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15 (p. 459) Higgins, left alone, rattles his cash in his pocket; chuckles; and disports himself in a highly self-satisfied manner: Since the first performance of Pygmalion in England, actors and audiences have rebelled against the unresolved ending of Shaw’s first version of the play, used in this edition. In Shaw’s later revision, Higgins “roars with laughter” as he informs his mother that Eliza is going to “marry Freddy.” In so doing, Higgins conforms to the prose narrative Shaw appended to the published version of the play.

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