19


The man came into my office without knocking. I was working at my desk and didn't look up until I had finished snipping an "Arlo and Janis" from The Globe to post on Susan's refrigerator door. When I did look up, the man had closed the door behind him and was pointing a gun at my head.

"Arlo and Janis is one of my favorites," I said.

"You see the gun?" the man said.

"I do," I said. "Right there at the end of your arm."

"Boss wanted you to see the gun."

On the left-hand wall of my office was a leather couch. At either end was a brass floor lamp with a small brass shade over the lightbulb. The man glanced at it and casually put a bullet through the shade nearest me. The explosion filled the office and made my ears hurt. If the man's ears hurt, he didn't show it.

"Boss wanted you to see me shoot," he said.

The bullet had torn the small brass shade apart, and it hung in twisted shards around the shattered lightbulb.

"Don't feel bad," I said. "That's the way I shot while I was learning."

The man let the gun hang by his right side. He was tall and languid, with longish blond hair, a deep tan, pale blue eyes, and a diamond stud in his left ear. He wore tan slacks, a double-breasted blue blazer, and a white shirt with a big collar that spilled out over his lapels. He had on light tan woven leather loafers and no socks. He smiled. It made his mouth thin and oddly turned the corners of his mouth down slightly. It was the kind of smile a shark would smile, if sharks smiled.

"I asked around about you," he said. "Everyone told me you were a funny guy."

I ducked my head modestly.

"What I want to know is how funny you'll be when you got a gut full of lead."

"A gut full of lead?" I said. "That's pathetic. Nobody talks like that anymore. A gut full of lead?"

"I don't think you're a funny guy," the man said. "And my boss don't think so. You need to stay away from the Emily Gordon case."

"You're not with the government, are you?" I said.

He paid no attention to me. The man really didn't think I was funny. He didn't think I was anything. The gun at his side was a 9mm Browning. I owned one just like it. He brought it up slowly and held it at arm's length, pointing it at my forehead. The hammer was back from the previous shot. He wasn't smiling, but there was still something shark-like in his face.

"You unnerstand what I tole you," he said.

"I think so," I said. "Who's your boss?"

He didn't say anything. The black bottomless barrel of the gun stared unwaveringly at my forehead.

"Okay," I said. "Be that way."

"I could do it now," he said.

His breathing seemed shallow and fast.

"You could, but you won't."

I focused on his trigger finger. If it showed any sign of movement I would roll to my right behind my desk and go for my gun. Except I wouldn't get behind my desk. He'd blow my head open while I was still in my chair. We both knew that. But I focused anyway. It was better than wondering if there was an afterlife.

"Why won't I?"

"You're supposed to scare me," I said.

"You scared?"

"Sure," I said. "But a lot of people know I'm working on Emily Gordon. You kill me and it will make the case hot again. Your boss knows that."

"Don't mean I won't kill you," he said.

His eyes seemed wider and a little unfocused.

"No, it don't," I said. "But it means you won't kill me now."

"You keep pushing on the Gordon thing," the man said, "and we won't have no reason to wait."

"Of course I might kill you," I said.

He licked his lips and there were faint smudges of color over his cheekbones.

"Pal," he said, "if there's a next time, you'll be dead before you see me."

"Does it hurt when they pierce your ears?" I said.

He stared at me over the gun.

"You know, when they put that cute diamond in your ear, was it painful?"

He stared at me some more.

Then he said, "Fuck you, pal," and walked out, still holding the gun.

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