HE GLARES OUT, each eye a path, down the long bed at the end of which is Hana. After she has bathed him she breaks the tip off an ampoule and turns to him with the morphine. An effigy. A bed. He rides the boat of morphine. It races in him, imploding time and geography the way maps compress the world onto a two-dimensional sheet of paper.


The long Cairo evenings. The sea of night sky, hawks in rows until they are released at dusk, arcing towards the last colour of the desert. A unison of performance like a handful of thrown seed.

In that city in 1936 you could buy anything—from a dog or a bird that came at one pitch of a whistle, to those terrible leashes that slipped over the smallest finger of a woman so she was tethered to you in a crowded market.

In the northeast section of Cairo was the great courtyard of religious students, and beyond it the Khan el Khalili bazaar. Above the narrow streets we looked down upon cats on the corrugated tin roofs who also looked down the next ten feet to the street and stalls. Above all this was our room. Windows open to minarets, feluccas, cats, tremendous noise. She spoke to me of her childhood gardens. When she couldn’t sleep she drew her mother’s garden for me, word by word, bed by bed, the December ice over the fish pond, the creak of rose trellises. She would take my wrist at the confluence of veins and guide it onto the hollow indentation at her neck.


March 1937, Uweinat. Madox is irritable because of the thinness in the air. Fifteen hundred feet above sea level and he is uncomfortable with even this minimal height. He is a desert man after all, having left his family’s village of Marston Magna, Somerset, altered all customs and habits so he can have the proximity to sea level as well as regular dryness.

“Madox, what is the name of that hollow at the base of a woman’s neck? At the front. Here. What is it, does it have an official name? That hollow about the size of an impress of your thumb?”

Madox watches me for a moment through the noon glare.

“Pull yourself together,” he mutters.

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