And what became of the latex thing-baby abandoned in the storm? In the account given by Solon, the Egyptian priests sang that the miniature idol will gradually come to be alive. Smeared with lipstick and chocolate, its body will circulate with the cooled seed expressed by a stranger.
And not for long does our soiled harbinger baby linger on the pink star beside Hollywood Boulevard, for the wind catches it and bears it a distance. The Greek statesman writes that the foul waters in the gutter collect and carry the babe. The tiny graven image, bloated with breath, faceless, it’s borne along in the company of drowned rats and bloated strays. These the gutters of Hollywood channel underground. And the subterranean sewers of Los Angeles guide the little idol and introduce it to wayward bleach bottles and spent ketchup bottles. The storm-water tunnels and the weirs manage this flood of plastic discards, this downward migration of polystyrene. And the thing-baby ventures forth on the flood, not in a basket woven of rushes, but attended to by legions of used syringes. And swaddled in dry-cleaning bags it journeys among this flotsam of toothless combs and escaped tennis balls. They all flock together, routed through buried pipes and sunless catch basins. Swimming here are the mysterious ghost shapes of blister-packaged objects, those plastic cauls of products long ago given birth by consumers. And thus becomes the fate of all worldly treasures. And in due time the little thing-baby and all these earthly rewards, the immortal leavings of mortal humans, these are poured into the ditch of the Los Angeles River.
The way turtle hatchlings are baited by the moon’s light, and each generation of salmon is compelled to find their destiny… so, too, will our thing-baby and its soiled host of man-made fragments be lured. A receding tide compels this entire generation of shapeless, useless castoffs to venture forth into the Pacific Ocean.