Gentle Tweeter,
In room 6314 a dead scarecrow lies splayed in an explosion of broken coffee table. Strange as this admission may seem, this is not the first time I’ve stood alone in a room with a dead man on the floor at my feet, surrounded by shattered glass. Be patient, and a pattern will soon emerge.
How to describe what happens next? To date, I’ve suffered as an inmate of Hell. I’ve done battle with demons and tyrants and stood atop lofty cliffs overlooking majestic oceans of bodily fluids. Alive, I’ve been born aloft from Brisbane to Berlin to Boston in a Gulfstream as groveling minions plied my greedy mouth with peeled grapes. I’ve watched, albeit unimpressed, as my mother rode the back of a computer-generated dragon to a castle built of simulated rubies while drinking a Diet Coke in dramatic slow motion. Still, none of that has prepared me for the following. I step around the fallen Mr. Crescent City and crouch for a closer look. The floor is graveled in crystals of shattered safety glass. The rolled paper, the cover from Parade magazine, has slipped from his nose and slowly opens, blossoming against the sparkling nuggets. My mom, the perfect version of hair and teeth and human potential for everyone in the whole world. Me, the bane of her existence.
The naturalist in me—the supernaturalist; call me the Charles Darwin of the afterlife—I take careful regard of what occurs. The heap of junkie-filled laundry begins to shine. Something as faint as a memory shimmers on the surface of the body. A glow as insubstantial as a thought begins to rise from the fallen figure. Please note, Gentle Tweeter, that memories and thoughts are the stuff of ghosts. For souls are nothing if not pure consciousness. This spirals up to shape the translucent form I first saw in the foyer of the Rhinelander penthouse. The wasted, wrinkled body remains on the floor, but above it stands a shimmering double. It looks at me and smiles, rapt. “Little dead girl.”
Sitting on the bed, I say, “My name is Madison Spencer.” I nod toward the photo of me and my mother unfurled on the floor.
The figure, I’ll venture, is Mr. Crescent City’s spirit. Anecdotal evidence suggests that ketamine users can depart their physical selves. The consciousness of the intoxicated person detaches. The soul leaves the sedated body and is free to travel, according to the not-exact testimony of numerous drugged-out Special K abusers.
The spirit glances from me to the photo and back to me. He drops to his ghost knees and touches his forehead to the carpet at my feet, his hairy braid flopping against my Bass Weejuns. His voice muffled by the carpet, he says, “Little dead girl… it’s you!”
Out of pure meanness I put a ghost foot forward and step on his vile pigtail.
A foul sputtering noise rends the air.
A second trumpeting blast follows.
The prostrate underling, he’s breaking wind. “Oh, great Madison Spencer,” he whispers. “Hear my prayer.” He lets loose a fresh—fresh?—round of flatulence. “Hurry and accept my tribute and praise, okay? I need to make this quick, because I only have a couple minutes before I go back in my body, but I need to tell you about my holy mission….”
And the vile monster, he lets another rip.