The Boleyn Inheritance

Jane Boleyn, Whitehall Palace,
January 1540

We have moved to Whitehall Palace, where the wedding is to be celebrated by a weeklong jousting tournament, and then the last of the visitors will go back to Cleves and we will all settle into our new lives with a new Queen Anne. She has never before seen anything on the scale or of the style of this tournament, and she is rather endearing in her excitement.

“Lady Jane, where I sit?” she demands of me. “And how? How?”

I smile at her bright face. “You sit here,” I say, showing her the queen’s box. “And the knights will come into the arena, and the heralds will announce them. Sometimes they will tell a story, sometimes recite a poem about their costume. Then they fight either on horseback, riding down the lists here; or hand-to-hand with swords, on the ground.” I think how to explain.

I never know how much she understands now, she is learning to speak so quickly. “It is the greatest tournament the king has planned in many years,” I say. “It will last for a week. There will be days of celebrations with beautiful costumes, and everyone in London will come to see the masques and the battles. The court will be at the forefront, of course, but behind them will be the gentry and the great citizens of London and then behind them the common people will come in their thousands. It is a great celebration for the whole country.”

“I sit here?” she says, gesturing at the throne.

I watch her take her seat. Of course, to me this box is filled with ghosts. The seat is hers now; but it was Queen Jane’s before her, and Queen Anne’s before that, and when I was a young woman, not even married, just a girl filled with hopes and ambitions and passionately in love, I served Queen Katherine, who sat in that very chair under her own canopy that the king had ordered should be sewn with little gold Ks and Hs for Katherine and Henry, and he himself had ridden out under the name Sir Loyal Heart.

“This new is?” she asks, patting the curtains that are swagged around the royal box.

“No,” I say, forced by my memories to tell the truth. “These are the curtains that are always used. Look, you can see.” I turn the fabric over and she can see where other initials have been. They have cut the embroidery from the front of the curtains but left the old sewing at the back. Clearly one can see K and H, entwined with lovers’ knots. Oversewn, beside each H, is an H &A. It is like summoning a ghost to see her initials here again. These were the curtains which kept the sun from her head that May Day tournament when it was so hot, and we all knew that the king was angry, and we all knew that the king was in love with Jane Seymour, but none of us knew what would happen next.

I remember Anne leaning over the front of the box and dropping her handkerchief down to one of the jousters, shooting a side-long smile at the king to see if he was jealous. I remember the cold look on his face, and I remember she went pale and sat back again. He had the warrant for her arrest in his doublet then, at that very moment, but he said nothing. He was planning to send her to her death, but he sat beside her for much of the day. She laughed and she chattered and she gave out her favors. She smiled at him and flirted, and she had no idea he had made up his mind that she would die. How could he do such a thing to her? How could he? How could he sit beside her, with his new lover standing smiling, behind them both, and know that within days Anne would be dead? Dead, and my husband dead with her, my husband dying for her, my husband dying for love of her. God forgive me for my jealousy. God forgive her for her sins.

Seated in her place, her initials showing like a dark stain on the hidden underside of her curtains, I shudder as if someone has laid a cold finger on my neck. If any place is haunted, it will be here. These curtains have been stitched and overstitched with the initials of three doomed, pretty girls. Will the court seamstresses be ripping out another A in a few years? Will this box host another ghost? Will another queen come after this new Anne?

“What?” she asks me, the new girl who knows nothing.

I point to the neat stitches. “K: Katherine of Aragon,” I say simply. “A: Anne Boleyn. J: Jane Seymour.” I turn the curtain right side round so that she can see her own initials standing proud and new on the fair side of the fabric. “And now, Anne of Cleves.”

She looks at me with her straight gaze, and for the very first time I think that perhaps I have underestimated this girl. Perhaps she is not a fool. Perhaps behind that honest face there is quick intelligence. Because she cannot speak my language I have talked to her as if she is a child and I have thought of her with the wit of a child. But she is not frightened by these ghosts – she is not even haunted by them, as I am.

She shrugs. “Queens before,” she says. “Now: Anne of Cleves.”

Either this is a high courage, or it is the stoicism of the very stupid.

“Are you not afraid?” I ask very quietly.

She understands the words, I know she does. I can see it in her stillness and the sudden attentive tilt of her head. She looks at me directly. “Afraid of nothing,” she says firmly. “Never afraid.”

For a moment I want to warn her. She is not the only brave girl to sit in this box to be honored as queen and then end her life stripped of her title, facing death alone. Katherine of Aragon had the courage of a crusader, Anne the nerves of a whore. The king brought them both down to nothing. “You must take care,” I say.

“I afraid of nothing, am,” she says again. “Never afraid.”