant of impact. He opened them as they began to float upward. Above the yellow halo of the streetlamp was a ring of much brighter lights, set in a hovering darkness that blotted out the winter stars.
The arm across his throat had loosened enough for Tachyon to groan. "You," he said hoarsely, as they curved around the shell and came to rest gently on top of it. The metal was icy cold, its chill biting right through the fabric of Tachyon's pants. As the Turtle began to rise straight up into the night, Tachyon's captor released him. He drew in a shuddering breath of cold air, and rolled over to face a man in a zippered leather jacket, black dungarees, and a rubbery green frog mask. "Who…?" he gasped.
"I'm the Great and Powerful Turtle's mean-ass sidekick," the man in the frog mask said, rather cheerfully. "DOCTOR TACHYON, I PRESUME," boomed the shell's speakers, far above the alleys of Jokertown. "I'VE