Jason Goodwin
The snake stone

1

The voice was low and rough and it came from behind as dusk fell.

“Hey, George.”

It was the hour of the evening prayer, when you could no longer distinguish between a black thread and a white one, in ordinary light. George pulled the paring knife from his belt and sliced it through the air as he turned. All over Istanbul, muezzins in their minarets threw back their heads and began to chant.

It was a good time to kick a man to death in the street.

The grainy ululations swept in sobbing waves across the Golden Horn, where the Greek oarsmen on the gliding caiques were lighting their lamps. The notes of prayer rolled over the European town at Pera, a few lights wavering against the black ridge of Pera Hill. They skimmed the Bosphorus to Uskudar, a smudge of purple fading back into the blackness of the mountains; and from there, on the Asian side, the mosques on the waterline echoed them back.

A foot caught George in the small of his back. George’s arms went wide and he stumbled toward a man who had a long face as if he were sorrowing for something.

The sound swelled as muezzin after muezzin picked up the cry, weaving between the city’s minarets the shimmer of a chant that expressed in a thousand ways the infirmity of man and the oneness of God.

After that the knife wasn’t any good.

The call to prayer lasts about two and a half minutes, but for George it stopped sooner. The sad-faced man stooped and picked up the knife. It was very sharp, but its end was broken. It wasn’t a knife for a fight. He threw it into the shadows.

When the men had gone, a yellow dog came cautiously out of a nearby doorway. A second dog slunk forward on its belly and crouched close by, whining hopefully. Its tail thumped the ground. The first dog gave a low growl and showed its teeth.

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