65
It was another perfect spring morning in Provence. Carver met the baker’s decrepit old van on the street, half a mile from the house, and thumbed a lift. Now it was chugging and clattering up to the gate. The gang member he had christened Ringo appeared in the driveway, signaling for them to stop. Up close, where the tufts of hair on his back and chest sprouted over the neck of his T-shirt, he looked even less appealing. But he was carrying a combat shotgun, and from the way he carried it, angled across his body-the stock nestled in the crook of his right arm, right hand on the trigger, the barrel pointing down-someone had trained him to use it properly.
Ringo glared at the baker, ignoring the tradesman’s polite “Bonjour, m’sieur,” offering not even a grunt by way of acknowledgment that he recognized his face. He just pointed at the keys in the ignition and flicked his fingers, indicating that they should be handed over.
Once the van had been immobilized, he walked around the vehicle and opened the rear doors. With an air of infinite suspicion, he examined the rows of baguettes, round loaves, cakes, tarts, and croissants arranged in the back of the van, seemingly immune to the temptation posed by their crisp brown crusts, succulent fillings, and mouthwatering aromas. So far as he was concerned, every pain au chocolat was a potential booby trap, every quiche a hidden hand grenade. He looked inside the plastic bags filled with meat, vegetables, and booze. Finally, he satisfied himself that the contents of the van posed no danger to anything other than the arteries and brain cells of the people who consumed them.
The bull-necked gangster closed the doors, then resumed his circuit of the van. He came to a halt by the passenger door. He signaled for the window to be wound down. When it had been, he pointed the gun through the opening, bent his head, looked along the barrel, and stared Carver full in the face.
Ringo’s single eyebrow knitted even more tightly as he considered the threat posed by this unfamiliar individual wearing white housepainter’s overalls. He took a step back, positioning himself just to the rear of the door, making sure his field of fire was unimpeded, then motioned with the gun barrel, telling Carver to get out of the van.
Carver stepped out into the warm, scented sunshine, putting his hands up as he did so, the natural reaction of an innocent, inexperienced civilian confronted by a man with a gun. The Georgian pointed his gun at the worn, khaki canvas shoulder bag on the floor of the passenger compartment. He wanted Carver to retrieve it. Once again, Carver did as he was told. He carried out the apparently simple task in slow, distinct stages, making it clear at every point that he was doing nothing untoward.
Once he was standing upright again, with the bag in his hand, he opened it up for inspection. There were two cans of paint inside: one white gloss, brand-new and unopened, the other empty and stuffed with old rags. Alongside the cans lay three brushes of varying widths, a large can of paint thinner, a packet of potato chips, a glass one-liter bottle filled with orange juice, and a small, greaseproof-paper package.
“Sandwiches, for my lunch,” said Carver in French, holding it up. He strongly doubted that the guard spoke the language, but he kept going anyway.
“I just came to do some painting. My patron said the woodwork in the kitchen and lounge needs touching up. Told me he’d spoken to the man that’s renting the place… comprenez?”
Ringo glowered some more before he got out a phone and, still keeping one hand on his gun, hit the speed dial. He had a brief conversation in a language Carver had never heard before, but assumed must be Georgian. Then he signaled to Carver to get back in the van, and jerked his head in the direction of the house.
The baker started up the rackety engine once again and they headed up the hill, around the building to the parking area at the rear. There, the baker got out and walked toward the kitchen door, carrying a couple of shopping bags filled with provisions. He glanced nervously at the two dogs, standing by the wire cage, growling and barking at his approach as he knocked on the door. It opened and the brunette woman, Yoko, stuck her head out. She shouted at the dogs, who lowered their barking to a mean, resentful grumbling and backed away a few paces from the wire. Then she let the baker into the building.
Carver hung back, as if waiting his turn to say his piece. He was standing about fifteen feet away from the kitchen door, by the pile of firewood, under its wooden shelter. He looked around. There was no one watching him. He crouched down at the back of the log pile by the wall of the house and opened up his bag.
Over the next few seconds, he carried out a series of quick, precise actions. First, he took out the small packet of sandwiches and placed them in his pocket. Then he gently slid out a small log at the back of the pile, as if he were removing a brick from a Jenga tower, and shoved the bag of chips and the bottle of orange juice into the gap where the log had been. The canvas bag was tucked out of sight on the ground, in the shade of the shelter, right by the wall of the house. Carver left the bag open, with the can of paint placed across the top of the used paint can stuffed with rags.
Then he walked past the kitchen door. Inside, the baker was holding out a tray of pastries for Yoko to inspect. Again making sure that no one could see him, Carver opened his packet and lobbed the two sandwiches into the dogs’ cage, where they were instantly devoured. He turned back again and hovered outside the kitchen door while the woman made her selection and the baker noted it down on a pad before picking up his tray again and going back to his van.
When it was his turn to speak, Carver stepped into the doorway and launched into the same garbled explanation of his presence that he had given the guard at the gate. Yoko looked puzzled at first, then anxious. She looked behind her, into the house, clearly trying to decide whether it was worth waking her boss. To Carver’s relief, she concluded that it was not and started shooing him away, gabbling indignantly as she did so.
He took the hint and walked back to the van, where the baker was waiting with a grin plastered all over his face-the delighted smile of a man who has just seen another male getting it in the neck from an angry woman. As he got into the passenger seat, Carver shook his head ruefully and blew out his cheeks.
“Les femmes, hein? ” he sighed.
The baker laughed, then started up the van, and they rattled away down the hill.