54

MARIA STOOD IN THE SUN on the Western street and waited for the young agent from Freddy Chaikin's office to back his Volkswagen past the Writers' Building to where she was. It was hot and no one had left her name at the gate and there was a spot on her skirt and she was annoyed because of the trouble at the gate and because Freddy Chaikin had not come himself. He had arranged for her to see a director who wanted her for a bike picture and the least he could have done was show up himself. She did not even want to do another bike picture.

"Looks like we missed him," the young agent said. He did not turn the motor off.

"How do you mean, we missed him."

"I mean I guess he's already left for lunch." The agent looked uncomfortably past Maria. "Actually it wasn't two hundred percent confirmed, he told Freddy he might be tied up with the girl they're looking at for the lead."

Maria pushed her hair back and watched the agent avoid her eyes. "What exactly did they want me for," she said finally.


"The high-school teacher, Freddy must've told you that. You read the script, that's the part, the lead's just any teeny fluff. I mean the teacher, she. . she carries the picture."

"The teacher," Maria said. "Who plays the Angel Mama?"

"His girlfriend."

"I have to go now," Maria said, and without waiting for him to speak she turned and began walking toward the gate. Once in her car she drove as far as Romaine and then pulled over, put her head on the steering wheel and cried as she had not cried since she was a child, cried out loud. She cried because she was humiliated and she cried for her mother and she cried for Kate and she cried because something had just come through to her, there in the sun on the Western street: she had deliberately not counted the months but she must have been counting them unawares, must have been keeping a relentless count somewhere, because this was the day, the day the baby would have been born.

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