The Sweetness at the Bottom of the Pie

22

WHENEVER I'M OUT-OF-DOORS AND FIND MYSELF wanting to have a first-rate think, I fling myself down on my back, throw my arms and legs out so that I look like an asterisk, and gaze at the sky. For the first little while, I'm usually entertained by my “floaters,” those wormy little strings of protein that swim to and fro across one's field of vision like dark little galaxies. When I'm not in a hurry, I stand on my head to stir them up, and then lie back to watch the show, as if it were an animated cinema film.

Today, though, I'd had too much on my mind to bother, so when I had bicycled no more than a mile from Rook's End, I threw myself down on the grassy bank and stared up into the summer sky.

I could not get out of my mind something that Father had told me, namely that the two of them, he and Horace Bonepenny, had killed Mr. Twining; that they were personally responsible for his death.

Had this been no more than one of Father's fantastic ideas I should have written it off at once, but there was more to it than that. Miss Mountjoy, too, believed they had killed her uncle, and had told me so.

It was easy enough to see that Father felt a real sense of guilt. After all, he had been part of the push to view Dr. Kissing's stamp collection, and his one time friendship with Bonepenny, even though it had cooled, made him an accomplice in a roundabout sort of way. But still…

No, there had to be more to it than that, but what it might be, I could not think.

I lay on the grass, staring up at the blue vault of Heaven as earnestly as those old pillar-squatting fakirs in India used to stare directly into the sun before we civilized them, but I could think of nothing properly. Directly above me, the sun was a great white zero, blazing down upon my empty head.

I visualized myself pulling on my mental thinking cap, jamming it down around my ears as I had taught myself to do. It was a tall, conical wizard's model, covered with chemical equations and formulae: a cornucopia of ideas.

Still nothing.

But wait! Yes! That was it! Father had done nothing. Nothing! He had known—or at least suspected—from the instant it happened that Bonepenny had pinched the Head's prize stamp… and yet he had told no one.

It was a sin of omission: one of those offenses from the ecclesiastical catalogue of crime Feely was always going on about that seemed to apply to everyone but her.

But Father's guilt was a moral thing and, as such, hardly my cup of tea.

Still, there was no denying it: Father had kept silent, and by his silence had perhaps made it seem necessary for the saintly old Mr. Twining to shoulder the blame and pay for the breach of honor with his life.

Surely there must have been some talk at the time. The natives in this part of England have never been known for their reticence; far from it. In the last century, the Hinley pond-poet Herbert Miles had referred to us as “that gaggle o' geese who gossip gaily 'pon the gladdening green,” and there was a certain amount of truth in his words. People love to talk—especially when the talking involves answering the questions of others—because it makes them feel wanted. In spite of the gravy-stained copy of Inquire Within Upon Everything which Mrs. Mullet kept on a shelf in the pantry, I had long ago discovered that the best way to obtain answers about anything was to walk up to the closest person and ask. Inquire without.

I could not very well question Father about his silence in those schoolboy days. Even if I dared, which I did not, he was shut up in a police cell and likely to stay there. I could not ask Miss Mountjoy, who had slammed a door in my face because she viewed me as the warm flesh and blood of a cold-blooded killer. In short, I was on my own.

All day, something had been playing away in the back of my mind like a gramophone in a distant room. If only I could tune in to the melody.

The odd feeling had begun when I was browsing through the stacks of newspapers in the Pit Shed behind the library. It was something someone said… but what?

Sometimes, trying to catch a fleeting thought can be like trying to catch a bird in the house. You stalk it, tiptoe towards it, make a grab… and the bird is gone, always just beyond your fingertips, its wings…

Yes! Its wings!

"He looked just like a falling angel," one of the Greyminster boys had said. Toby Lonsdale—I remembered his name now. What a peculiar thing for a boy to say about a plummeting schoolmaster! And Father had compared Mr. Twining, just before he jumped, to a haloed saint in an illuminated manuscript.

The problem was that I hadn't searched far enough in the archives. The Hinley Chronicle had stated quite clearly that police investigations into Mr. Twining's death, and the theft of Dr. Kissing's stamp, were continuing. And what about his obituary? That would have come later, of course, but what did it say?

In two shakes of a dead lamb's tail I was aboard Gladys, pedaling furiously for Bishop's Lacey and Cow Lane.

I DIDN'T SEE THE “CLOSED” SIGN until I was ten feet from the front door of the library. Of course! Flavia, sometimes you have tapioca for brains; Feely was right about that. Today was Tuesday. The library would not open again until ten o'clock on Thursday morning.

As I walked Gladys slowly towards the river and the Pit Shed, I thought about those sappy stories they tell on The Children's Hour: those moral little tales of instruction such as the one about the Pony Engine (“I think I can… I think I can…”) which was able to pull an entire freight train over the mountain just because it thought it could, it thought it could. And because it never gave up. Never giving up was the key.

The key? I had returned the Pit Shed's key to Miss Mountjoy: I remembered it perfectly. But was there by chance a duplicate? A spare key hidden under a windowsill to be used in the event some forgetful character wandered off on holiday to Blackpool with the original in her pocket? Since Bishop's Lacey was not (at least not until a few days ago) a notable hotbed of crime, a concealed key seemed a distinct possibility.

I ran my fingers along the lintel above the door, looked under the potted geraniums that lined the walkway, even lifted a couple of suspicious-looking stones.

Nothing.

I poked in the crevices of the stone wall that ran from the lane up to the door.

Still nothing. Not a sausage.

I cupped my hands to a window, and peered in at the stacks of crumbling newspapers sleeping in their cradles. So near and yet so far.

I was so exasperated I could spit, and I did.

What would Marie-Anne Paulze Lavoisier have done? I wondered. Would she have stood here fuming and foaming like one of those miniature volcanoes which results when a heap of ammonium dichromate is ignited? Some how I doubted it. Marie-Anne would forget the chemistry and tackle the door.

I gave the doorknob a vicious twist and fell forward into the room. Some fool had been here and left the stupid thing unlocked! I hoped no one had been watching. Good thing I thought of that, though, since I realized at once that it would be wise to wheel Gladys inside where she wouldn't be spotted by passing busybodies.

Skirting the mouth of the boarded-over pit in the middle of the room, I eased my way gingerly round to the racks of yellowed newspapers.

I had no trouble finding the relevant issues of The Hinley Chronicle. Yes, here it was. As I thought it might, Mr. Twining's obituary had appeared on the Friday after the account of his death:

Twining, Grenville, M.A. (Oxon.) Passed away suddenly on Monday last at Greyminster School, near Hinley, at the age of seventy-two. He was predeceased by his parents, Marius and Dorothea Twining, of Winchester, Hants. He is survived by a niece, Matilda Mountjoy, of Bishop's Lacey. Mr. Twining was buried from the chapel at Greyminster, where Rev. Canon Blake-Soames, Rector of St. Tancred's, Bishop's Lacey, and Chaplain of Greyminster, led the prayers. Floral tributes were numerous.

BUT WHERE HAD THEY BURIED HIM? Had his body been returned to Winchester and laid to rest beside his parents? Had he been buried at Greyminster? Somehow I doubted it. It seemed much more likely that I would find his grave in the churchyard of St. Tancred's, no more than a two-minute walk from where I was standing.

I would leave Gladys behind in the Pit Shed; no point in attracting unnecessary attention. If I crouched down and kept behind the hedgerow that bordered the towpath, I could easily pass from here to the churchyard without being seen.

As I opened the door, a dog barked. Mrs. Fairweather, the Chairman of the Ladies' Altar Guild, was at the end of the lane with her corgi. I eased the door shut before she or the dog could spot me. I peeked out the corner of the window and watched the dog snuffling at the trunk of an oak as Mrs. Fairweather stared off into the distance, pretending she didn't know what was going on at the other end of the lead.

Blast! I'd have to wait until the dog had done its business. I looked round the room.

On either side of the door were makeshift bookcases whose rough-cut, sagging boards looked as if they'd been hammered together by a well-meaning but inept amateur carpenter.

On the right, generations of outdated reference books—year upon year of Crockford's Clerical Directory, Hazell's Annual, Whitaker's Almanack, Kelly's Directories, Brassey's Naval Annual—all jammed uncomfortably cheek-by-jowl on shelves of unpainted boards, their once regal bindings of red and blue and black now bleached brown by time and seeping daylight, and all of them smelling of mice.

The shelves on the left were filled with rows of identical gray volumes, each with the same gold-leaf title embossed on its spine in elaborate Gothic letters: The Greyminsterian; I remembered that these were the yearbooks from Father's old school. We even had a few of them at Buckshaw. I pulled one from the shelf before noticing that it was marked 1942.

I returned it to its place and ran my index finger to the left along the spines of the remaining volumes: 1930… 1925…

Here it was—1920! My hands shook as I took down the book and flipped quickly through it from back to front. Its pages overflowed with articles on cricket, rowing, athletics, scholarships, rugger, photography, and nature study. As far as I could see, there was not a word about the Magic Circle or the Stamp Society. Scattered throughout were photographs in which row upon row of boys grinned, and sometimes grimaced, at the eye of the camera.

Opposite the title page was a photographic portrait edged in black. In it, a distinguished-looking gentleman in cap and gown perched casually upon the end of a desk, Latin grammar in hand as he gazed at the photographer with a look of ever-so-slight amusement. Beneath the photo was a caption: “Grenville Twining 1848–1920.”

That was all. No mention of the events surrounding his death, no eulogy, and no fond recollections of the man. Had there been a conspiracy of silence?

There was more to this than met the eye.

I began slowly turning pages, scanning the articles and reading the photo captions wherever one was provided.

Two thirds of the way through the book my eye caught the name “de Luce.” The photograph showed three boys in shirtsleeves and school caps sitting on a lawn beside a wicker hamper which rested on a blanket littered with what appeared to be food for a picnic: a loaf of bread, a pot of jam, tarts, apples, and jars of ginger beer.

The caption read “Omar Khayyam Revisited—Greyminster's Tuck Shop Does Us Proud. Left to right: Haviland de Luce, Horace Bonepenny, and Robert Stanley pose for a tableau from the pages of the Persian Poet.”

There was no doubt that the boy on the left, cross-legged on the blanket, was Father, looking more happy and jolly and carefree than I had ever known him to be. In the center, the long, gangling lad pretending he was about to bite into a sandwich was Horace Bonepenny. I'd have recognized him even without the caption. In the photograph, his flaming red curls had registered on the film as a ghostly pale aura round his head.

I couldn't suppress a shiver as I thought of how he had looked as a corpse.

Slightly apart from his comrades, the third boy, judging by the unnatural angle at which he held his head, seemed to be taking pains to show off his best profile. He was darkly handsome and older than the other two, with a hint of the smoldering good looks of a silent movie star.

It was odd, but I had the feeling that I had seen that face before.

Suddenly I felt as if someone had dropped a lizard down my neck. Of course I had seen this face—and recently too! The third boy in the photograph was the person who only two days ago had introduced himself to me as Frank Pemberton; Frank Pemberton, who had stood with me in Buckshaw Folly in the rain; Frank Pemberton, who this very morning had told me that he was off to view a shroud tomb in Nether Eaton.

One by one the facts assembled themselves, and like Saul I saw as clearly as if the scales had been ripped from my eyes.

Frank Pemberton was Bob Stanley and Bob Stanley was “The Third Man,” so to speak. It was he who had murdered Horace Bonepenny in the cucumber patch at Buckshaw. I'd be willing to stake my life on it.

As everything fell into place my heart pounded as if it were about to burst.

There had been something fishy about Pemberton from the outset, and again this was something I had not thought about since Sunday at the Folly. It was something he had said… but what?

We had talked about the weather; we had exchanged names. He had admitted that he already knew who I was, that he had looked us up in Who's Who. Why would he need to do that when he had known Father for most of his life? Could that have been the lie that set my invisible antennae to twitching?

There had been his accent, I remembered. Slight, but still…

He had told me about his book: Pemberton's Stately Homes: A Stroll Through Time. Plausible, I suppose.

What else had he said? Nothing of any great importance, some load of twaddle about us being fellow castaways on a desert island. That we should be friends.

The bit of tinder that had been smoldering away in the back of my mind burst suddenly into flames!

"I trust we shall become fast friends."

His exact words! But where had I heard them before?

Like a ball on a rubber string my thoughts flew back to a winter's day. Although it had been still early, the trees outside the drawing-room window had gone from yellow to orange to gray; the sky from cobalt blue to black.

Mrs. Mullet had brought in a plate of crumpets and drawn the curtains. Feely was sitting on the couch looking at herself in the back of a teaspoon, and Daffy was stretched out across Father's old stuffed chair by the fire. She was reading aloud to us from Penrod, a book she had commandeered from the little shelf of childhood favorites which had been preserved in Harriet's dressing room.

Penrod Schofield was twelve, a year and some months older than I, but close enough to be of passing interest. To me, Penrod seemed to be Huckleberry Finn dragged forward in time to World War I and set down in some vaguely midwestern American city. Although the book was full of stables and alleys and high board fences and delivery vans which were, in those days, still drawn by horses, the whole thing seemed to me as alien as if it had taken place upon the planet Pluto. Feely and I had sat entranced through Daffy's readings of Scaramouche, Treasure Island, and A Tale of Two Cities, but there was something about Penrod which made his world seem as far removed from us in time as the last Ice Age. Feely, who thought of books in terms of musical signatures, said that it was written in the key of C major.

Still, as Daffy plodded through its pages, we had laughed once or twice, here and there, at Penrod's defiance of his parents and authority, but I had wondered at the time what there was about a troublesome boy that had captured the imagination, and possibly the love, of the young Harriet de Luce. Perhaps now I could begin to guess.

The most amusing scene, I remembered, had been the one in which Penrod was being introduced to the sanctimonious Reverend Mr. Kinosling, who had patted him on the head and said, “A trost we shall bick-home fawst frainds.” This was a kind of condescension with which I lived my life, and I probably laughed too loud.

The point, though, was that Penrod was an American book, written by an American author. It was not likely as well known here in England as it would have been abroad.

Could Pemberton—or Bob Stanley, as I now knew him to be—have come across the book, or the phrase, in England? It was possible, of course, but it seemed unlikely. And hadn't Father told me that Bob Stanley—the same Bob Stanley who was Horace Bonepenny's confederate—had gone to America and set up a shady dealing in postage stamps?

Pemberton's slight accent was American! An old Greyminsterian with just a touch of the New World.

What an imbecile I had been!

Another peek out the window showed me that Mrs. Fairweather was gone and Cow Lane was now empty. I left the book lying open on the table, slipped out the door, and made my way round the back of the Pit Shed to the river.

A hundred years ago the river Efon had been part of a canal system, although there was now little left of it but the towpath. At the foot of Cow Lane were a few rotting remnants of the pilings which had once lined the embankment, but as it flowed towards the church, the river's waters had swollen from their decaying confines to widen in places into broad pools, one of which was at the center of the low marshy area behind the church of St. Tancred.

I scrambled over the rotted lych-gate into the churchyard, where the old tombstones leaned crazily like floating buoys in an ocean of grass so long I had to wade through it as if I were a bather waist-deep at the seaside.

The earliest graves, and those of the wealthiest former parishioners, were closest to the church, while back here along the fieldstone wall were those of more recent interments.

There was also a vertical stratum. Five hundred years of constant use had given the churchyard the appearance of a risen loaf: a fat loaf of freshly baked green bread, puffed up considerably above the level of the surrounding ground. I gave a delicious shiver at the thought of the yeasty remains that lay beneath my feet.

For a while I browsed aimlessly among the tombstones, reading off the family names that one often heard mentioned in Bishop's Lacey: Coombs, Nesbit, Barker, Hoare, and Carmichael. Here, with a lamb carved on his stone, was little William, the infant son of Tully Stoker, who, had he lived, would by now have been a man of thirty, and older brother to Mary. Little William had died aged five months and four days “of a croup,” it said, in the spring of 1919, the year before Mr. Twining had leaped from the clock tower at Greyminster. There was a good chance, then, that the Doctor, too, was buried somewhere nearby.

For a moment I thought I had found him: a black stone with a pointed pyramidal top had the name Twining crudely cut upon it. But this Twining, on closer inspection, turned out to be an Adolphus who had been lost at sea in 1809. His stone was so remarkably preserved that I couldn't resist the urge to run my fingers over its cool polished surface.

"Sleep well, Adolphus," I said. "Wherever you are."

Mr. Twining's tombstone, I knew—assuming he had one, and I found it difficult to believe otherwise—would not be one of the weathered sandstone specimens which leaned like jagged brown teeth, nor would it be one of those vast pillared monuments with drooping chains and funereal wrought-iron fences that marked the plots of Bishop Lacey's wealthiest and most aristocratic families (including any number of departed de Luces).

I put my hands on my hips and stood waist-deep in the weeds at the churchyard's perimeter. On the other side of the stone wall was the towpath, and beyond that, the river. It was somewhere back here that Miss Mountjoy had vanished after she had fled the church, immediately after the Vicar had asked us to pray for the repose of Horace Bonepenny's soul. But where had she been going?

Over the lych-gate I climbed once more, and onto the towpath.

Now I could clearly see the stepping-stones that lay spotted among streamers of waterweed, just beneath the surface of the slow-flowing river. These wound across the widening pool to a low muddy bank on the far side, above and beyond which ran a bramble hedge bordering a field which belonged to Malplaquet Farm.

I took off my shoes and socks and stepped off onto the first stone. The water was colder than I had expected. My nose was still running slightly and my eyes watering, and the thought crossed my mind that I'd probably die of pneumonia in a day or two and, before you could say “knife,” become a permanent resident of St. Tancred's churchyard.

Waving my arms like semaphore signals, I made my way carefully across the water and flat-footed it through the mud of the bank. By grasping a handful of long weeds I was able to pull myself up onto the embankment, a dike of packed earth that rose up between the river and the adjoining field.

I sat down to catch my breath and wipe the muck from my feet with a hank of the wild grass which grew in knots along the hedge. Somewhere close by a yellowhammer was singing “a little bit of bread and no cheese.” It suddenly went silent. I listened, but all I could hear was the distant hum of the countryside: a bagpipe drone of far-off farm machinery.

With my shoes and socks back on, I dusted myself off and began walking along the hedgerow, which seemed at first to be an impenetrable tangle of thorns and brambles. Then, just as I was about to turn and retrace my steps, I found it—a narrow cutting in the thicket, no more than a thinning, really. I pushed myself through and came out on the other side of the hedge.

A few yards back, in the direction of the church, something stuck up out of the grass. I approached it cautiously, the hair at the nape of my neck prickling in Neanderthal alarm.

It was a tombstone, and crudely carved upon it was the name Grenville Twining.

On the tilted base of the stone was a single word: Vale!

Vale!—the word Mr. Twining had shouted from the top of the tower! The word Horace Bonepenny had breathed into my face as he expired.

Realization swept over me like a wave: Bonepenny's dying mind had wanted only to confess to Mr. Twining's murder, and fate had granted him only one word with which to do so. In hearing his confession, I had become the only living person who could link the two deaths. Except, perhaps, for Bob Stanley. My Mr. Pemberton.

At the thought, a cold shiver ran down my spine.

There were no dates given on Mr. Twining's tombstone, almost as if whoever had buried him here had wanted to obliterate his history. Daffy had read us tales in which suicides were buried outside the churchyard or at a crossroads, but I had scarcely believed these to be any more than ecclesiastical old wives' tales. Still, I couldn't help wondering if, like Dracula, Mr. Twining was lying beneath my feet wrapped tightly in his Master's cape?

But the gown I had found hidden on the tower roof at Anson House—which was now reposing with the police—had not belonged to Mr. Twining. Father had made it clear that Mr. Twining was wearing his gown when he fell. So, too, had Toby Lonsdale, as he told The Hinley Chronicle.

Could they both be wrong? Father had admitted, after all, that the sun might have dazzled his eyes. What else had he told me?

I remembered his exact words as he described Mr. Twining standing on the parapet:

"His whole head seemed to be aglow," Father had said. "His hair like a disk of beaten copper in the rising sun; like a saint in an illuminated manuscript."

And then the rest of the truth rushed in upon me like a wave of nausea: It had been Horace Bonepenny up there on the ramparts. Horace Bonepenny of the flaming red hair; Horace Bonepenny the mimic; Horace Bonepenny the magician.

The whole thing had been a skillfully planned illusion!

Miss Mountjoy had been right. He had killed her uncle.

He and his confederate, Bob Stanley, must have lured Mr. Twining to the roof of the tower, most likely under the pretense of returning the stolen postage stamp which they had hidden there.

Father had told me of Bonepenny's extravagant mathematical calculations; his architectural prowlings would have made him as familiar with the tiles of the tower as he was with his own study.

When Mr. Twining had threatened to expose them, they had killed him, probably by bashing his head in with a brick. The fatal blow would have been impossible to detect after such a terrible fall. And then they had staged the suicide—every instant of the thing planned in cold blood. Perhaps they had even rehearsed.

It had been Mr. Twining who fell to the cobbles, but Bonepenny who trod the ramparts in the morning sun and Bonepenny, in a borrowed cap and gown, who had shouted “Vale!" to the boys in the Quad. "Vale!"—a word that could suggest only suicide.

Having done that, he had ducked down behind the parapet just as Stanley dropped the body through the drainage opening in the roof. To a sun-blinded observer on the ground, it would have appeared that the old man had fallen straight through. It was really nothing more than the Resurrection of Tchang Fu performed on a larger stage, dazzled eyes and all.

How utterly convincing it had been!

And for all these years Father had believed that it was his silence that had caused Mr. Twining to commit suicide, that it was he who was responsible for the old man's death! What a dreadful burden to bear, and how horrible!

Not for thirty years, not until I found the evidence among the tiles of Anson House, had anyone suspected it was murder. And they had almost got away with it.

I reached out and touched Mr. Twining's tombstone to steady myself.

"I see you've found him," said someone behind me, and at the sound of his voice my blood ran cold.

I spun round and found myself face-to-face with Frank Pemberton.