LAUREN I don’t know why I sleep with Franklin. Maybe it’s because Judy likes him, or is just sleeping with him, occasionally. Maybe it’s because he’s tall and has brown hair and reminds me of Victor. Maybe it’s because we’re at a Sunday night party and it’s dark and I’m bored but what am I doing at Booth anyway. I should know better. Maybe it’s because Judy went to the movies over in Manchester. Maybe it’s because when I asked the boy from L.A. after poetry class to meet me at the Beverage Center at dinner tonight he didn’t show and when I saw him later at Booth he told me he thought I meant the Beverly Center. I don’t know. Maybe it’s because Franklin’s … just there. But he’s not the only possibility. There’s the cute French guy who comes up to me and tells me he’s in love with me. But he also reminds me that maybe I should go to Europe and just find Victor and bring him back home. But then what would that do? We talk, Franklin and me. But not about much. Some great-looking but utterly bland Dartmouth guys crash the party (How can you tell they’re from Dartmouth? Franklin asks. They’re wearing green, I explain. Franklin nods, impressed, and wonders what our school color is. Easy, I guess. Black.) I really hope (but not really) that Judy comes back so I won’t end up doing this. We dance to a couple of oldies. He pays for drinks he brings me. When he sweats he’s really handsome. What am I talking about? This is Judy’s geek. But then I get mad at him: what a jerk to cheat on Judy like this. But I get drunk and too tired to argue and I crumple into his arms and he doesn’t quite know what to do with me. I decide to leave it all up to him. We walk back to his room. How easy this all is. Will Judy ever know? Will she even care? Doesn’t she like his roommate instead? Michael? That’s right. I look over at Michael’s side of the room: a fern, Hockney print, poster of Mikhail Baryshnikov. Definitely not for you, Judy. Forget him. It makes me remember a boy I was in love with last term, part of last summer. B.V. The time Before Victor. And maybe that’s why I go to bed with Judy’s lover. But she should have been here to stop him. And maybe he shouldn’t have touched my neck that way, a cruel but familiar sensation. Even before he’s in me I know that I will never sleep with him again. And maybe Franklin reminds me of that lost boyfriend, which is good but maybe bad and now we’re in bed, actually on the bed.
“What about Judy?” I ask, reaching back and feeling the knots and blades in his shoulders.
“She’s in Manchester.” He has strong fingers.
It seems a sufficient answer.