PAUL He liked me. He would sing “Can’t Take My Eyes Off of You” by Frankie Valli. It was on the jukebox at The Carousel in North Camden and he would ask me to play it a lot. The townies would watch us suspiciously, Sean shooting pool, drinking beer, me shuffling over to the jukebox, slipping quarters in it, punching F17, the first strains coming on, shuffling back to where Sean sat, now by the bar, motorcycle helmets propped up by our drinks, and he’d lip-synch it. He even found the single and put it on a tape he made for me when I was in bed with a hangover. It was in a bag he brought over that included orange juice, beer and French fries and a Quarter Pounder from McDonald’s, still warm.

When he didn’t want to go to class and when he didn’t want me to go either and he found it too boring to simply not go and sit around, I’d follow him to the infirmary and once there he would have fake attacks; fairly well-planned and — acted fits and imaginary seizures. He would then receive medicine and the two of us would leave (I’d complain that my migraines were acting up), excused from classes for the day, and we’d go into town to an arcade called The Dream Machine and play this totally anal retentive video game he loved to play called Bentley Bear or Crystal Bear or something like that. Afterwards we’d walk through town together. I’d look around for a double bed and he’d look for cough syrup with codeine in it so he could get high (this was after he smoked all the pot; what a hick, I know, I know). He’d find the cough syrup and actually get stoned on it (“I am hallucinating,” he’d announce) and we’d drive back to campus on his bike as it got dark in the late afternoon. By then, classes had already ended. And back in his room, which was usually a mess (at least his side), I’d sit around and play tapes and watch him stumble around and spin, high. He was always so animated around me, but so reserved and serious in front of other people. In bed, too, he’d alternate between being melodramatically loud and then a parody of the strong silent type: either grunting softly or emitting a weird quiet laughter, then it was suddenly loud rhythmic “yeah’s” or yelling muffled obscenities, on top of me, me on top of him, both of us hungover, the stale smell of beer and cigarettes everywhere, the empty cups with the quarters stuck on the bottom of them scattered around the floor and the always-present odor of pot, hanging thick in mid-air, reminded me of Mitchell strangely enough, but he was already fading away, and it was hard to remember what he even looked like.

Sean liked to say “Rock’n’roll” a lot. For example I would say, “Well, that was a pretty good movie” and he’d say “Rock’n’roll.” Or I’d ask, “What do you think of Fassbinder’s early work?” and he would reply “Rock’n’roll.” He also liked the term, “Deal with it.” For example, I’d say, “But I want you to,” and he’d say, “Deal with it.” Or, “But why do you have to get stoned before we do it?” and he’d say, “Deal with it,” without even looking at me. He also liked his coffee really faggy — tons of cream, lots of sugar. I’d have to drag him to the movies they showed that term and he’d have to get stoned first. He liked Taxi Driver, Blade Runner, The Harder They Come, and Apocalypse Now. I liked Rebel Without a Cause, Close Encounters of the Third Kind and The Seventh Seal. (“Oh shit, subtitles,” he moaned.) We both didn’t like Everything You Always Wanted to Know About Sex.

Of course I started finding the notes someone was leaving in his box. Pathetic, girlish yearnings. Whoever it was, offering “herself” to “him.” And though I wasn’t sure if he was actually responding to this nitwit I still would take them out of his box and either throw them away or keep them and study them and then put them back. I would watch the girls who’d flirt with us in The Pub and I’d watch the ones who would sit next to him, asking for a light even though they had matches in their pockets. And, of course, there would be a lot of girls around since he was so good-looking. And though I hated them, I also realized that I had the power in this game since I was also good-looking and had some semblance of a personality, something Sean lacked utterly. I could make them laugh. I could lie and agree with their stupid observations about life, and they’d lose immediate interest in him. Sean would sit there, shallow as a travel agent’s secretary, that one strip of eyebrow furrowed and confused. But it was a hollow victory and I’d look at the girls and wonder who was leaving the notes. Didn’t that person realize we were fucking each other? Didn’t that mean anything to anyone anymore? Obviously not. I thought it was this one girl. I thought I saw her put something in his box. I knew who she was. I found out where her box was and when no one was looking put a couple of cigarettes out in it. My warning. He never mentioned it. But then I realized that maybe it wasn’t a girl leaving the notes. Maybe it was Jerry.

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