Norma Jeane Marries



In the fall of 1938, it was decided that Norma Jeane Mortensen would go to live with Edith Ana Lower, sister to Grace’s father. Lower seemed a better candidate for foster motherhood than most of the adults who took Norma Jeane in over the years. At fifty-eight, she was a kindly, gray-haired woman with a soft face and warm hug who just seemed to want the best for everybody in her life. Divorced but financially secure, she owned a two-story apartment building at 11348 Nebraska Avenue, renting out one unit while she lived in the other. To supplement her income, she also worked as a Christian Science practitioner, meaning she sat and prayed with clients and also instructed them in the teachings of Mary Baker Eddy, the founder of the Christian Science movement. A positive-thinking and extremely spiritual woman, Ana would prove to be an enormous asset in young Norma Jeane’s life. Norma Jeane soon referred to her as “Aunt Ana,” and the two hit it off immediately.

When Norma Jeane moved in, Ana made it a priority to have inspirational conversations with her in an effort to build her self-esteem. “She would tell her that she should not care what others thought of her,” said Marybeth Miller–Donovan, whose aunt, Ethel, was Ana’s best friend. “She reminded her that she was a beautiful young girl not only outside but inside as well, and she had no reason to feel like anything less.”

About a year and a half after moving in with Ana, Norma Jeane began attending Emerson Junior High School in Westwood at the age of thirteen. Mabel Ella Campbell, her science teacher, once recalled, “She looked as though she wasn’t that cared for. Her clothes separated her a little bit from the rest of the girls.” Once there, though, she did begin to exhibit more self-confidence, dressing in sweaters that would show off her young figure and even wearing a little more makeup. She began to see herself in a different light, and as she did so, the other students soon followed and she became more popular. It was at this time that she began to recognize the value of her beauty and how she might be able to make it work for her. She also began to see her stunning appearance as its own entity, quite apart from anything sexual. Indeed, it was a magnet that could draw people in. When she realized as much, she started looking for ways to make them love her even more and think she was even more beautiful. She kept adding to the presentation. Makeup. Lipstick. Tighter clothing. Whatever it took to enhance the package, that’s what she wanted to do. She began to create a character that people would not only love, but also adore—a process that started at the age of thirteen and would continue all the way up to her death at thirty-six. “I just felt like I was on the outside of the world,” she later recalled, “but then, suddenly, everything opened up. Even the girls paid a little attention to me just because they thought, ‘Hmmm, she’s to be dealt with.’ And I had this long walk to school—two and a half miles to school, two and a half miles back—it was just sheer pleasure. Every fellow honked his horn… the world became friendly.”

True to form in the youngster’s life, Norma Jeane’s time with Ana would not last long. Now sixty, Ana had a number of health problems, including a serious heart ailment. Reluctantly, in February 1940 she decided to turn the girl back over to Grace and Doc Goddard. At this same time Ana moved to West Los Angeles, and the Goddards moved into her former home in Van Nuys. But before Ana parted ways with Norma Jeane, she was sure to talk to her about being self-sufficient. “You mustn’t spend your entire life dependent on others,” she told her, according to the recollection of a friend of her family’s. “When you grow up, you have to be your own person. I’m not always going to be there for you. In fact, no one will always be there for you.”

Hopefully, this time Norma Jeane would be able to blend in with the Goddard family. It looked promising. When Norma Jeane moved back in with Grace and Doc, she became friendly with Doc’s daughter, BeBe, and even the extended Goddard relatives. Now that Norma Jeane had more self-confidence, there seemed to be less conflict with the Goddard family.

In September 1941, Norma Jeane and BeBe both enrolled in Van Nuys High School. A problem did arise in getting the two girls back and forth to school, though. Grace’s previous residence had been in close proximity to Van Nuys High. Ana’s home—where she and Norma Jeane now lived—was quite far from the school. Because Norma Jeane was finally so happy and popular, Grace didn’t want to uproot her and enroll her in a different school. As it happened, Grace was still close to her former neighbor, Ethel Dougherty. Grace knew that Ethel’s son, Jim, had an automobile. If the girls walked to the Doughertys’ home after school, would it be possible for Jim to then drive them back to their own neighborhood? Ethel asked Jim, who was reluctant because he said the girls were young and giggly—he was five years their senior—and he knew he wouldn’t have anything in common with them. But he agreed.

Born in Los Angeles on April 12, 1921, James Dougherty was a good-looking young man with tousled brownish blond hair and blue eyes so deep they were almost violet. He wore a small mustache over his massive, toothy grin. Lanky and sturdy, this young man was a real so-called “jock.” He was the youngest of five children raised in difficult circumstances, the family always in financial trouble. Popular in school, he was on the football team and was also president of the student body in his senior year. Grace liked him a great deal and thought he would be a good match for Norma Jeane. She even arranged the first date between Jim and Norma Jeane, at a party in 1941. After a few more dates, it became clear that the two were at least mildly interested in one another. Grace’s decision to encourage Norma Jeane into a relationship with the older Jim does seem strange, that is until one considers what happened next. At this same time, Doc Goddard got a job as head of East Coast sales at Adel Precision and the Goddards decided to move to Virginia. It was also decided that Norma Jeane would not be going with them. Doc simply didn’t want the responsibility of another child at the same time as his big move. So what to do about Norma Jeane now?

Understandably, Norma Jeane was very disillusioned. She trusted Grace implicitly, and now that she was being left behind, she could not help but feel that she’d been betrayed. “Of course she was absolutely right,” Jim Dougherty observed. “When Grace had taken her out of the orphanage to her last foster home, she’d told Norma Jeane that she would never have that kind of life again. Norma Jeane felt that Grace had gone back on her word.”

With all possibilities exhausted, it looked as if Norma Jeane was going to have to go back to the orphanage until someone adopted her or until she was eighteen, whichever came first. Knowing how unhappy this would make her, Grace Goddard was frantic to find a way to avoid it. Therefore, she hatched a plan with Ethel Dougherty. “What if your son marries Norma Jeane?” Grace suggested. “That would keep her out of the orphanage, and it’s not as if they don’t already like each other.” It seemed like a good idea to Ethel, too, and so she approached her son with it.

As it happened, Norma Jeane would turn sixteen in June, the legal age to marry in California. Though Jim felt that she was too young for him, he had to admit that he liked her. She was pretty and fun. Still, dating her was one matter, marrying her an entirely different one. Many years later when talking about his thought process as a young man, Jim would say that he couldn’t think of a good reason to reject the idea, especially if it meant that Norma Jeane would be saved from the orphanage.

For her part, Norma Jeane didn’t have much choice in the matter. When she was presented with the idea, she agreed, though reluctantly. Not only had she never seen a marriage work out, but she was afraid of what it would mean being Dougherty’s wife. She was particularly concerned about being intimate with him. When she expressed her fears to Grace, Grace tried to be understanding, telling her that she “would learn in time.” It does seem, in retrospect, that Grace might have been more understanding of Norma Jeane’s fears. However, in the greater scheme of things, it seems that Grace’s main objective was to get the girl married as quickly as possible. Grace’s friends would say, many years later, that she was just trying to do what she could to keep her charge out of another orphanage. However, some people who are more critical of her feel that Grace just wanted to marry Norma Jeane off in an expedient fashion so that she and her husband could go on with their lives with a clear conscience.

Plans quickly fell into place. At the end of 1942, the Goddards took off for Virginia. Meanwhile, Norma Jeane dropped out of high school in the middle of her sophomore year, saying that she wanted to concentrate on learning how to be a wife. She would always regret it, though, and never felt comfortable about dropping out. “She was sorry she’d done it,” Jim said many years later, “and she didn’t need to. It was a snap decision, I think, to just end her education. Everything was happening so fast, I think she felt she had to focus on one thing at a time.”

The wedding, officiated by a minister, took place on the evening of June 19, 1942, in the home of a friend of the Goddards, Chester Howell. Howell’s great-nephew, Alexander, says, “From what I have heard over the years through my family, it was a haphazard affair. The Goddards didn’t even attend, which I think was a surprise. Of course, Norma Jeane’s mom, Gladys, wasn’t present, either. Ida and Wayne Bolender were there, though, and that was a bit of an issue, from what I understand.”

Indeed, it was Norma Jeane’s decision that she would not get married unless her “Aunt Ida” and “Daddy” were present. By this time, she was well aware of the animosity between Grace and Ida. However, she also knew that Grace was not going to be present at the wedding—she had just gotten to Virginia and wasn’t going to turn around and drive back—so she saw no reason not to invite Ida. When she told Ethel Dougherty of her plans, however, Ethel thought it best to alert Grace. Of course, Grace was not at all happy about it. She called Norma Jeane and told her that she would prefer it if she did not invite Ida. She took no issue with Wayne’s attendance, she said, but she had to draw the line at Ida’s. Norma Jeane said that she was no longer going to be a party to the ill will between her two aunts, and that she wouldn’t even consider marrying Jim Dougherty without Ida being present. “In fact, I’ll just go back to the orphanage,” she said, according to one of Ida Bolender’s relatives. “What difference does it make? I was miserable before and I’ll be miserable again. I can handle it.” Indeed, it would seem that Norma Jeane was becoming a little more like Ida with each passing year—a determined, willful young lady who didn’t like being pushed around. In the end, Grace didn’t have much choice. She told Norma Jeane to do what she thought was best, but by this time Norma Jeane had already called Ida to invite her to the ceremony, so Grace’s opinion was moot.

Norma Jeane not only invited Ida and Wayne Bolender, but all of her foster siblings, including, of course, Nancy Jeffrey, who recalled, “I remember the winding staircase in the living room and all of us just staring at the top of the stairs until she appeared. What a beautiful bride.”

As soon as Ida saw Norma Jeane in her embroidered lace wedding dress with long sleeves and veil, she was filled with emotion and began to cry. The girl was just sixteen but she was already showing signs of the striking woman the world would one day come to know as Marilyn Monroe. Her smile was stunning, her eyes a cobalt blue. She was a brunette at this time.

After the ceremony, Ida still couldn’t hold back the tears as she stood admiring Norma Jeane. That she had been kept from her former foster daughter for such a long time, and that there had been such a strong, ongoing campaign against her, had worn Ida down over the years where Norma Jeane was concerned. “Thank you so much for inviting us,” she told her as she embraced her tightly. “You just don’t know what this means to me. You just don’t know, Norma Jeane.” The bride held both of Ida’s hands and looked at her with love. “This day would only be complete with you in it,” she told her, now also crying. “Do you think I look pretty, Aunt Ida?” she asked her. Overcome, Ida could only nod her head. Norma Jeane then went to Wayne and hugged him. Dabbing away tears from his eyes, he smiled at her and asked, “Do you have any questions for me? You always had so many questions, Norma Jeane.” Everyone laughed. “Just one,” Norma Jeane said. “Do you promise to always love me, Daddy?” He smiled. “I do promise,” he said. “I really do.” And he seemed to mean it.

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