11:49 P.M.
MUNCHEL
WAR IS HELL.

First Swanson bites it. Then Pessolano gets shot in the neck. The cherry on top is getting whacked full-body with a refrigerator door.

The blow knocks the wind out of Munchel, ramming him into the wall, sandwiching him against it. Like a true soldier he manages to hold on to the Desert Eagle. Unfortunately, Munchel’s arm is at his side, immobile, the door pinning his wrist. He can’t raise the gun, and has no leverage to push away from the wall.

A second shot whizzes through the window. Munchel jerks at the sound, but he isn’t the one who gets hit. Munchel stares at Pessolano writhing on the ground – the man’s leg looks like it has sprouted another knee in the middle of the thigh.

Another shot does the same thing to the opposite leg. Pessolano clutches at his throat, making a face like he’s screaming, but no sound is coming out. Munchel is horrified. It’s too much to watch, too much to bear. He squeezes his eyes closed and wiggles, trying to twist away from the refrigerator door. With a grunt and some hip action, Munchel frees up enough room to get his gun arm loose. He brings the gun around, shoots behind the refrigerator door where he guesses his attacker to be, the Desert Eagle sounding like cannon fire.

The one-armed man pinning him to the wall backpedals. Munchel fires at him twice more, his bullets pinging into the door as the man falls. Munchel has no idea if he hit the guy or not, but he takes a quick last look at Pessolano, sees his friend’s remaining good limb get turned into cube steak by more sniper fire, and decides he doesn’t want to be in this room any longer.

He sprints away from the big bay window, out of the living room, following the path of the chick cop through the kitchen and to a doorway. Munchel finds her in the garage, her back to him, rummaging through a large stack of boxes.

James Michael Munchel raises the big Desert Eagle. It’s time to end this.

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