Good-bye, children, good-bye. Tucked into your buses, secured into the hands of your parents or guardians on the approved list of who can pick you up. Principal Randles walks the halls of Saint Anthony, tapping off lights and shutting doors. Except for the art projects that flutter in her wake, nothing moves. The chalk dust has settled.
In her office, Principal Randles pours a glass of single malt. At home, a sink full of dishes and a poster of Paris at night. On Christmas she will volunteer at the convent, collecting the old nuns’ drool with cheap napkins.
What had the Altimari girl said? Santa doesn’t exist, with the same flip tone her mother, Corrine, had. Like her mother, this girl has no appreciation for a principal’s job. Someone has to enforce lines and ring bells and guide and discipline. The way that woman walked, like she was paying the sidewalk a favor. She hadn’t believed Corrine would actually die. But what had the girl called her? A bitch rag?
Principal Randles is going on a date tonight with a tax attorney who described himself on his profile as a culinary enthusiast. Ha-ha, she says to the empty office. Bitch rag, indeed. She wears a new dress the color of cornflowers and they are going to a restaurant whose patrons eat in plastic, glowing pods. She wants to show off the legs she maintains with Olympian discipline.
Principal Randles stands in the doorway to the main office, mood buoying. She watches her secretary, Regina, count pretzel money, all the hemming and hawing parts of her; the unexplained bag of yarn, the Christmas gifts heaped upon her in card, ceramic, and doodad form, the battery-powered vest that exclaims: HAPPY HOLIDAYS! Then goes quiet. HAPPY HOLIDAYS! Then goes quiet. Regina is in teaching for the outfits. By her elbow a pile of erasers waits to be clapped.
“Regina.” The principal wags her scotch. “Go home.”
“But the erasers.”
“Forget them.”
The secretary has too many bags, so the principal follows her through the schoolyard to her sagging Nissan. She watches Regina drive out of the parking lot, the reflection of her vest insisting HAPPY HOLIDAYS! against the windshield.
A figure crouches near the trees that border the yard.
“Who is that?” she calls.
It is a boy she doesn’t recognize. He considers her, then scurries away. She walks to where he had been kneeling. A line of trees dusted with dead leaves. A piece of chalk, a drained soda can, and a phrase written on the asphalt.
BITCH
Mindless graffiti, she assures herself, backhanding a stray tear from her cheek.