Jo Shapcott lives in London and has twice won Britain’s National Poetry Competition. Her first book, Electroplating the Baby, won the Commonwealth Prize. Her book of poems, Phrase Book, has recently been published.
The following is one of my favorite treasures culled from a year of hunting through obscure sources for possible selections for this volume. (My thanks to editorial assistant Brian McDonald for his help in locating this one.) This quirky, charming poem comes from the Spring 1992 issue of The Southern Review.
Oh boy, I thought. A chance
to visit England and Oh boy here, out
of nowhere, a voice to describe it. Reader,
I dreamt of coming back to tell you about marching
round the Tower of London, in a beefeater suit,
swishing my axe at Jerry, belting after him
into the Bloody Tower, my back legs
circling like windmills in a gale,
and the ravens flapping around our heads.
You would hear it all: tea with the Queen
at Buckingham Palace and me scattering
the cucumber sandwiches at the sight
of Jerry by the silver salver. I couldn’t wait
for the gorgeous tableau: Queenie with her mouth
in a little shocked screaming shape, her crown
gone crooked as she stood cringing on the throne
with her skirts up round her knees, and Jerry
down there laughing by the footstool.
I would be a concertina zigzag by that time
with a bone china cup stuffed in my face
and a floral teapot shoved on my head so hard
my brains would form a spout and a handle
when it cracked and dropped off.
I can’t get this new voice to explain to you
the ecstasy in the body when you fling
yourself into such mayhem, opening yourself
to any shape at all and able to throw out
stars of pain for everyone to see.
But reader, the visit wasn’t like that.
I ended up in a poem and it made me uneasy.
Cats prefer skulking and sulking
in the dark, we prefer mystery
and slinking. This is even true of me
with my stupid human face opening
into only two or three stupid expressions:
cunning, surprise, and maybe rage.
And I couldn’t find ]erry.
“Where’s the mouse?” I found myself tripping
over commas and colons hard like diamonds, looking
for him. “Where’s the mouse?” I kept asking,
“Where’s the mouse?” I banged full face into a query—
and ended up with my front shaped
like a question mark for hours. That was scary:
I usually pop right back into myself in seconds.
So I hesitated for once before flinging myself
down the bumpy staircase where all the lines ended.
I went on my rear and at the bottom you would have seen me,
end up, bristling with splinters, and nose down
snuffling for any trace of mouse smell.
Reader, it was my first tragic movie:
I couldn’t find the mouse.