ON DEATH AND THE DEUCE Rick Bowes

I have been a fan of Rick Bowes’s work since the publication of his offbeat Urban Fantasy novel Feral Cell some years ago—and thus it is a pleasure to include him in this year’s volume of The Year’s Best with the following gritty contemporary fantasy tale about the fractured realities of alcoholism.

Bowes, who resides in New York City and has a background in theater, is also the author of the novels Goblin Market and Warchild, as well as works of short fiction. “On Death and the Deuce” is reprinted from the May issue of The Magazine of Fantasy & Science Fiction.

—T.W.

In the last days that the Irish ran Hell’s Kitchen, I lived in that tenement neighborhood between the West Side docks and Times Square. An old lady of no charm whatsoever named McCready and called Mother rented furnished studios in an underheated fleabag on Tenth Avenue. Payment was cash only by the week or month, with anonymity guaranteed whether desired or not. Looking out the window one February morning, I spotted my Silent Partner heading south toward Forty-second Street.

He was already past me, so it was the clothes that caught my attention first. The camel-hair overcoat had been mine. The dark gray pants were from the last good suit I had owned. That morning I’d awakened from a drinking dream, and was still savoring the warm, safe feeling that comes with realizing it was all a nightmare and that I was sober. The sight of that figure three floors down filled my mouth with the remembered taste of booze. I tried to spit, but was too dry.

Hustlers called Forty-second the Deuce. My Silent Partner turned at that corner, and I willed him not to notice me. Just before heading east, he looked directly at my window. He wore shades, but his face was the one I feared seeing most. It was mine.

That made me too jumpy to stay in the twelve-by-fifteen-foot room. Reaching behind the bed, I found the place where the wall and floor didn’t join. Inside was my worldly fortune: a slim .25 caliber Beretta, and beside it a wad of bills. Extracting six twenties, I put on a thick sweater and leather jacket and went out.

At that hour, nothing much was cooking in Hell’s Kitchen. Two junkies went by, bent double by the wind off the Hudson. Up the block a super tossed away the belongings of a drag queen who the week before had gotten cut into bite-size chunks. My Silent Partner was not the kind to go for a casual walk in this weather.

Looking the way he had come, I saw the Club 596 sitting like a bunker at the corner of Forty-third. The iron grating on the front was ajar, but no lights were on inside. As I watched, a guy in a postman’s uniform squeezed out the door and hurried away. The Westies, last of the Irish gangs—short, crazed, and violent—sat in the dark dispensing favors, collecting debts. And I knew what my Silent Partner had been up to.

Then I went to breakfast, put the incident to the back of my mind, and prepared for my daily session. The rest of my time was a wasteland, but my late afternoons were taken up with Leo Dunn.

He lived in a big apartment house over in the east sixties. Outside, the building gleamed white. The lobby was polished marble. Upstairs in his apartment, sunlight poured through windows curtained in gold and hit a glass table covered with pieces of silver and crystal. “Kevin, my friend.” Mr. Dunn, tall and white-haired, came forward smiling and shook my hand. “How are you? Every time I see you come through this door, it gives me the greatest pleasure.”

I sat down on the couch, and he sat across the coffee table from me. The first thing I thought to say was: “I had a drinking dream last night. This crowd watched like it was an Olympic event as I poured myself a shot and drank it. Then I realized what I’d done, and felt like dirt. I woke up, and it was as if a rock had been taken off my head.”

Amused, Dunn nodded his understanding. But dreams were of no great interest to him. So, after pausing to be sure I was through, he drew a breath and was off. “Kevin, you have made the greatest commitment of your life. You stood up and said, ‘Guilty as charged. I am a drunk.’ ”

Mr. Dunn’s treatment for alcoholics was a talking cure: he talked, and I listened. He didn’t just talk—he harangued; he argued like a lawyer; he gave sermons of fire. Gesturing to a closet door, he told me, “That is the record room where we store the evidence of our mistakes. Any boozehound has tales of people he trusted who screwed him over. But has there ever been anyone you knew that used you as badly and that you went back to as often as you have to booze?”

We had been over this material a hundred times in the past couple of weeks. “You’re a bright boy, Kevin, and I wouldn’t repeat myself if I hadn’t learned that it was necessary. We go back to the record room.” Again he pointed to the door. “We look for evidence of our stupidity. ”

For ten years, my habit and I had traveled from booze through the drug spectrum and back to booze. Then one morning on the apex of a bender, that fine moment when mortality is left behind and the shakes haven’t started, I found myself standing at a bar reading a New York Post article. It was about some guy called Dunn who treated drunks.

The crash that followed was gruesome. Three days later I woke up empty, sweat-soaked, and terrified in a room I didn’t remember renting. At first, it seemed that all I owned were the clothes I had been wearing. Gradually, in jacket and jean pockets, stuck in a boot, I discovered a vaguely familiar pistol, a thick roll of bills, and a page torn from the Post. The choice that I saw was clear; either to shoot myself or make a call.

My newly sober brain was blank and soft, and Mr. Dunn remolded it relentlessly. On the afternoon I am describing, he saw my attention wander, clicked a couple of ashtrays together on the table, picked up the gold lighter, and ignited a cigarette with a flourish. “How are you doing, Kevin?”

“O.K.,” I told him. “Before I forget,” I said, and placed five of the twenties from my stash on the table.

He put them in his pocket without counting and said, “Thank you, Kevin.” But when he looked up at me, an old man with pale skin and very blue eyes, he wasn’t smiling. “Any news on a job?” He had never questioned me closely, but I knew that my money bothered Mr. Dunn.

Behind him the light faded over Madison Avenue. “Not yet,” I said. “The thing is, I don’t need much to get by. Where I’m living is real cheap. ” At a hundred a week, Leo Dunn was my main expense. He was also what kept me alive. I recognized him as a real lucky kind of habit.

He went back to a familiar theme. “Kevin,” he said, looking at the smoke from his cigarette. “For years, your addiction was your Silent Partner. When you decided to stop drinking, that was very bad news for him. Your Silent Partner wants to live as much as you do. ” At the mention of that name, I remembered what I had seen that morning.

Dunn said, “Your partner had the best racket in the world, skimming off an ever-increasing share of your life, your happiness. He is not just going to give up and go away. He will try treachery, intimidation, flattery, to get you back in harness.”

He paused for a moment, and I said, “I saw him today, across the street. He saw me, too. He was wearing clothes that used to belong to me.”

“What did he look like, Kevin?” I guess nothing a drunk could say would ever surprise Mr. Dunn.

“Just like me. But at the end of a three-week bender.”

“What was he doing when you saw him?” This was asked very softly.

“Coming from a mob bar up the street, the 596 Club. He was trying to borrow money from guys who will whack you just because that’s how they feel at the moment.”

“Kevin,” said Mr. Dunn. “Booze is a vicious, mind-altering substance. It gets us at its mercy by poisoning our minds, making us unable to distinguish between what is real and what isn’t. Are you saying that you had to borrow money?” I shook my head. Very carefully, he asked, “Do you mean you remembered some aspect of your drinking self?”

“Something like that,” I said. But what I felt was a double loss. Not only had my Silent Partner discovered where I lived, but Dunn didn’t believe me. The partner had broken the perfect rapport between us.

At that point the lobby called to announce the next client. As Leo Dunn showed me to the door, his eyes searched mine. He wasn’t smiling. “Kevin, you’ve done more than I would have thought possible when you first walked in here. But there’s what they call a dry drunk, someone who’s managed to stop drinking, but has not reached the state beyond that. I don’t detect involvement in life from you, or real elation. I respect you too much to want to see you as just a dry drunk.”

The next client was dressed like a stockbroker. He avoided looking at me in my street clothes. “Leo,” he said, a little too loudly and too sincerely, “I’m glad to see you.” And Dunn, having just directed a two-hour lecture at me, smiled and was ready to go again.

Outside, it was already dark. On my way across town, I went through Times Square down to the Deuce. It was rush hour. Spanish hustlers in maroon pants, hands jammed in jacket pockets, black hookers in leather miniskirts, stood on corners, all too stoned to know they were freezing to death. Around them, commuters poured down subway stairs and fled for Queens.

Passing the Victoria Hotel, I glanced in at the desk clerk sitting behind bulletproof glass. I had lived at the Victoria before my final bender. It was where those clothes the Silent Partner wore had been abandoned. Without remembering all the details, I sensed that it wasn’t wise to go inside and inquire about my property.

Back on my block, I looked up at my bleak little window, dark and unwelcoming. Mother’s was no place to spend an evening. Turning away, I started walking again; probably I ate dinner somewhere, maybe saw a movie. Without booze, I couldn’t connect with anyone. Mostly I walked, watched crowds stream out of the theaters. A Little Night Music was playing, and A Moon for the Misbegotten. Then those rich tourists and nice couples from Westchester hurried into cabs and restaurants and left the streets quite empty.

In Arcade Parade on Broadway, goggle-eyed suit-and-tie johns watched the asses on kids bent over the pinball machines. Down the way a marquee advertised the double bill of College Bound Babes and Bound to Please Girls. Around a corner a tall guy with a smile like a knife slash chanted, “Got what you need,” like a litany.

Glancing up, I realized we were in front of Sanctuary. Built to be a Methodist church, it had gotten famous in the late sixties as a disco. In those days a huge DayGlo Satan loomed above the former altar; limos idled in front; a team of gorillas worked the door.

Now it was dim and dying, a trap for a particular kind of tourist. Inside, Satan flaked off the wall; figures stood in the shadows, willing to sell what you asked. I could remember in a hazy way spending my last money there to buy the Beretta. My trajectory on that final drunk—the arc that connected the pistol, the money, the absence of my Silent Partner—wasn’t buried all that deeply inside me. I just didn’t want to look.

At some point that night, the rhythm of the street, the cold logic of the Manhattan grid, took me way west, past the live sex shows and into the heart of the Kitchen. On long, dirty blocks of tenements, I went past small Mick bars with tiny front windows where lines of drinkers sat like marines, and guys in the back booths gossiped idly about last week’s whack.

I walked until my hands and feet were numb, and I found myself over on Death Avenue. That’s what the Irish of the Kitchen once called Eleventh because of the train tracks that ran there and killed so many of them. Now the trains were gone, the ships whose freight they hauled were gone, and those Irish themselves were fast disappearing. Though not born in the Kitchen, I identified with them a lot.

On Death, in a block of darkened warehouses, sat the Emerald Green Tavern. It was on a Saturday morning at the Emerald Green that I had found myself in a moment of utter clarity with a pistol and a pocketful of money, reading in a newspaper about Leo Dunn. I stood for a while remembering that. Then maybe the cold got to me, and I went home. My memory there is vague.

What I will never forget is the sight of a ship outlined in green and red lights. I was staring at it, and I was intensely cold. Gradually, I realized I was huddled against a pillar of the raised highway near the Hudson piers. One of the last of the cruise ships was docked there, and I thought how good it would be to have the money to sail down to the warm weather.

In fact, it would be so good to have any money at all. My worldly wealth was on me: suede boots and no socks, an overcoat and suit and no underwear. In one pocket were a penny, a dime, and a quarter—my wealth. In another were a set of standard keys and the gravity knife I’d had since college.

Then I knew why I had stolen the keys and where I was going to get money. And I recognized the state I was in: the brief, brilliant period of clarity at the end of a bender. My past was a wreck; my future held a terrifying crash. With nothing behind me and nothing to live for, I knew no fear and was a god.

With all mortal uncertainty and weakness gone, I was pure spirit as I headed down familiar streets. A block east of Death and north of the Deuce, I looked up at a lighted window on the third floor. I crossed the street, my overcoat open, oblivious to the cold.

Security at Mother’s was based on there being nothing in the building worth taking. Drawing out the keys, I turned the street-door lock on my third try and went up the stairs, silently, swiftly. Ancient smells of boiled cabbages and fish, of damp carpet and cigarette smoke and piss, a hundred years of poverty, wafted around me. This was the kind of place a loser lived, a fool came to rest. Contempt filled me.

Light shone under his door. Finding a key the right shape, I transferred it to my left hand, drew out the knife with my right. The key went in without a sound. I held my breath and turned it. The lock clicked; the door swung into the miserable room with a bed, a TV on without the sound, a two-burner stove, a table. An all-too-familiar figure dozed in the only chair, shoes off, pants unbuttoned. Sobriety had made him stupid. Not even the opening of the door roused him. The click of the knife in my hand did that.

The eyes focused, then widened as the dumb face I had seen in ten thousand morning mirrors registered shock. “I got a little debt I want to collect,” I said, and moved for him. Rage swept me, a feeling that I’d been robbed of everything: my body, my life. “You took the goddamn money. It’s mine. My plan. My guts. You couldn’t have pulled that scam in a thousand years.”

For an instant the miserable straight head in front of me froze in horror. Then shoulder muscles tensed; stocking feet shot out as he tried to roll to the side and go for the .25. But he was too slow. My knife slashed, and the fool put out his hands. Oh, the terror in those eyes when he saw the blood on his palms and wrists. He fell back, tipping over the chair. The blade went for the stomach, cut through cloth and into flesh.

Eyes wide, his head hit the wall. The knife in my hand slashed his throat. The light in the eyes went out. The last thing I saw in them was a reflection of his humiliation at dying like that, pants fallen down, jockey shorts filling with dark red blood. His breath suddenly choked, became a drowning sound. An outstretched hand pointed to the loose board and the money.

* * *

“I was just cut down,” I told Dunn the next morning. “It wasn’t even a fight. I left that knife behind when I had to move, and the fucking Silent Partner had it and just cut me down.” It was hard to get my throat to work.

“It was a dream, Kevin, a drinking dream like the one you told me yesterday. It has no power over your conscious mind. You came home and fell asleep sitting up. Then you had a nightmare. You say you fell off your chair and woke up on the floor. It was just a dream.”

My eyes burned. “The expression my Silent Partner had on his face is the one I used to see sometimes in the mirror. Those moments when I was so far gone I could do anything. ”

“Nothing else has reached you like this, Kevin.”

“Sorry. I couldn’t sleep.”

“Don’t be sorry. This is part of the process. I don’t know why, but this has to happen for the treatment to work. I’ve had detective sergeants bawl like babies, marines laugh until they cried. Until this, you haven’t let anything faze you. Our stupid drinker’s pride can take many forms.”

“I won’t be able to sleep as long as he’s out there. ”

“Understand, Kevin, that I’m not a psychiatrist. I was educated by the Jesuits a long time ago. Dreams or how you feel about your mother don’t mean much to me. But I hear myself say that, and spot my own stupid pride at work. If dreams are what you bring me, I’ll use them.” He paused, and I blew my nose. “What does your Silent Partner want, Kevin? You saw through his eyes in your dream.” “He wants to disembowel me!”

“The knife was the means, Kevin. Not the motive. What was he looking for?” “My money. He knew where I had it.”

“You keep money in your room? You don’t have a job. But you pay me regularly in fairly crisp twenties and hundreds. It’s stolen money, isn t it, Kevin?

“I guess so. I don’t remember.”

“Earlier you mentioned that in the dream, you went for a gun. Is there blood on the money, Kevin? Did you hurt anyone? Do you know?”

“The gun hasn’t been fired.”

“I assume it’s not registered, probably stolen. Get rid of it. Can you return the money?”

“I don’t even know who it belonged to.”

“You told me that he was in a calm eye when he came after you. That was his opportunity. You had that same kind of clarity when you found the article about me. You had the money with you then?”

“The gun, too.”

“Kevin, let’s say that some people’s Silent Partners are more real than others. Then let’s say that in a moment of clarity, you managed to give yours the slip and walked off with the money the two of you had stolen. Without him holding you back, you succeeded in reaching out for help. The money is the link. It’s what still connects you to your drinking past. I don’t want any of that money, and neither do you. Get rid of it.”

“You mean throw it away?”

“The other day, you said your Silent Partner was borrowing from the West Side mob. If he’s real enough to need money that badly, let him have it. No one, myself above all, ever loses his Silent Partner entirely. But this should give you both some peace.”

“What’ll I do for money? I won’t be able to pay you.”

“Do you think after all this time, I don’t know which ones aren’t going to pay me?” I watched his hands rearrange the crystal ashtrays, the gold lighter, as he said, “Let’s look in the record room, where we will find that booze is a vicious, mind-altering substance, and that we have to be aware at every moment of its schemes. ” I raised my eyes. Framed in the light from the windows, Dunn smiled at me and said, “Keep just enough to live on for a couple of weeks until you find work. Which you will.”


Afterward in my room, I took out the pistol and the money, put two hundred back in the wall, and placed the rest in a jacket pocket. The Beretta I carefully stuck under my belt at the small of my back. Then I went out.

At first, I walked aimlessly around the Kitchen. My Silent Partner had threatened me. It seemed my choices were to give up the money or to keep the money and give up Leo Dunn. The first I thought of as surrender; the second meant I’d be back on the booze. Then a third choice took shape. Payback. I would do to him just what he had tried to do to me.

Searching for him, I followed what I remembered of our route on the last night of our partnership. It had begun at Sanctuary. Passing by, I saw that the disco was no longer dying. It was dead. The doors were padlocked. On the former church steps, a black guy slept with his head on his knees. No sign of my Silent Partner.

But I finally recalled what had happened there. Sanctuary was a hunting ground. Tourists were the game. That last night I had run into four fraternity assholes in town with seven grand for a midwinter drug buy. Almost dead broke, I talked big about my connections. Before we left together, I bought the Beretta.

Following the trail, I walked by the Victoria. That’s where I had taken them first. “Five guys showing up will not be cool,” I said, and persuaded two of them to wait in my dismal room. As collateral, you hold everything I own. ” That amounted to little more than some clothes and a few keepsakes like the knife. With the other two, I left the hotel that last time knowing I wouldn’t be back. I recognized my Silent Partner’s touch. He had been with me at that point.

Turning into an icy wind off the river, I took the same route that the frat boys and I had taken a few weeks before. At a doorway on a deserted side street near Ninth Avenue, we halted. I remembered telling them that this was the place. In the tenement hall, I put the pistol at the base of one kid’s head and made him beg the other one to give me the money.

Standing in the doorway again, I recalled how the nervous sweat on my hand had made it hard to hold on to the .25. When those terrified kids had handed over the money, I discouraged pursuit by making them throw their shoes into the dark and lie face down with their hands behind their heads. The one I’d put the pistol on had pissed his pants. He wept and begged me not to shoot. Remembering that made my stomach turn. Right then my Partner had still been calling the shots.

The rest of that night was gone beyond recovery. But what had happened in those blank black hours wasn t important. I knew where the search for my partner was going to end. Death Avenue north of the Deuce had always been a favorite spot for both of us. The deserted warehouses, the empty railroad yards, made it feel like the end of the world.

Approaching the Emerald Green Tavern, I spotted a lone figure leaning on a lamppost, watching trailer trucks roll south. Only a lack of funds would have kept a man out on the street on a night like that. Touching the pistol for luck, stepping up behind my Silent Partner, I asked, “Whatcha doing?”

Not particularly surprised, not even turning all the way around, he replied, “Oh, living the life.” I would never have his nonchalance. His face was hidden by shadows and dark glasses. That was just as well.

The air around him smelled of cheap booze. “We have to talk. ” I gestured toward the Emerald Green.

As we crossed the street, he told me, “I knew you’d show up. This is where we parted company. When I woke up days later, all I had were these clothes and a couple of keepsakes.” I was reminded of the knife. My Silent Partner knew as soon as that crossed my mind. “Don’t worry,” he said. “I sold it.” He went through the door first.

The Emerald Green was a typical Hell’s Kitchen joint, with a bar that ran front to back, a few booths, and beer- and cigarette-soaked air unchanged since the Truman administration. The facilities were the one distinguishing feature of the place. The rest rooms lay down a flight of stairs and across a cellar/storage area. You could organize a firing squad down there, and the people above wouldn’t know.

Or care. The customers that night were several guys with boozers’ noses, an old woman with very red hair who said loudly at regular intervals, “Danny? Screw Danny,” and a couple of Spanish guys off some night shift and now immobile at a table. The dead-eyed donkey of a bartender looked right through me and nodded at my Silent Partner. In here, he was the real one. We went to the far end of the bar near the cellar door, where we could talk. I ordered a ginger ale. My companion said, “Double Irish.”

As we sat, he gave a dry chuckle. “Double Irish is about right for us.” At no time did I turn and stare my Silent Partner in the face. But the filmed mirror behind the bar showed that he wore the rumpled jacket over a dirty T-shirt. The camel-hair coat was deeply stained. When the whiskey came, he put it away with a single gesture from counter to mouth. Up and in. I could taste it going down.

It was like living in a drinking dream. I touched the back of my belt and said, “You found out where I live.”

“Yeah, Billy at the 596 told me you were staying at Mother’s. Of course, what he said was that he had seen me going in and out. So I knew. ” Indoors, my partner smelled ripe. The back of his hand was dirty.

“You owe them money?” The last thing I needed was to get shot for debts he had run up.

“Not even five. My credit’s no good,” he said. “You left me with nothing. They locked me out of the hotel. Ripping off those kids was something you never could have done by yourself. You needed me.” He signaled for a refill. The bartender’s eyes shifted my way, since I was paying.

I shook my head, not sure I could have him drink again and not do it myself. “I’ve got the money on me. It’s yours. So that we don’t attract attention, what I want you to do is get up and go downstairs. After a couple of minutes, I’ll join you.”

“Pass the money to me under the bar.” He didn’t trust me.

“There’s something else I want you to have. ” For a long moment he sat absolutely still. The TV was on with the sound off. It seemed to be all beer ads. “When you come back up here,” I told him, “you will be able to afford enough doubles to kill yourself.” That promise made him rise and push his way through the cellar door.

For a good two minutes, I sipped ginger ale and breathed deeply to calm myself. Then 1 followed him. Downstairs, there were puddles on the floor. The rest-room doors were open. Both were empty. One of the johns was broken and kept flushing. It sounded like an asthmatic trying to breathe.

The cellar was lighted by an overhead bulb above the stairs and one at the far end of the cellar near the rest rooms. Both lights swayed slightly, making it hard to focus. My Silent Partner had reached up and bumped them for just that reason. It was the kind of thing that I would not have thought of. He stood where the light didn’t quite hit him.

When I reached the bottom of the stairs, I reached back and drew out the .25. He seemed to flicker before me. “Easy does it,” he said. “You know how jumpy you are with guns.” His tone was taunting, not intimidated.

I realized I could read him as easily as he could me. My Silent Partner wanted me to try to shoot him and find out that I couldn’t. Then, after I failed, we could both go upstairs, have some drinks, and resume our partnership. Carefully, I ejected the clip and stuck it in my pocket. His eyes followed me as I put the empty pistol on the stairs. “You bought this; you get rid of it,” I said. “My guess is, it’s got a bad history.”

“You’ll never have another friend like me.” His voice, my voice, had a whine to it, and I knew this was getting to him. I reached into my pocket and took out the money and a piece of torn newspaper. “You thought about what it’s going to be like to be broke?” he asked. “It’s not like you’ve got any skills.”

I had thought of it, and it scared me. I hesitated. Then I noticed that the newspaper was the page with the Dunn article. Taking a deep breath, I riffled the money and told my Silent Partner: “Almost six grand. Just about everything I have. ” I put the cash on the stairs beside the Beretta and turned to go. “So long. It’s been real.”

“Oh, I’ll keep in touch,” he said in a whisper. Looking back, I saw nothing but a blur of light in the shadows.

On the stairs, I felt light-footed, like a burden had been laid down. This was relief, maybe even the happiness Mr. Dunn had mentioned. From his perch near the front, the bartender gave me a slightly wary look, like maybe I had come in at 2:00 a.m., drunk ginger ale, and had a conversation with myself. It occurred to me that if that’s what happened, the first one to go take a leak was going to get a very nice surprise.

But as I went out into the cold, the bartender’s gaze shifted, his hand reached for the pouring bottle, and I heard the cellar door swing open behind me.


This Is a Story Titled THE MAN WHO ROWED CHRISTOPHER COLUMBUS ASHORE Harlan Ellison

We are very pleased to include Harlan Ellison in this year’s volume of The Year’s Best with this superlative phantasia published in the year of the quinquecentennial of Columbus’ voyage to the Americas. (Though the author assures us personally that it is mere coincidence that Columbus appears in this story at all and, despite the title, the story really has nothing at all to do with Christopher Columbus. He is also suitably mysterious when he says that “coincidence” does have a lot to do with this story.)

Ellison, who resides in Los Angeles, is one of the most lauded fantasists in America and a consummate artist in the short story form. He has published very nearly sixty books of fiction and essays (including the influential media critiques The Glass Teat and The Other Glass Teat), more than thirteen hundred stories, and is the editor of the landmark Dangerous Visions anthologies. The Essential Ellison, an 1,100-page retrospective of his 38-year career, is highly recommended.

Ellison has won more Hugo and Nebula Awards than any other writer, as well as the P.E.N. award for journalism, the British Fantasy Award, the Mystery Writers of America’s Edgar Award, and numerous others (including nominations for the Emmy and the Grammy [in the Spoken Word category]). The following provocative tale (which has also been honored with inclusion in The Best American Short Stories: 1993) is reprinted from the July issue of Omni magazine.

—T.W.

LEVENDIS: On Tuesday the 1st of October, improbably dressed as an Explorer Scout, with his great hairy legs protruding from his knee-pants, and his heavily-festooned merit badge sash slantwise across his chest, he helped an old, arthritic black woman across the street at the jammed corner of Wilshire and Western. In fact, she didn’t want to cross the street, but he half-pulled, half-dragged her, the old woman screaming at him, calling him a khaki-colored motherfucker every step of the way.

LEVENDIS: On Wednesday the 2nd of October, he crossed his legs carefully as he sat in the Boston psychiatrist’s office, making certain the creases of his pants— he was wearing the traditional morning coat and ambassadorially-striped pants— remained sharp, and he said to George Aspen Davenport, MD, Ph. D., FAPA (who had studied with Ernst Kris and Anna Freud), “Yes, that’s it, now you’ve got it.” And Dr. Davenport made a note on his pad, lightly cleared his throat and phrased it differently: “Your mouth is . . . vanishing? That is to say, your mouth, the facial feature below your nose, it’s uh disappearing?” The prospective patient nodded quickly, with a bright smile. “Exactly. ” Dr. Davenport made another note, continued to ulcerate the inside of his cheek, then tried a third time: “We’re speaking now—heh heh, to maintain the idiom—we're speaking of your lips, or your tongue, or your palate, or your gums, or your teeth, or—” The other man sat forward, looking very serious, and replied, “We’re talking all of it, Doctor. The whole, entire, complete aperture and everything around, over, under, and within. My mouth, the allness of my mouth. It’s disappearing. What part of that is giving you a problem?” Davenport hmmm’d for a moment, said, “Let me check something,” and he rose, went to the teak and glass bookcase against the far wall, beside the window that looked out on crowded, lively Boston Common, and he drew down a capacious volume. He flipped through it for a few minutes, and finally paused at a page on which he poked a finger. He turned to the elegant, gray-haired gentleman in the consultation chair, and he said, “Lipostomy. ” His prospective patient tilted his head to the side, like a dog listening for a clue, and arched his eyebrows expectantly, as if to ask yes, and lipostomy is what? The psychiatrist brought the book to him, leaned down and pointed to the definition. “Atrophy of the mouth.” The gray-haired gentleman, who looked to be in his early sixties, but remarkably well-tended and handsomely turned-out, shook his head slowly as Dr. Davenport walked back around to sit behind his desk. “No, I don’t think so. It doesn’t seem to be withering, it’s just, well, simply, I can’t put it any other way, it’s very simply disappearing. Like the Cheshire cat’s grin. Fading away.” Davenport closed the book and laid it on the desktop, folded his hands atop the volume, and smiled condescendingly. “Don’t you think this might be a delusion on your part? I’m looking at your mouth right now, and it’s right there, just as it was when you came into the office.” His prospective patient rose, retrieved his homburg from the sofa, and started toward the door. “It’s a good thing I can read lips,” he said, placing the hat on his head, “because I certainly don’t need to pay your sort of exorbitant fee to be ridiculed.” And he moved to the office door, and opened it to leave, pausing for only a moment to readjust his homburg, which had slipped down, due to the absence of ears on his head.

LEVENDIS: On Thursday the 3rd of October, he overloaded his grocery cart with okra and eggplant, giant bags of Kibbles ’n Bits ’n Bits ’n Bits, and jumbo boxes of Huggies. And as he wildly careened through the aisles of the Sentry Market in La Crosse, Wisconsin, he purposely engineered a collision between the carts of Kenneth Kulwin, a 47-year-old homosexual who had lived alone since the passing of his father thirteen years earlier, and Anne Gillen, a 35-year-old legal secretary who had been unable to find an escort to take her to her senior prom and whose social life had not improved in the decades since that death of hope. He began screaming at them, as if it had been their fault, thereby making allies of them. He was extremely rude, breathing muscatel breath on them, and finally stormed away, leaving them to sort out their groceries, leaving them to comment on his behavior, leaving them to take notice of each other. He went outside, smelling the Mississippi River, and he let the air out of Anne Gillen’s tires. She would need a lift to the gas station, Kenneth Kulwin would tell her to call him “Kenny,” and they would discover that their favorite movie was the 1945 romance, The Enchanted Cottage, starring Dorothy McGuire and Robert Young.

LEVENDIS: On Friday the 4th October, he came upon an interstate trucker dumping badly sealed cannisters of phenazine in an isolated picnic area outside Phillipsburg, Kansas; and he shot him three times in the head; and wedged the body into one of the large, nearly empty trash barrels near the picnic benches.

LEVENDIS: On Saturday the 5th of October, he addressed two hundred and forty-four representatives of the country & western music industry in the Chattanooga Room just off the Tennessee Ballroom of the Opryland Hotel in Nashville. He said to them, “What’s astonishing is not that there is so much ineptitude, slovenliness, mediocrity and downright bad taste in the world . . . what is unbelievable is that there is so much good art in the world. Everywhere.” One of the attendees raised her hand and asked, “Are you good, or evil?” He thought about it for less than twenty seconds, smiled, and replied, “Good, of course! There s only one real evil in the world: mediocrity.” They applauded sparsely, but politely. Nonetheless, later at the reception, no one touched the Swedish meatballs, or the rumaki.

LEVENDIS: On Sunday the 6th of October, he placed the exhumed remains of Noah’s ark near the eastern summit of a nameless mountain in Kurdistan, where the next infrared surveillance of a random satellite flyby would reveal them. He was careful to seed the area with a plethora of bones, here and there around the site, as well as within the identifiable hull of the vessel. He made sure to place them two-by-two: every beast after his kind, and all the cattle after their kind, and every creeping thing that creepeth upon the earth after his kind, and every fowl after his kind, and every bird of every sort. Two-by-two. Also the bones of pairs of gryphons, unicorns, stegosaurs, tengus, dragons, orthodontists, and the carbon-dateable 50,000-year-old bones of a relief pitcher for the Boston Red Sox.

LEVENDIS: On Monday the 7th of October, he kicked a cat. He kicked it a far distance. To the passersby who watched, there on Galena Street in Aurora, Colorado, he said: “I am an unlimited person, sadly living in a limited world. When the housewife who planned to call the police yelled at him from her kitchen window, “Who are you? What is your name!?!” he cupped his hands around his mouth so she would hear him, and he yelled back, “Levendis! It’s a Greek word. They found the cat imbarked halfway through a tree. The tree was cut down, and the section with the cat was cut in two, the animal tended by a talented taxidermist who tried to quell the poor beast’s terrified mewling and vomiting. The cat was later sold as bookends.

LEVENDIS: On Tuesday the 8th of October, he called the office of the District Attorney in Cadillac, Michigan, and reported that the blue 1988 Mercedes that had struck and killed two children playing in a residential street in Hamtramck just after sundown the night before, belonged to a pastry chef whose sole client was a Cosa Nostra pezzohovante. He gave detailed information as to the location of the chop shop where the Mercedes had been taken to be banged out, bondo’d, and repainted. He gave the license number. He indicated where, in the left front wheel-well, could be found a piece of the skull of the younger of the two little girls. Not only did the piece fit, like the missing section of a modular woodblock puzzle, but pathologists were able to conduct an accurate test that provided irrefutable evidence that would hold up under any attack in court: the medical examiner got past the basic ABO groups, narrowed the scope of identification with the five Rh tests, the M and N tests (also cap-S and small-s variations), the Duffy blood groups, and the Kidd types, both A and B; and finally he was able to validate the rare absence of Jr a, present in most blood-groups but missing in some Japanese-Hawaiians and Samoans. The little girl’s name was Sherry Tualaulelei. When the homicide investigators learned that the pastry chef, his wife, and their three children had gone to New York City on vacation four days before the hit-and-run, and were able to produce ticket stubs that placed them seventh row center of the Martin Beck Theater, enjoying the revival of Guys and Dolls, at the precise moment the Mercedes struck the children, the Organized Crime Unit was called in, and the scope of the investigation was broadened. Sherry Tualaulelei was instrumental in the conviction and thirty-three year imprisonment of the pastry chefs boss, Sinio “Sally Comfort” Conforte, who had “borrowed” a car to sneak out for a visit to his mistress.

LEVENDIS: On Wednesday the 9th of October, he sent a fruit basket to Patricia and Faustino Evangelista, a middle-aged couple in Norwalk, Connecticut, who had given to their surviving son, the gun his beloved older brother had used to kill himself. The accompanying note read: Way to go, sensitive Mom and Dad!

LEVENDIS: On Thursday the 10th of October, he created a cure for bone-marrow cancer. Anyone could make it: the juice of fresh lemons, spiderwebs, the scrapings of raw carrots, the opaque and whitish portion of the toenail called the lunula, and carbonated water. The pharmaceutical cartel quickly hired a prestigious Philadelphia PR firm to throw its efficacy into question, but the AMA and FDA ran accelerated tests, found it to be potent, with no deleterious effects, and recommended its immediate use. It had no effect on AIDS, however. Nor did it work on the common cold. Remarkably, physicians praised the easing of their workload.

LEVENDIS: On Friday the 11th of October, he lay in his own filth on the sidewalk outside the British Embassy in Rangoon, holding a begging bowl. He was just to the left of the gate, half-hidden by the angle of the high wall from sight of the military guards on post. A woman in her fifties, who had been let out of a jitney just up the street, having paid her fare and having tipped as few rupees as necessary to escape a strident rebuke by the driver, smoothed the peplum of her shantung jacket over her hips, and marched imperially toward the Embassy gates. As she came abaft the derelict, he rose on one elbow and shouted at her ankles, “Hey, lady! I write these pomes, and I sell ’em for a buck inna street, an’ it keeps juvenile delinquents offa the streets so’s they don’t spit on ya! So whaddaya think, y’wanna buy one?” The matron did not pause, striding toward the gates, but she said snappishly, “You’re a businessman. Don’t talk art.”

This is a story titled THE ROUTE OF ODYSSEUS

“You will find the scene of Odysseus’s wanderings when you find the cobbler who sewed up the bag of winds.”

Eratosthenes, late 3rd century, b.c.

LEVENDIS: On Saturday the 12th of October, having taken the sidestep, he came to a place near Weimar in southwest Germany. He did not see the photographer snapping pictures of the scene. He stood among the cordwood bodies. It was cold for the spring; and even though he was heavily clothed, he shivered. He walked down the rows of bony corpses, looking into the black holes that had been eye sockets, seeing an endless chicken dinner, the bones gnawed clean, tossed like jackstraws in heaps. The stretched-taut groins of men and women, flesh tarpaulins where passion had once smoothed the transport from sleep to wakefulness. Entwined so cavalierly that here a woman with three arms, and there a child with the legs of a sprinter three times his age. A woman’s face, looking up at him with soot for sight, remarkable cheekbones, high and lovely, she might have been an actress. Xylophones for chests and torsos, violin bows that had waved goodbye and hugged grandchildren and lifted in toasts to the passing of traditions, gourd whistles between eyes and mouths. He stood among the cordwood bodies and could not remain merely an instrument himself. He sank to his haunches, crouched and wept, burying his head in his hands, as the photographer took shot after shot, an opportunity like a gift from the editor. Then he tried to stop crying, and stood, and the cold cut him, and he removed his heavy topcoat and placed it gently over the bodies of two women and a man lying so close and intermixed that it easily served as a coverlet for them. He stood among the cordwood bodies, 24 April 1945, Buchenwald, and the photograph would appear in a book published forty-six years later, on Saturday the 12th of October. The photographer’s roll ran out just an instant before the slim young man without a topcoat took the sidestep. Nor did he hear the tearful young man say, “Sertsa.” In Russian, sertsa means soul.

LEVENDIS: On Sunday the Bth of October, he did nothing. He rested. When he thought about it, he grew annoyed. “Time does not become sacred until we have lived it,” he said. But he thought: to hell with it; even God knocked off for a day.

LEVENDIS: On Monday the Bth of October, he climbed up through the stinking stairwell shaft of a Baltimore tenement, clutching his notebook, breathing through his mouth to block the smell of mildew, garbage, and urine, focusing his mind on the apartment number he was seeking, straining through the evening dimness in the wan light of one bulb hanging high above, barely illuminating the vertical tunnel, as he climbed and climbed, straining to see the numbers on the doors, going up, realizing the tenants had pulled the numbers off the doors to foil him and welfare investigators like him, stumbling over something oily and sobbing jammed into a corner of the last step, losing his grip on the rotting bannister and finding it just in time, trapped for a moment in the hopeless beam of washed-out light falling from above, poised in mid-tumble and then regaining his grip, hoping the welfare recipient under scrutiny would not be home, so he could knock off for the day, hurry back downtown and crosstown and take a shower, going up till he had reached the topmost landing, and finding the number scratched on the doorframe, and knocking, getting no answer, knocking again, hearing first the scream, then the sound of someone beating against a wall, or the floor, with a heavy stick, and then the scream again, and then another so closely following the first that it might have been one scream only, and he threw himself against the door, and it was old but never had been well-built, and it came away, off its hinges, in one rotten crack, and he was inside, and the most beautiful young black woman he had ever seen was tearing the rats off her baby. He left the check on the kitchen table, he did not have an affair with her, he did not see her fall from the apartment window, six storeys into a courtyard, and never knew if she came back from the grave to escape the rats that gnawed at her cheap wooden casket. He never loved her, and so was not there when what she became flowed back up through the walls of the tenement to absorb him and meld with him and become one with him as he lay sleeping penitently on the filthy floor of the topmost apartment. He left the check, and none of that happened.

LEVENDIS: On Tuesday the 15th of October, he stood in the Greek theatre at Aspendos, Turkey, a structure built two thousand years earlier, so acoustically perfect that every word spoken on its stage could be heard with clarity in any of its thirteen thousand seats, and he spoke to a little boy sitting high above him. He uttered Count Von Manfred’s dying words, Schumann’s overture, Byron’s poem: “Old man, ’tis not so difficult to die.” The child smiled and waved. He waved back, then shrugged. They became friends at a distance. It was the first time someone other than his mother, who was dead, had been kind to the boy. In years to come it would be a reminder that there was a smile out there on the wind. The little boy looked down the rows and concentric rows of seats: the man ’way down there was motioning for him to come to him. The child, whose name was Orhon, hopped and hopped, descending to the center of the ring as quickly as he could. As he came to the core, and walked out across the orchestra ring, he studied the man. This person was very tall, and he needed a shave, and his hat had an extremely wide brim, like the hat of Kill, the man who made weekly trips to Ankara, and he wore a long overcoat far too hot for this day. Orhon could not see the man’s eyes because he wore dark glasses that reflected the sky. Orhon thought this man looked like a mountain bandit, only dressed more impressively. Not wisely for a day as torpid as this, but more impressively than Bilge and his men, who raided the farming villages. When he reached the tall man, and they smiled at each other, this person said to Orhon, “I am an unlimited person living in a limited world.” The child did not know what to say to that. But he liked the man. “Why do you wear such heavy wool today? I am barefoot.” He raised his dusty foot to show the man, and was embarrassed at the dirty cloth tied around his big toe. And the man said, “Because I need a safe place to keep the limited world.” And he unbuttoned his overcoat, and held open one side, and showed Orhon what he would inherit one day, if he tried very hard not to be a despot. Pinned to the fabric, each with the face of the planet, were a million and more timepieces, each one the Earth at a different moment, and all of them purring erratically like dozing sphinxes. And Orhon stood there, in the heat, for quite a long while, and listened to the ticking of the limited world.

LEVENDIS: On Wednesday the 16th of October, he chanced upon three skinheads in Doc Martens and cheap black leatherette, beating the crap out of an interracial couple who had emerged from the late show at the La Salle Theater in Chicago. He stood quietly and watched. For a long while.

LEVENDIS: On Thursday the 17th of October, he chanced upon three skinheads in Doc Martens and cheap black leatherette, beating the crap out of an interracial couple who had stopped for a bite to eat at a Howard Johnson’s near King of Prussia on the Pennsylvania Turnpike. He removed the inch-and-a-half-thick ironwood dowel he always carried beside his driver’s seat and, holding the 2Vi' long rod at its centerpoint, laid alongside his pants leg so it could not be seen in the semi-darkness of the parking lot, he came up behind the three as they kicked the black woman and the white man lying between parked cars. He tapped the tallest of the trio on his shoulder, and when the boy turned around—he couldn’t have been more than seventeen—he dropped back a step, slid the dowel up with his right hand, gripped it tightly with his left, and drove the end of the rod into the eye of the skinhead, punching through behind the socket and pulping the brain. The boy flailed backward, already dead, and struck his partners. As they turned, he was spinning the dowel like a baton, faster and faster, and as the stouter of the two attackers charged him, he whipped it around his head and slashed straight across the boy’s throat. The snapping sound ricocheted off the dark hillside beyond the restaurant. He kicked the third boy in the groin, and when he dropped, and fell on his back, he kicked him under the chin, opening the skinhead’s mouth; and then he stood over him, and with both hands locked around the pole, as hard as he could, he piledrove the wooden rod into the kid’s mouth, shattering his teeth, and turning the back of his skull to flinders. The dowel scraped concrete through the ruined face. Then he helped the man and his wife to their feet, and bullied the manager of the Howard Johnson’s into actually letting them lie down in his office till the State Police arrived. He ordered a plate of fried clams and sat there eating pleasurably until the cops had taken his statement.

LEVENDIS: On Friday the 18th of October, he took a busload of Mormon schoolchildren to the shallow waters of the Great Salt Lake in Utah, to pay homage to the great sculptor Smithson by introducing the art-ignorant children to the Spiral Jetty, an incongruously gorgeous line of earth and stone that curves out and away like a thought lost in the tide. “The man who made this, who dreamed it up and then made it, you know what he once said?” And they ventured that no, they didn’t know what this Smithson sculptor had said, and the man who had driven the bus paused for a dramatic moment, and he repeated Smithson’s words: “Establish enigmas, not explanations.” They stared at him. “Perhaps you had to be there,” he said, shrugging. “Who’s for ice cream?” And they went to a Baskin-Robbins.

LEVENDIS: On Saturday the 19th of October, he filed a thirty-million-dollar lawsuit against the major leagues in the name of Alberda Jeannette Chambers, a 19-year-old lefthander with a fadeaway fast ball clocked at better than 96 mph; a dipsy-doodle slider that could do a barrel-roll and clean up after itself; an ERA of 2.10; who could hit from either side of the plate with a batting average of. 360; who doubled as a peppery little shortstop working with a trapper’s mitt of her own design; who had been refused tryouts with virtually every professional team in the United States (also Japan) from the bigs all the way down to the Pony League. He filed in Federal District Court for the Southern Division of New York State, and told Ted Koppel that Allie Chambers would be the first female player, mulatto or otherwise, in the Baseball Hall of Fame.

LEVENDIS: On Sunday the 20th of October, he drove out and around through the streets of Raleigh and Durham, North Carolina, in a rented van equipped with a public address system, and he endlessly reminded somnambulistic pedestrians and families entering eggs ’n grits restaurants (many of these adults had actually voted for Jesse Helms and thus were in danger of losing their sertsa) that perhaps they should ignore their bibles today, and go back and reread Shirley Jackson’s short story, “One Ordinary Day, with Peanuts.”

This is a story titled THE DAFFODILS THAT ENTERTAIN

LEVENDIS: On Monday the 21st of October, having taken the sidestep, he wandered through that section of New York City known as the Tenderloin. It was 1892. Crosstown on 24th Street from Fifth Avenue to Seventh, then he turned uptown and walked slowly on Seventh to 40th. Midtown was rife with brothels, their red lights shining through the shadows, challenging the wan gaslit streetlamps. The Edison and Swan United Electric Light Co., Ltd., had improved business tremendously through the wise solicitations of a salesman with a Greek-sounding name who had canvassed the prostitution district west of Broadway only five years earlier, urging the installation of Mr. Joseph Wilson Swan and Mr. Thomas Alva Edison’s filament lamps: painted crimson, fixed above the ominously yawning doorways of the area’s many houses of easy virtue. He passed an alley on 36th Street, and heard a woman’s voice in the darkness complaining, “You said you’d give me two dollars. You have to give it to me first! Stop! No, first you gotta give me the two dollars!” He stepped into the alley, let his eyes acclimate to the darkness so total, trying to hold his breath against the stench; and then he saw them. The man was in his late forties, wearing a bowler and a shin-length topcoat with an astrakhan collar. The sound of horse-drawn carriages clopped loudly on the bricks beyond the alley, and the man in the astrakhan looked up, toward the alley mouth. His face was strained, as if he expected an accomplice of the girl, a footpad or shoulder-hitter or bully-boy pimp to charge to her defense. He had his fly unbuttoned and his thin, pale penis extended; the girl was backed against the alley wall, the man’s left hand at her throat; and he had hiked up her apron and skirt and petticoats, and was trying to get his right hand into her drawers. She pushed against him, but to no avail. He was large and strong. But when he saw the other man standing down there, near the mouth of the alley, he let her garments drop, and fished his organ back into his pants, but didn’t waste time buttoning-up. “You there! Like to watch your betters at work, do you?” The man who had done the sidestep spoke softly: “Let the girl go. Give her the two dollars, and let her go.” The man in the bowler took a step toward the mouth of the alley, his hands coming up in a standard pugilist’s extension. He gave a tiny laugh that was a snort that was rude and derisive: “Oh so, fancy yourself something of the John L. Sullivan, do you, captain? Well, let’s see how you and I and the Marquis Q get along ...” and he danced forward, hindered considerably by the bulky overcoat. As he drew within double arm’s-length of his opponent the younger man drew the taser from his coat pocket, fired at point-blank range, the barbs striking the pugilist in the cheek and neck, the charge lifting him off his feet and driving him back into the brick wall so hard that the filaments were wrenched loose, and the potential fornicator fell forward, his eyes rolled up in his head. Fell forward so hard he smashed three of his front teeth, broken at the gumline. The girl tried to run, but the alley was a dead end. She watched as the man with the strange weapon came to her. She could barely see his face, and there had been all those killings with that Jack the Ripper in London a few years back, and there was talk that this Jack had been a Yankee and had come back to New York. She was terrified. Her name was Poppy Skurnik, she was an orphan, and she worked way downtown as a pieceworker in a shirtwaist factory. She made one dollar and sixty-five cents a week, for six days of labor, from seven in the morning until seven at night, and it was barely enough to pay for her lodgings at Baer’s Rents. So she “supplemented” her income with a stroll in the Tenderloin, twice a week, never more, and prayed that she could continue to avoid the murderous attentions of gentlemen who liked to cripple girls after they’d topped them, continue to avoid the pressures of pimps and boy friends who wanted her to work for them, continue to avoid the knowledge that she was no longer “decent” but was also a long way from winding up in one of these red-light whorehouses. He took her gently by the hand, and started to lead her out of the alley, carefully stepping over the unconscious molester. When they reached the street, and she saw how handsome he was, and how young he was, and how premierely he was dressed, she also smiled. She was extraordinarily attractive, and the young man tipped his hat and spoke to her kindly, inquiring as to her name, and where she lived, and if she would like to accompany him for some dinner. And she accepted, and he hailed a carriage, and took her to Delmonico’s for the finest meal she had ever had. And later, much later, when he brought her to his townhouse on upper Fifth Avenue, in the posh section, she was ready to do anything he required of her. But instead, all he asked was that she allow him to give her a hundred dollars in exchange for one second of small pain. And she felt fear, because she knew what these nabobs were like, but a hundred dollars'. So she said yes, and he asked her to bare her left buttock, and she did it with embarrassment, and there was exactly one second of mosquito bite pain, and then he was wiping the spot where he had injected her with penicillin, with a cool and fragrant wad of cotton batting. “Would you like to sleep the night here, Poppy?” the young man asked. “My room is down the hall, but I think you’ll be very comfortable in this one.” And she was worried that he had done something awful to her, like inject her with a bad poison, but she didn’t feel any different, and he seemed so nice, so she said yes, that would be a dear way to spend the evening, and he gave her ten ten-dollar bills, and wished her a pleasant sleep, and left the room, having saved her life, for she had contracted syphilis the week before, though she didn’t know it; and within a year she would have been unable, by her appearance alone, to get men in the streets; and would have been let go at the shirtwaist factory; and would have been seduced and sold into one of the worst of the brothels; and would have been dead within another two years. But this night she slept well, between cool sheets with hand-embroidered lace edging, and when she rose the next day he was gone, and no one told her to leave the townhouse, and so she stayed on from day to day, for years, and eventually married and gave birth to three children, one of whom grew to maturity, married, had a child who became an adult and saved the lives of millions of innocent men, women, and children. But that night in 1892 she slept a deep, sweet, recuperative and dreamless sleep.

LEVENDIS: On Tuesday the 22nd of October, he visited a plague of asthmatic toads on Iisalmi, a small town in Finland; a rain of handbills left over from World War II urging the SS troops to surrender on Chejudo, an island off the southern coast of Korea; a shock wave of forsythia on Linares in Spain; and a fully-restored 1926 Ahrens-Fox model RK fire engine on a mini-mall in Clarksville, Arkansas.

LEVENDIS: On Wednesday the 23rd of October, he corrected every history book in America so that they no longer called it The Battle of Bunker Hill, but rather Breeds Hill where, in fact, the engagement of 17 June 1775 had taken place. He also invested every radio and television commentator with the ability to differentiate between “in a moment” and “momentarily,” which were not at all the same thing, and the misuse of which annoyed him greatly. The former was in his job description; the latter was a matter of personal pique.

LEVENDIS: On Thursday the 24th of October, he revealed to the London Times and Paris-Match the name of the woman who had stood on the grassy knoll, behind the fence, in Dallas that day, and fired the rifle shots that killed John F. Kennedy. But no one believed Marilyn Monroe could have done the deed and gotten away unnoticed. Not even when he provided her suicide note that confessed the entire matter and tragically told in her own words how jealousy and having been jilted had driven her to hire that weasel Lee Harvey Oswald, and that pig Jack Ruby, and how she could no longer live with the guilt, goodbye. No one would run the story, not even the Star, not even The Enquirer, not even TV Guide. But he tried.

LEVENDIS: On Friday the 25th of October, he upped the intelligence of every human being on the planet by forty points.

LEVENDIS: On Saturday the 26th of October, he lowered the intelligence of every human being on the planet by forty-two points.

This is a story titled AT LEAST ONE GOOD DEED A DAY, EVERY SINGLE DAY

LEVENDIS: On Sunday the 27th of October, he returned to a family in Kalgoorlie, SW Australia, a five-year-old child who had been kidnapped from their home in Bayonne, New Jersey, fifteen years earlier. The child was no older than before the family had immigrated, but he now spoke only in a dialect of Etruscan, a language that had not been heard on the planet for thousands of years. Having most of the day free, however, he then made it his business to kill the remaining seventeen American GIs being held MIA in an encampment in the heart of Laos. Waste not, want not.

LEVENDIS: On Monday the 28th of October, still exhilarated from the work and labors of the preceding day, he brought out of the highlands of North Viet Nam Capt. Eugene Y. Grasso, USAF, who had gone down under fire twenty-eight years earlier. He returned him to his family in Anchorage, Alaska, where his wife, remarried, refused to see him but his daughter whom he had never seen, would. They fell in love, and lived together in Anchorage, where their story provided endless confusion to the ministers of several faiths.

LEVENDIS: On Tuesday the 29th of October, he destroyed the last bits of evidence that would have led to the answers to the mysteries of the disappearances of Amelia Earhart, Ambrose Bierce, Benjamin Bathurst and Jimmy Hoffa. He washed the bones and placed them in a display of early American artifacts.

LEVENDIS: On Wednesday the 30th of October, he traveled to New Orleans, Louisiana, where he waited at a restaurant in Metairie for the former head of the Ku Klux Klan, now running for state office, to show up to meet friends. As the man stepped out of his limousine, wary guards on both sides of him, the traveler fired a Laws rocket from the roof of the eatery. It blew up the former KKK prexy, his guards, and a perfectly good Cadillac Eldorado. Leaving the electoral field open, for the enlightened voters of Louisiana, to a man who, as a child, had assisted Mengele’s medical experiments, a second contender who had changed his name to avoid being arrested for child mutilation, and an illiterate swamp cabbage farmer from Baton Rouge whose political philosophy involved cutting the throats of peccary pigs, and thrusting one’s face into the boiling blood of the corpse. Waste not, want not.

LEVENDIS: On Thursday the 31st of October, he restored to his throne the Dalai Lama, and closed off the mountain passes that provided land access to Tibet, and caused to blow constantly a cataclysmic snowstorm that did not affect the land below, but made any accessibility by air impossible. The Dalai Lama offered a referendum to the people: should we rename our land Shangri-La?

LEVENDIS: On Friday the 32nd of October, he addressed a convention of readers of cheap fantasy novels, saying, “We invent our lives (and other people’s) as we live them; what we call ‘life’ is itself a fiction. Therefore, we must constantly strive to produce only good art, absolutely entertaining fiction.” (He did not say to them: “I am an unlimited person, sadly living in a limited world.”) They smiled politely, but since he spoke only in Etruscan, they did not understand a word he said.

LEVENDIS: On Saturday the 33rd of October, he did the sidestep and worked the oars of the longboat that brought Christopher Columbus to the shores of the New World, where he was approached by a representative of the native peoples, who laughed at the silly clothing the great navigator wore. They all ordered pizza and the man who had done the rowing made sure that venereal disease was quickly spread so that centuries later he could give a beautiful young woman an inoculation in her left buttock.

LEVENDIS: On Piltic the 34th of October, he gave all dogs the ability to speak in English, French, Mandarin, Urdu, and Esperanto; but all they could say was rhyming poetry of the worst sort, and he called it doggerel.

LEVENDIS: On Sqwaybe the 35th of October, he was advised by the Front Office that he had been having too rich a time at the expense of the Master Parameter, and he was removed from his position, and the unit was closed down, and darkness was pencilled in as a mid-season replacement. He was reprimanded for having called himself Levendis, which is a Greek word for someone who is full of the pleasure of living. He was reassigned, with censure, but no one higher up noticed that on his new assignment he had taken the name Sertsa.

This has been a story titled SHAGGING FUNGOES

The author notes that the primary title of this story was courtesy of Mr. Frank P. Reynolds, via the late Mike Model; the author notes that this story was inspired by a short story written by the late Shirley Jackson (mentioned passim the preceding work); the author notes that assistance in the research for this work came from a great many people who were utterly confused by the nature of the questions asked them, not the least of whom were the late Dr. Isaac Asimov, Ms. Kristine Kathryn Rusch, and Mr. Len Wein; the author notes that he has been working on this story since 1978; and finally the author notes that he wrote this story for Robert Silverberg, because Robert Silverberg is a pain in the authors ass. No offense intended. And let’s not forget the immortal Jorge Luis Borges.

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