Facebook was misleading. Christophe Delestre had shaved off his moustache and goatee beard, put on a couple of stone in weight and was no longer wearing an outsized pair of black sunglasses. His brown eyes were large and candid, his puffy face bruised by a succession of sleepless nights. He was dressed in pale linen trousers, tennis shoes and a blue, button-down cotton shirt. Kell was ushered into the sitting room and invited to sit on a sofa covered by a moth-eaten blanket. Christophe closed the window on to the street and formally introduced his wife, who squinted at Kell as he shook her hand, holding the baby more tightly, as though she did not entirely trust this stranger in her home.
‘Is it about the insurance?’ she asked. Her name was Maria and she spoke French with a Spanish accent.
‘It’s not,’ he replied, and nodded affectionately at the child to put Maria more at ease.
‘You said your name was Tom? You are English?’ Perhaps to alleviate the tedium of permanent childcare, Christophe had been all too willing to allow Kell into his home. His manner was now more reserved. ‘How do you know about the fire?’
‘I’m going to be frank,’ Kell told them, and noticed that the child had stopped crying. Kitty. Malot’s god-daughter. ‘I work for MI6. Do you know what that is?’
There was a stunned pause as the Delestres looked at one another. Officers did not often choose to break cover, but in certain circumstances, and within certain psychological parameters, name-dropping MI6 was like flashing a badge at a crime scene.
It was Maria who spoke first. ‘You are a spy?’
‘I am an officer with the British Secret Intelligence Service. Yes. To all intents and purposes, I am a spy.’
‘And what do you want with us?’ Christophe looked frightened, as though Kell was now a direct threat to his wife and daughter.
‘You have nothing to worry about. I just need to ask you some questions about François Malot.’
‘What about him?’ Maria’s answer was quick, accessing some basic Latin impulse to disdain authority. ‘Who has sent you here? What do you want?’
The small sitting room had become stuffy and Kitty began to moan. Perhaps she had sensed the gathering atmosphere of distrust, the hostility in her mother’s usually gentle and consoling voice. ‘I apologize for visiting your home without an appointment. It was important that the French authorities did not know that I was coming here today.’
Christophe elected to move his daughter next door, taking the baby from Maria’s arms and walking through a kitchen area into what Kell assumed was a nursery or bedroom. Maria continued to stare at him, dark eyes cold with suspicion.
‘Can you please tell me your name again,’ she said. ‘I wish to write it down.’ Kell obliged her, spelling out K-E-L–L with slow precision. When Christophe came back into the room he seemed surprised to find his wife stooped over a table, scribbling.
‘I’m not feeling comfortable about this,’ he said, as though he had been coached by a third party and injected with greater self-confidence. ‘You say that you are with MI6, this seems a lie. What do you want? I think it was a mistake for me to allow you to come here.’
‘I mean you no harm,’ Kell replied, the quality of his French momentarily deserting him. The nuance he had tried to build into his response was lost and Maria found her voice.
‘I think you should leave us,’ she said. ‘We don’t want to have anything to do with you …’
‘No,’ added Christophe, buoyed by his wife’s courage. ‘I think it was a mistake. Please, if you want to interview us, you must go through the police …’
‘Sit down.’ Kell’s lingering, ceaseless irritation with Claire, allied to a general impatience with the Delestres, had caused him to lose his temper. He felt it flare inside him, the sudden snap of goodwill, and thought of Yassin naked in the chair in Kabul, his eyes wet with fear. The young French couple reacted to the sudden intensity in Kell’s voice as though he had drawn a gun. Christophe stepped sideways and dropped into an armchair. Maria took longer, but was eventually persuaded by Kell’s fixed stare to settle at the table.
‘What do you want?’ she said.
‘Why are you so defensive? Is there something I should know?’ Christophe began to reply, but Kell interrupted him. ‘It’s strange that you have no interest in François’ whereabouts. Can you explain that? I was under the impression that he was your closest friend.’
Christophe looked dazed, like a commuter woken from a nap on a train. His tired, indoor face was motionless as he tried to unpick the meaning of what Kell had told him.
‘I know where François is,’ he replied, finding a certain courage. His right hand gripped the arm of his chair, knuckles white. A film of sweat had gathered around his widow’s peak.
‘Then where is he?’
‘Why should we tell you?’ Maria flashed a look of dismay at her husband, who shook his head, as though to warn her against further resistance. ‘You say that you are a spy, but you could be working for the journalist who called us after the murder. We have already told him, repeatedly. We do not want to talk about what happened.’
Kell stood up, moving towards her. ‘Why would a journalist pretend to be a spy? Why would anybody do anything that stupid?’ The question became rhetorical, because the Delestres found no answer. ‘Let me get something straight. There’s a possibility that François is in a lot of trouble. I need to know if he’s been in touch with you. I need to see your correspondence.’
Maria produced a contemptuous snort. Kell could not help but admire her guts. ‘This is our private email!’ she said. ‘Why should we show you this? You have no right to …’
Kell stopped her mid-sentence. ‘Is Kitty asleep?’ he asked, moving towards the nursery as though he intended to take the child. It took only a fraction of a second for Maria to realize what Kell had said.
‘How do you know my daughter’s name?’
He turned towards Christophe, who looked to be weighing up the good sense of throwing a punch. ‘What about the books François promised you in his email from Tunis? Did they ever show up? Did “Uncle Frankie” come through for his god-daughter?’
Delestre tried to stand but Kell went a pace towards him and said: ‘Stay where you are.’ He was back with Yassin again, the power of containment, the greed for revenge and information, and had to check himself from going too far. ‘I don’t want this conversation to become difficult, for either of us. What I’m trying to tell you is that I can get access to anything I want. I need your cooperation so that I don’t have to go to the trouble of breaking the law. I would rather not spend days listening to your private phone calls. I would rather not tell MI6 Station in Paris to follow you around town, to hack into your computers, to watch your friends. But I will do that if I have to, because what I need to know is worth breaking the law for. Do you understand?’ Christophe looked confused, like a child being bullied. ‘I am trying to pay you the compliment of being honest. There is a hard way to do what I have to do and there is an easy way that leaves you free and unmolested.’
‘Tell us the easy way,’ Maria replied quietly, and it was as though her own private capitulation marked an end to the Delestres’ resistance.
‘I need to see a photograph of François,’ Kell replied. ‘Do you have one?’
He suspected that he already knew the answer to his own question, and so it proved. Christophe, adjusting his position in the armchair, shook his head and said: ‘We lost everything in the fire. All the albums, all the photographs. There are no pictures of François.’
‘Of course.’ Kell went towards the window and glanced up Rue Darwin. A smell of diesel came in from the street. ‘What about online?’ he asked. ‘What about Twitter or Facebook? Anything on there I could look at?’
Maria tilted her head to one side and stared at Kell in puzzlement, as though he had stumbled on a coincidence.
‘Christophe cannot access his Facebook,’ she said, a note of surprise in her voice. ‘It hasn’t been working for a month.’
‘I’ve contacted them,’ Christophe added. They were both looking at Kell as if they blamed him for this. ‘I’ve tried to change my password. One time I managed to get in but all my Facebook friends had vanished, all my photographs, all of my biographical information.’
‘Just wiped out?’
‘Just wiped out. The same with emails, Dropbox, Flickr. Everything to do with my Internet since the fire has been no good. It’s all gone. I just have this one account that I can use, my regular email to talk to friends. Everything else, no.’
Outside on the street, a motorbike sped past the window, braked at the corner, then burned off down Rue des Saules.
‘Any idea why?’ Again, Kell felt that he already knew the answer to his own question: a DGSE computer attack on the Delestre residence, wiping out all evidence of their association with François Malot. The fire was probably the icing on the cake; perhaps it had even been intended to kill them.
‘We have no idea,’ Maria replied, and asked permission to go into the bedroom to check on Kitty. Kell made a gesture of goodwill, his arms spread apart, his hands upturned, as if to say: Of course you can. It’s your house. You can do what you want. She returned moments later carrying something behind her back. Kell thought for a split second that it was a knife, until she brought her hand forward and he saw that she was holding a bottle of baby milk.
‘Tell me about the fire,’ he said. ‘Were you at home?’
They had been. Their top-floor flat four blocks away in Montmartre had gone up in smoke at two o’clock in the morning. An electrical fault, according to the landlord. They had been lucky to escape alive. If the fire brigade had not come as quickly as they did, Maria explained, Kitty would almost certainly have suffocated.
‘And you don’t know anybody else who might have a photograph of François? An uncle? An aunt? An ex-girlfriend?’
Christophe shook his head. ‘François is a loner,’ he said.
‘He does not have any friends,’ Maria added, as though she had long been suspicious of this. ‘No girls, either. Why do you keep asking about photographs? What’s going on?’
By now, she had sat on the arm of her husband’s chair, her hand in his. Kell opened the window and sat in the chair that Maria had earlier occupied. The light outside had faded and there were children playing in the street.
‘When did you last hear from him? You said that you’d received a number of emails.’
‘It sounds as though you’ve already read them.’ Christophe’s quick response lacked malice. It was as if the fresh air blowing in from the street had cleared the last of the ill-feeling between them.
Kell nodded. ‘MI6 intercepted an email that François sent to your ‘dugarrylemec’ address three days ago. His situation is a concern to us. The email was sent from Tunis. That’s how I know about Kitty, about Uncle Frankie, about the books. What else has he told you?’
The question appeared to unlock something within Christophe, who frowned as though poring over a puzzle.
‘He has told me a lot of things,’ he said, his soft eyes almost sorrowful in their confusion. ‘I have to be honest with you. Some of it worries me. Some of what he has written does not make very much sense.’
45
It all poured out, and was later produced as a transcript thanks to a DGSE analyst who, five days later, conducted his weekly check on the microphones at the Delestres’ apartment and came across evidence of the conversation with Thomas Kell.
The take quality was considered extremely high.
CHRISTOPHE DELESTRE (CD): He has told me a lot of things. I have to be honest with you. Some of it worries me. Some of what he has written does not make very much sense.
THOMAS KELL (TK): Tell me more.
CD: I know Frankie very well, OK? It isn’t like him just to disappear and make a new life, even with everything that’s happened to him.
TK: How do you mean, ‘make a new life’?
MARIA DELESTRE (MD): In the other emails he’s talked about leaving Paris for good, how upset he is about what happened in Egypt, saying that he doesn’t know when he’ll be coming home …
CD: The thing is, Frankie was never that close to his mother and father. He was adopted, did you know that?
TK: I knew that.
CD: But now it’s like he can’t get out of bed in the morning. He won’t talk to me, he won’t go to work …
TK: What do you mean he won’t talk to you?
CD: I can’t get him on the phone …
MD: [Unclear]
TK: He doesn’t answer the phone?
CD: No. He won’t respond to my messages. We used to talk all the time, I’m like his brother. Now everything is SMS …
TK: Text messages.
CD: Exactly, which was never his style. He [expletive] hates SMS. But now I get maybe three or four every day.
TK: May I see them?
Pause. Sound of movement.
MD: [Unclear]
CD: Here. You can just click through them.
MD: It’s difficult for you to know, but they aren’t like him at all. What do they say? ‘Starting new life’? ‘Sick of France’? ‘Too many memories in Paris’? All [expletive]. Frankie is not sentimental like this. It’s as if he’s joined a cult or something, some kind of therapy that’s telling him to say these things, breaking him away from his old friends.
TK: Grief can do strange things to people.
CD: But [Traffic noise. Unclear.]
TK: [Traffic noise continuing. Unclear.] How did he behave at the funeral?
MD: It was like you would expect. Just awful. He was very brave but very upset, you know? We all were. It was Père-Lachaise, very formal, only close friends and family invited.
TK: Père-Lachaise?
CD: Yes. It’s a cemetery about half an hour—
TK: I know what it is.
CD: [Unclear]
TK: Which arrondissement is that?
MD: What?
CD: Père-Lachaise? The twentieth, I think.
TK: Not the fourteenth?
CD: What?
TK: You’re certain that the funeral was in the twentieth arrondissement? Not in Montparnasse?
CD [and MD partial]: Yes.
TK: Can you tell me the date?
CD: For sure. It was a Friday. The twenty-first or twenty-second, I think.