King Lear

REFERENCES

1. Gamini Salgado, Eyewitnesses of Shakespeare: First Hand Accounts of Performances 1590–1890 (1975), p. 38.

2. James Boswell, in a diary entry on 12 May 1763, in Boswell’s London Journals: 1762–1763, ed. Frederick A. Pottle (1950), pp. 256–7.

3. George Steevens, review dated 16–18 February 1773, quoted in Shakespeare, The Critical Heritage, ed. Brian Vickers, vol. 5, 1765–1774(1979), pp. 501–2.

4. Leigh Hunt in an originally unsigned review of King Lear in The Examiner, No. 21, 22 May 1808, pp. 331–3.

5. The Times, review of King Lear, 25 April 1820.

6. William Hazlitt, in a London Magazine review of June 1820.

7. William Hazlitt, in a London Magazine review of May 1820.

8. John Forster, “The Restoration of Shakespeare’s Lear to the Stage,” The Examiner, No. 1566, 4 February 1838, pp. 69–70.

9. “Review of King Lear,” The Athenaeum, No. 1066, 1 April 1848, p. 346.

10. William Winter, “The Art of Edwin Booth: King Lear,” in his Life and Art of Edwin Booth (1893), pp. 177–85.

11. Henry James, “Tommaso Salvini,” The Atlantic Monthly, Vol. LI, No. CCCV, March 1883, pp. 377–86.

12. John Gielgud, “Granville Barker Rehearses King Lear,” in his Stage Directions (1963, repr. 1979), pp. 51–5.

13. James Agate, review of King Lear in Brief Chronicles: A Survey of the Plays of Shakespeare and the Elizabethans in Actual Performance (1943, repr. 1971), pp. 201–3.

14. The Times, review of King Lear, 21 April 1936.

15. W. A. Darlington, “Old Vic at Home,” New York Times, 13 October 1946.

16. Alan Brien, “Simulation in the Fields,” The Spectator, Vol. 203, No. 6843, 21 August 1959, pp. 223–4.

17. Maynard Mack, King Lear in Our Time (1966).

18. James Ogden, “Introduction,” in Lear from Study to Stage: Essays in Criticism, ed. James Ogden and Arthur H. Scouten (1997).

19. Illustrated London News, Vol. 241, No. 6433, 17 November 1962.

20. Stephen J. Philips, “Akira Kurosawa’s Ran,” in Lear from Study to Stage,p. 102.

21. Benedict Nightingale, New Statesman, 3 December 1976.

22. Sheridan Morley, Daily Express, 2 July 2004.

23. Tom Piper, King Lear, RSC Online Playguide, 2004.

24. Corin Redgrave, King Lear, RSC Online Playguide, 2004.

25. Benedict Nightingale, “Some Recent Productions,” in Lear from Study to Stage, p. 236.

26. John Peter, Sunday Times, 31 October 1999.

27. Michael Billington, Guardian, 30 October 1999.

28. Colin Chambers, Other Spaces: New Theatre and the RSC (1980), p. 71.

29. Nightingale, “Some Recent Productions,” p. 232.

30. Irving Wardle, Independent, 15 July 1990.

31. David Fielding, designer of the 1990 production, in interview with Lynne Truss, Independent, 8 July 1990.

32. John Gross, Sunday Telegraph, 15 July 1990.

33. Michael Billington, Guardian, 13 July 1990.

34. Note in King Lear, RSC program, 1993.

35. Irving, Independent, 15 July 1990.

36. Chambers, Other Spaces, p. 69.

37. Michael Billington, Guardian, 30 June 1982.

38. Billington, Guardian, 30 June 1982.

39. David Nathan, Jewish Chronicle, 9 July 1982.

40. James Fenton, Sunday Times, 4 July 1982.

41. Antony Sher, “The Fool in King Lear,” in Players of Shakespeare 2, ed. Russell Jackson and Robert Smallwood (1988).

42. Adrian Noble, interview for King Lear, RSC Education Pack, 1993.

43. Robert Wilcher, “King Lear,” in Shakespeare in Performance, ed. Keith Parsons and Pamela Mason (1995), p. 91.

44. Gordon Parsons, Morning Star, 5 July 1982.

45. Alexander Leggatt, King Lear, Shakespeare in Performance (1991),p. 55.

46. Wilcher, “King Lear,” p. 93.

47. Janet Dale, in RSC Education Pack, 1993.

48. Benedict Nightingale, The Times, 12 July 1990.

49. Billington, Guardian, 13 July 1990.

50. Nightingale, “Some Recent Productions,” p. 231.

51. Emily Raymond, King Lear, RSC Online Playguide, 2005.

52. Nicholas de Jongh, Evening Standard, 21 May 1993.

53. Michael Billington, Guardian, 22 May 1993.

54. Nightingale, “Some Recent Productions,” p. 239.

55. Paul Taylor, Independent, 5 July 2004.

56. Peter J. Smith, in Cahiers Élisabéthains, No. 66 (2004).

57. Billington, Guardian, 30 June 1982.

58. Charles Marowitz, “Lear Log,” Tulane Drama Review, Vol. 8, No. 2 (Winter 1963), pp. 103–21.

59. Redgrave, King Lear.