To fellow members of the “Half Century” generation,
at the Law School of the
Universidad Nacional Autónoma de México:
the hope of a better Mexico. .
L’águila siendo animal
se retrató en el dinero.
Para subir al nopal
pidió permiso primero.
[The eagle, being an animal,
had its picture drawn on coins.
Before climbing up the nopal
it asked for permission first.]
“A literary marriage of two great books from the past, that of Machiavelli’s The Prince and the eighteenth-century French epistolary novel, Les Liaisons Dangereuses . . a full-blown triumph. . Fuentes has never written better.” —San Francisco Chronicle
“Compelling. . Fuentes injects the book with uproariously lethal intrigue. . [The] reader [is] privy to secret schemes and passions. . What makes this satire astute is how Fuentes forces his politicians to face the consequences of their actions.” —The Denver Post
“Dazzling, razor-sharp. . provides a feast of political insight, aphorisms and maxims, in the spirit of Machiavelli and Sun Tzu’s The Art of War.” —The Washington Post Book World
“A nerve-grating cautionary tale, and one of [Fuentes’s] best books.” —Kirkus Reviews (starred review)
“Daring and original. . dark, well thought-out. . The plot is intricate with many unexpected twists. . A critical, caustic, analytical, judicious call to arms. . provocative.” —San Antonio Express-News
“[The] characters spring to life as true individuals, fully developed in Fuentes’s beguilingly unorthodox fashion. A novel that is truly a tour de force.” —Booklist (starred review)
“A political thriller. . to end all political thrillers. The futuristic tale [is] an old-fashioned epistolary novel in which the characters conspire, deceive, seduce, plea and attack one another entirely through letters. The device is perfect for intrigue. . The Eagle’s Throne is an exhilarating romp through the cruelty of Mexican politics, but it is also a cautionary tale about the price of ambition.” —The Columbus Dispatch