ACKNOWLEDGMENTS

A project of this scope required the support, assistance, and forbearance of a large number of people. On the film side, we’d like to thank the following: Fernando Sulichin for finding the financing and maintaining his composure through difficult times; Rob Wilson and Tara Tremaine were anchors from the beginning, culling archives around the world; Alex Marquez edited on and off through four years and many late nights, aided at various intervals by Elliot Eisman, Alexis Chavez, and Sean Stone; on the aural side, Craig Armstrong, Adam Peters, and Budd Carr—and Wylie Stateman; in the administrative grapple, Evan Bates and Suzie Gilbert; and Steven Pines for managing the money out of thin air. Many thanks to Showtime, through two different administrations—David Nevins for his insights; and the help of Bryan Lourd, Jeff Jacobs, Simon Green, and Kevin Cooper.

On the book side, we are indebted to Peter’s colleagues and graduate students in American University’s History Department. Max Paul Friedman lent his expertise on the history of U.S. foreign policy, reading the entire manuscript with painstaking care, challenging some of our interpretations and saving us from errors both large and small. Because U.S.-Soviet and U.S.-Russian relations figure so prominently in our story, we drew heavily on the expertise of Russian historian Anton Fedyashin, who was always ready to answer questions and check Russian language sources to make sure we got things right. Among Peter’s other colleagues who responded with generosity to questions regarding their own fields of historical scholarship were professors Mustafa Aksakal, Richard Breitman, Phil Brenner, Ira Klein, Allan Lichtman, Eric Lohr, and Anna Nelson.

Among the graduate students, Eric Singer and Ben Bennett were indispensable. They took vast amounts of time out of their own research and writing to help with a variety of research tasks. Eric was a master at tracking down obscure information that no one else could find. Ben, among his many contributions, took charge of finding the visuals that add such an important dimension to this book. Other current and former Ph.D. students who worked extensively on this project include Rebecca DeWolf, Cindy Gueli, Vincent Intondi, Matt Pembleton, Terumi Rafferty-Osaki, Jay Weixelbaum, and Adam Zarakov. Additional research assistance and fertile leads were provided by Daniel Cipriani, Nguyet Nguyen, David Onkst, Allen Pietrobon, Arie Serota, and Keith Skillin.

Numerous friends and colleagues also provided invaluable assistance along the way. Daniel Ellsberg was extremely generous with his insights, suggestions, critical readings, and enthusiastic support. His knowledge of much of this history remains unsurpassed. Among the other scholars who gave generously of their time and expertise, answered questions, and suggested documents are Gar Alperovitz, Robert Berkowitz, Bill Burr, Bob Dreyfuss, Carolyn Eisenberg, Ham Fish, Michael Flynn, Irena Grudzinska Gross, Hugh Gusterson, Anita Kondoyanidi, Bill Lanouette, Milton Leitenberg, Robert Jay Lifton, Arjun Makhijani, Ray McGovern, Roger Morris, Satoko Oka Norimatsu, Robert Norris, Robert Parry, Leo Ribuffo, Jonathan Schell, Peter Dale Scott, Mark Selden, Marty Sherwin, Chuck Strozier, Janine Wedel, and Larry Wittner.

Because the project has taken as long as it has, we were sad to lose four of our biggest supporters along the way—Howard Zinn, Bob Griffith, Charlie Wiener, and Uday Mohan.

Barbara Koeppel provided additional assistance with the visuals and captions. Erin Hamilton offered valuable insights on Chile. Matt Smith and Clement Ho of the American University library were extremely helpful with finding sources and providing other assistance.

The team at Gallery Books did everything they could to meet our often unwieldy requests as we rushed to complete the two projects on schedule. We are especially indebted to our editor, Jeremie Ruby-Strauss, and his assistant, Heather Hunt. We would also like to thank Louise Burke, Jen Bergstrom, Jessica Chin, Emily Drum, Elisa Rivlin, Emilia Pisani, Tricia Boczkowski, Sally Franklin, Jen Robinson, Larry Pekarek, and Davina Mock.

Peter’s daughter Lexie and his wife, Simki Kuznick, helped with research and footnoting and Simki pored patiently over numerous drafts of this manuscript with the skill of an editor and the eye of a poet.

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