58

Lansquenet, Summer 1999

THAT WAS IT. JAY KNEW AT ONCE HE WAS GONE. THERE WAS A finality in that goodbye which could not be ignored. As if, with the last drop of his wine, the old man had vanished completely. For several days he denied the certainty, telling himself Joe would come back, that he hadn’t left for good, that he wouldn’t have gone away a second time. But the heart had gone. The house no longer smelt of his smoke. The oldies station had stopped broadcasting, to be replaced by a local radio on the same frequency, blasting out modern hits. And there were no more glimpses of Joe just around the corner of a cold frame, or behind the shed, or in the orchard inspecting the trees. No-one sat and watched him work at his typewriter, unless it was Rosa, who sometimes crept downstairs and watched him from his bed. Wine was just wine, with no special effects. This time he felt no anger. Instead, there was a sense of inevitability. Once again, the magic had run out.

A week passed. The rain began to taper off, leaving more damage in its wake. Jay and Rosa stayed mostly indoors. Rosa was easy to please. She occupied herself. She stayed reading in her newly furnished room under the eaves or played Scrabble on the floor or went for splashy walks around the field with Clopette. Sometimes she listened to the radio or played with dough in the kitchen. Sometimes she baked small, hard, floury biscuits. Every evening Marise joined them and made dinner, staying just long enough to eat and check on Rosa before returning to work. The generator had been restored. The drainage ditches were taking time, but would be complete in a few more days. She had enlisted Roux and some other workers from Clairmont’s yard to help her. Even so the vineyard remained half flooded.

Jay had few visitors. Popotte called by twice with the mail and once with a cake from Joséphine, but Rosa was round the back of the house and went unnoticed. Once Clairmont came by with another load of bric-à-brac, but did not stay. Now that the worst of the weather was past, most of the others had work of their own to do.

Rosa’s presence filled the house. After Joe’s departure this was more than welcome, for the house seemed oddly bereft, as if something familiar had been taken away. For a child of her age she was very silent, however, and sometimes Jay could almost believe that she belonged more to Joe’s world than to his. She missed her mother. Except on one occasion, they had never been apart. She greeted Marise every evening with a fierce, wordless hug. Their meals together were cheerful and animated, but there was a reserve in Marise which Jay had not yet managed to penetrate. She rarely talked about herself. She did not mention Tony, or offer to finish the story she began on the day of the flood. Jay did not try to press her. It could wait.

A few days later Popotte brought a package from Nick, containing the contracts from Jay’s new publisher and a number of newspaper clippings, dated from July to September. A brief note from Nick read, ‘I thought you might be interested in this.’

Jay pulled out the clippings.

They all related to him in some way. He read them. Three small news items from British papers speculating about his disappearance. A piece from Publishers Weekly outlining his return to the writing scene. A retrospective from The Sunday Times entitled WHATEVER HAPPENED TO JACKAPPLE JOE? with pictures of Kirby Monckton. Jay turned the page. There, staring out at him with an impudent smile, was a photograph of Joe.

WAS THIS THE ORIGINAL JACKAPPLE MAN? queried the headline.

He stared at the picture. In it, Joe was fifty, maybe fifty-five. Bareheaded, a cigarette at the corner of his mouth, his small half-moon glasses perched on the end of his nose. In his hands he was holding a large pot of chrysanthemums adorned with a rosette. The caption read, ‘Local eccentric’.

‘Mackintosh, with his usual reticence, has never chosen to reveal the identity of the original Joe,’ continued the article, ‘though sources suggest that this man may have been the inspiration for the nation’s favourite gardener. Joseph Cox, born in Sheffield in 1912, worked first as head gardener at a stately home, then for thirty years at Nether Edge Coalworks in Kirby Monckton before ill-health forced him to retire. A well-known local eccentric, Mr Cox lived for many years in Pog Hill Lane, but was not available for interview at his residence, now the Meadowbank Retirement Home. Miss Julie Moynihan, a day nurse at the home, described him to our reporter. “He’s really a lovely old gentleman, with such a wonderful store of anecdotes. I’m thrilled to think he might have been the original Joe.” ’

Jay barely looked at the rest of the article. Conflicting emotions raked through him. Amazement that he should have come so close to him and not known, not sensed his presence somehow. Most of all, an overwhelming sense of relief, of joy. The past could be redeemed after all. Joe was still living at Pog Hill. Everything could be remade.

He forced himself to read the rest of the article. There was nothing especially new. A summary of Jackapple Joe, with a picture of the original cover. A small photograph of the Bread Baron with Candide on his arm, taken two years before their divorce. The journalist’s name at the bottom was K. Marsden and was slightly familiar. It took him several minutes to recognize Kerry’s pre-television name.

Of course. Kerry. That made sense. She knew about Pog Hill Lane, and about Joe. And, of course, she knew a great deal about Jay. She had access to photographs, diaries, papers. Five years of listening to his ramblings and reminiscences. He knew a fleeting moment of anxiety. What exactly had he told her? What had he given away? He didn’t suppose that after the way he’d walked out he had a right to expect any loyalty or discretion from her. He could only hope that she would stay professional and keep his private life private. He realized that he really didn’t know Kerry well enough to know what she’d do.

But none of that seemed important then. What mattered was Joe. He could be on a plane to London within a few hours, he told himself giddily, then catch the express north. He could be there by that evening. He could see him again. He could even bring him back with him, if that’s what the old man wanted. He could show him Château Foudouin. A strip of newsprint, barely the size of a book of stamps, fluttered free of the rest and came to land on the floor. Jay picked it up and turned it over. It was too small to be an article. He must have missed it among the other cuttings.

A note in biro at the top of the paper read, ‘Kirby Monckton Post’.

Obituaries – ctd.

Joseph Edwin COX, on 15 September 1999, quietly, after a long illness.

‘The kiss of the sun for pardon,

The song of the birds for mirth,

One is nearer God’s Heart in a garden

Than anywhere else on earth.’

Jay looked at it for a long time. The paper slipped from between his fingers, but he could still see it, brightly illuminated in his mind’s eye, in spite of the dullness of the day. His mind refused to process the information. Blanked. Refused. Jay stared at nothing, thought nothing.

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