I received a Crown, dated 1893, the face of which was polished and in which the name “Albert” had been engraved. I immediately felt that in such an unusual case poets had the duty to let their imagination ramble. In any case, it was surely a “she,” who, through a circumstance unknown to us, had had this consecrated Crown — perhaps the first lavished on her or the last — so transformed, and in a moment of material need or out of hatred, jealousy, despair, contempt or the like, had sent it back in circulation, back into the current of life, till finally, in 1914, it came to me.
I cherished it for the longest time, and Maeterlinck would have made a one-act out of it: Crown 1893. But when the valet Anton requested payment for cigarettes and I said, at the moment I had no change on hand, he pointed to the 1893 Crown lying on the desk and said: “There’s a coin over there!”—“It’s invalid!” I said, “just look at it!”—“I’ll make do with it, you can count on my dexterity, Sir, nobody’ll notice that stupid word “Albert!” And thus did that 1893 Crown slip out of my possession and resume its worldly circulation, which I, in an application of “false Romanticism” had temporarily held up—.