Simon vs. the Homo Sapiens Agenda

27

WHICH ISN’T TO SAY I’M going to stop thinking about it.

I spend all of Sunday in my room switching between the Smiths and Kid Cudi at top volume, and I don’t even care if that’s too random for my parents. Their minds can stay blown for all I care. I try to get Bieber to sit with me on my bed, but he keeps pacing, so I put him out in the hallway. But then he whines to come back in.

“Nora, get Bieber,” I yell over the music, but she doesn’t answer. So I text it to her.

She texts back: Do it yourself. I’m not home.

Where are you? I really hate this new thing where Nora’s never home.

But she doesn’t text back. And I’m feeling too heavy and listless to get up and ask my mom.

I stare up at the ceiling fan. So Blue isn’t going to tell me, which means I have to figure it out myself. I’ve been running through the same list of clues in my head for a few hours now.

Same first name as a president and an obscure comic book character. Half-Jewish. Excellent grammar. Easily nauseated. Virgin. Doesn’t really go to parties. Likes superheroes. Likes Reese’s and Oreos (i.e., not an idiot). Divorced parents. Big brother to a fetus. Dad lives in Savannah. Dad’s an English teacher. Mom’s an epidemiologist.

The problem is, I’m beginning to realize I hardly know anything about anyone. I mean I generally know who’s a virgin. But I don’t have a clue whether most people’s parents are divorced, or what their parents do for a living. I mean, Nick’s parents are doctors. But I don’t know what Leah’s mom does, and I don’t even know what the deal is with her dad, because Leah never talks about him. I have no idea why Abby’s dad and brother still live in DC. And these are my best friends. I’ve always thought of myself as nosy, but I guess I’m just nosy about stupid stuff.

It’s actually really terrible, now that I think about it.

But it’s pointless. Because even if I crack the code somehow, it doesn’t change the fact that Blue isn’t interested. He found out who I am. And now it’s broken, and I don’t know what to do. I told him I understand if he’s not attracted to me. I tried to make it sound like I don’t mind.

But I don’t understand. And I totally mind.

This fucking sucks, actually.

On Monday, there’s a plastic grocery bag looped through the handle of my locker, and my first thought is that it’s a jockstrap. I guess I’m picturing some stupid athlete giving me a sweaty jockstrap as a grand gesture of humiliation and douchery. I don’t know. Maybe I’m paranoid.

Anyway, it’s not a jockstrap. It’s a jersey cotton T-shirt with the logo from Elliott Smith’s Figure 8. Resting on top is a note that says this: “I’m assuming Elliott understands that you would have made it to his shows if you could have.”

The note is written on blue-green construction paper in perfectly straight print—not a hint of slant. And of course he remembered the second “t” in Elliott. Because he’s Blue. He would.

The shirt is a medium, and it’s vintage soft, and everything about it is entirely, amazingly perfect. For one wild moment, I think I’ll find a bathroom and change into it right now.

But I stop myself. Because it’s still weird. Because I still don’t know who he is. And the idea of him seeing me in the shirt makes me really self-conscious for some reason. So, I keep it neatly folded in the bag, and then I put the bag in my locker. And then I float through the day in a jittery, happy daze.

But then I get to rehearsal, and there’s this sudden seismic shift. I don’t even know. It has something to do with Cal. He’s leaving the auditorium to go to the bathroom just as I arrive, and he stops for a minute in the doorway. And then we sort of smile at each other and both keep walking.

It’s nothing. It’s not even a moment. But there’s this sunburst of anger that starts in my chest. I mean, I can actually physically feel it. And it’s all because Blue is a goddamn coward. He’ll hang a fucking T-shirt from the door of my locker, but he doesn’t have the guts to approach me in person.

He’s ruined everything. Now there’s this adorable guy with awesome bangs who maybe even likes me, and it’s completely pointless. I’m not ever going to hang out with Cal. I’ll probably never have a boyfriend. I’m too busy trying not to be in love with someone who isn’t real.

The rest of the week is this exhausting blur. Rehearsals are an extra hour every night now, which means I’m having vertical dinners over the kitchen counter and trying not to drop crumbs in my textbooks. My dad says he misses me this week, which really just means he’s sad about having to TiVo The Bachelor. I haven’t heard from Blue at all, and I haven’t emailed him either.

Friday’s a big day, I guess. It’s a week before opening night, and we’re performing Oliver! twice in full costume during the school day: freshmen and seniors in the morning, and juniors and sophomores in the afternoon. We have to be at school an hour early to get ready, which means Nora gets stuck hanging out in the auditorium. But Cal puts her to work, and she seems content taping up cast photos on the wall of the atrium, next to some screenshots from the Mark Lester movie version and a super-enlarged list of the cast and crew.

Backstage is the best kind of chaos. Props are missing and people wander around partially in costume, and the various Creekwood music prodigies are in the orchestra pit running through the overture. It’s actually our first time doing the play with the orchestra, and just hearing them practice makes it seem that much more real. Taylor is already dressed and in makeup, and she stands in the wings doing some awkward vocal warm-up that she invented herself. Martin can’t find his beard.

I wear my first of three costumes, which is this scraggly, oversized oatmeal-colored shirt and baggy drawstring pants and no shoes. A couple of the girls put some junk in my hair to make it messy, which is basically like putting high heels on a giraffe. And then they tell me I have to wear eyeliner, which I absolutely detest. It’s bad enough that they want me to wear my contacts.

The only person I trust to do it is Abby, who puts me in a chair by the window in the girls’ dressing room. None of the girls care that I’m in there, and it’s not even about me being gay. The dressing rooms are just generally a total free-for-all, and anyone who cares about privacy at all changes in the bathroom.

“Close them,” she says.

I shut my eyes, and Abby’s fingertips tug softly next to my eyelid. Then there’s this scritch scritch feeling like I’m being drawn on, because I’m not even kidding—eyeliner actually comes in a freaking pencil.

“Do I look ridiculous?”

“Not at all,” she says. She’s quiet for a minute.

“I have a question for you.”

“Yep?”

“Why is your dad in DC?”

“Well, he’s still looking for a job here.”

“Oh,” I say. And then, “Are he and your brother moving down here?”

She swipes her fingertip over the edge of my eyelid.

“My dad is, eventually,” she says. “My brother’s a freshman at Howard.”

And then she nods and tugs the other eyelid taut and starts on that one.

“I feel stupid for not knowing that,” I say.

“Why would you feel stupid? I guess I never mentioned it.”

“But I never asked.”

The worst part is when she does the bottom, because I have to hold my eyes open and the pencil goes right onto the edge, and I freaking hate it when things touch my eyes.

“Don’t blink,” says Abby.

“I’m trying not to.”

Her tongue sticks out a little bit between her lips, and she smells sort of like vanilla extract and talcum powder.

“All right. Look at me.”

“Am I done?” I ask.

She pauses, appraising me. “Basically,” she says. But then she attacks me like a ninja with powders and brushes.

“Whoa,” says Brianna, passing through.

“I know,” says Abby. “Simon, don’t take this the wrong way, but you look kind of ridiculously hot.”

Which leads to me almost getting whiplash from turning my head toward the mirror so fast.

“What do you think?” she says, grinning behind me.

“I look weird,” I say.

It’s a little bit surreal. I’m barely used to my face without glasses anyway, and with the eyeliner, the overall impression is: EYES.

“Wait till Cal sees,” Abby says under her breath.

I shake my head. “He’s not . . .”

But I can’t finish the thought. I can’t stop looking at myself.

The first performance of the day goes surprisingly smoothly, though most of the seniors use it as an opportunity to sleep in an extra two hours. But the freshmen are pretty geeked to be missing first and second period, which makes them the most wildly awesome audience ever. The exhaustion from the week falls away, and I’m carried forward by adrenaline, laughter, and applause.

We change out of our costumes, and everyone is really happy and amped up as Ms. Albright gives us notes. And then we’re released for regular lunch with the non-theater civilians. I’m a little bit excited to be going to lunch with my stage makeup still intact. And not just because of my supposed ridiculous hotness. It’s just kind of awesome to be marked as part of the ensemble.

Leah is obsessed with the eye makeup. “Holy fuck, Simon.”

“Don’t you love it?” says Abby.

I feel this tug of self-consciousness. It doesn’t help that Cute Bram is looking at me.

“I had no idea your eyes were so gray,” Leah says. She turns to Nick, incredulously. “Did you know?”

“I did not,” Nick affirms.

“Like, they’re kind of charcoal around the edges,” she says, “and lighter in the middle, and then almost silver around the pupil. But dark silver.”

“Fifty shades of gray,” says Abby.

“Gross,” Leah says, and she and Abby exchange smiles.

It’s actually kind of a miracle.

We meet back in the auditorium after lunch so Ms. Albright can remind us how awesome we are, and then we head backstage to put our costumes back on for the first scene. It’s a little rushed this time, but I think I kind of like that. The orchestra warms up again, and chatter rises in the auditorium as the sophomores and juniors file into the seats.

This is the one I’m excited about. Because it’s my own class. Because Blue will be out there somewhere. And as pissed as I am at him, I still like the idea of him being in the audience.

I stand with Abby, peeking out at the audience through a crack in the curtains. “Nick’s here,” she says, pointing toward the left side of the auditorium. “And Leah. And Morgan and Anna are right behind them.”

“Shouldn’t we be starting soon?”

“I don’t know,” says Abby.

I turn to peek over my shoulder, where Cal is stationed at a desk in the wings. He wears headphones and a little microphone that curves down in front of his mouth, and at the moment, he’s frowning and nodding. And then he stands up and walks out toward the auditorium.

I look back out into the audience. The houselights are still on, and people are hoisted up onto the backs of their chairs, yelling across the room to each other. A couple of people have crumpled their programs into balls, and are lobbing them toward the ceiling.

“Our audience awaits,” says Abby, grinning into the semidarkness.

And then there’s a hand on my shoulder. It’s Ms. Albright.

“Simon, would you come with me for a minute?”

“Sure,” I say. Abby and I exchange shrugs.

I follow Ms. Albright to the dressing room, where Martin is flopped all over a plastic chair, winding the end of his beard around his finger.

“Go ahead and grab a seat.” She shuts the door behind us. Martin shoots me a look like he’s asking me what the hell this is all about.

I ignore him.

“So, something just happened,” Ms. Albright says, slowly, “and I wanted to talk to you guys about it first. I think you have a right to know.”

Right away, I get this sinking feeling. Ms. Albright stares past us for a second, and then she sort of blinks herself back into the moment. She looks completely exhausted. “Someone altered the cast list out in the atrium,” she says, “and they changed the names of both of your characters to something inappropriate.”

“To what?” asks Martin.

But I know immediately. Martin plays Fagin. I’m listed as “Fagin’s boy.” I guess some genius thought it would be hilarious to cross out a couple of “i”s and “n”s.

“Oh,” he says, putting it together a moment later. We exchange glances, and he rolls his eyes, and for a moment, it’s almost like we’re friends again.

“Yup. And there was a drawing. Anyway,” Ms. Albright says, “Cal’s taking it down now, and in a minute, I’ll step out there to have a quick chat with your lovely classmates.”

“Are you canceling the show?” asks Martin, hands on his cheeks.

“Would you like me to?”

Martin looks at me.

“No. It’s fine. Just—don’t cancel it.” My heart is pounding.

I feel—I don’t know. I don’t want to think about any of this. But the one thing I’m sure about is this: the thought of Blue not seeing the play is kind of devastating.

I wish it didn’t matter.

Martin buries his face in his hands. “I’m so, so sorry, Spier.”

“Just stop it.” I stand up. “Okay? Stop.”

I guess I’m getting a little fucking tired of this. I’m trying not to let it touch me. I shouldn’t care if stupid people call me a stupid word, and I shouldn’t care what people think of me. But I always care. Abby puts her arm around my shoulders, and we watch through the wings as Ms. Albright steps onto the stage.

“Hi,” she says into the microphone. She’s holding a notebook, and she’s not smiling. Not even a little bit. “Some of you know me. I’m Ms. Albright, the theater teacher.”

Someone from the audience whistles suggestively, and a few people giggle.

“So I know you’re all here to see an exclusive sneak preview of a pretty awesome play. We’ve got a great cast and crew, and we’re eager to get started. But before we get to that, I want to spend a couple of minutes reviewing Creekwood’s bullying policy together.”

Something about the words “review” and “policy” just shuts people down. There’s this drone of quiet conversation and denim rustling against seats. Someone shrieks with laughter, and someone else yells, “QUIET!” So then a bunch of people start giggling.

“I’ll wait,” Ms. Albright says. And when the laughter dies down, she holds up the notebook. “Does anyone recognize this?”

“Your diary?” Some asshole sophomore.

Ms. Albright ignores him. “This is the Creekwood handbook, which you should have read and signed at the beginning of the year.”

Everyone immediately stops listening. God. It’s got to freaking suck to be a teacher. I sit cross-legged on the floor backstage, surrounded by girls. Ms. Albright keeps talking and reading from the handbook and talking some more. When she says something about zero tolerance, Abby squeezes my hand. The minutes just drag.

I feel so totally blank right now.

Eventually, Ms. Albright steps back into the wings, slamming the handbook down on a chair. “Let’s do this,” she says. There’s this scary-intense look in her eyes.

The houselights start to dim, and the first notes of the overture rise up from the pit. I step out of the wings and onto the stage. My limbs feel really heavy. I kind of want to go home and crawl into bed with my iPod.

But the curtains start to open.

And I keep moving forward.