Titans of History

NERO

AD 37–68

He showed neither discrimination nor moderation in putting to death whomsoever he pleased.

Suetonius

The emperor who “fiddled while Rome burned,” Nero was the last of the Julio-Claudian dynasty that took Rome from republic to one-man rule. Raised amidst violence and tyranny, he ruled with ludicrous vanity, demented whimsy and inept despotism. Few mourned his abdication and death amidst the chaos that he himself had created.

Lucius Domitius Ahenobarbus was born in AD 37 in the town of Antium, not far from Rome, while the Emperor Caligula—Nero’s uncle—was on the throne. Like so many, he was to suffer at Caligula’s hands—forced with his mother Agrippina into exile when she lost favor with the emperor. Agrippina was Caligula’s sister. Their incestuous relationship supposedly ended when she plotted to overthrow him: Agrippina ranks as one of the most poisonous women in Roman history. Mother and son were allowed to return by Caligula’s successor, Claudius, who had recently executed his nymphomaniacal empress, Messalina. In AD 49 Agrippina became the emperor’s fourth wife. Claudius not only adopted Nero as his son but made him joint heir to the throne with his own son by Messalina, Britannicus.

Agrippina, however, was unwilling to allow nature to take its course and in AD 54 she supposedly poisoned Claudius. Relations between mother and son were also flawed, and when, in the following year, Agrippina realized her hold over Nero was slipping, she conspired in a plot to replace him with Britannicus. On discovering the conspiracy, Nero promptly had his rival poisoned and banished Agrippina from the imperial palace on the pretext of having insulted his young wife, Octavia.

Despite such intrigues, the early years of Nero’s reign were marked by wise governance, largely because much state business was handled by shrewd advisers such as the philosopher Seneca, the Praetorian prefect Burrus and reliable Greek freedmen. This relative calm was not destined to last. Increasingly assured, Nero sought to free himself from the control of others and exercise power in his own right.

The first to feel the consequences of his new assertiveness was his mother, who had continued plotting behind his back. Tired of her machinations, Nero resolved to do away with her in AD 59. When an initial attempt to drown her in the Bay of Naples proved unsuccessful, the emperor sent an assassin to complete the job. Legend has it that, realizing what was about to happen as the killer approached, Agrippina drew back her clothes and cried, in one final act of scorn for her matricidal son, “Here, smite my womb!”

With his mother out of the way, Nero’s reign quickly sank into petty despotism. Burrus and Seneca were both brought to trial on trumped-up charges, and though eventually acquitted lost much of their influence. Yet, even as he gained greater control over the levers of power, so the emperor appeared increasingly to lose touch with reality. He became infatuated with Poppaea Sabina, wife of one of his friends, and resolved to marry her. According to the historian Suetonius, Poppaea’s husband was “persuaded” to grant her a divorce, while Nero’s wife Octavia was first exiled and then murdered on the emperor’s orders—paving the way for the Nero–Poppaea union.

In AD 64, a huge fire swept through Rome which the emperor observed with indifference, supposedly playing his lyre. Indeed, according to the Roman chronicler Tacitus, Nero himself was behind the inferno, which was started to make room for his new palace. In fact he probably helped extinguish the fire and gave shelter to the homeless in his gardens. But his reputation for being frivolous, feckless and inept was established. In an effort to divert attention, Nero sought a scapegoat, thus beginning his persecution of the Christians. Tacitus recounts the atrocities committed: “Mockery of every sort was added to their deaths. Covered with the skins of beasts, they were torn by dogs and perished, or were nailed to crosses, or were doomed to the flames and burned, to serve as a nightly illumination, when daylight had expired.”

Increasingly convinced that rivals were plotting against him, Nero had any potential critics executed, including, in AD 62–3, Marcus Antonius Pallas, Rubellius Plautus and Faustus Sulla. Then, in AD 65, a conspiracy led by Gaius Calpurnius Piso to oust the emperor and restore the republic was uncovered. Nearly half of the forty-one accused were either executed or forced to commit suicide, Seneca among them. Taking himself increasingly seriously as an actor and neglecting his duties as the Roman economy faltered and disorder spread, Nero began to sing and act on the public stage, spending more time in the theater than running the empire. He also fancied himself as a sportsman, even taking part in the Olympic Games of AD 67—ostensibly to improve relations with Greece, but more likely to milk the obsequious praise that invariably greeted his efforts. He won various awards—mostly secured in advance by hefty bribes from the imperial exchequer.

By AD 68, elements within the army—which the dilettante emperor had largely ignored—decided that things could not continue. The governor of one of the provinces in Gaul rebelled and persuaded a fellow governor, Galba, to join him. Galba emerged as a popular focus for opposition to Nero and, crucially, the Praetorian Guard now declared their support for him. Faced with the desertion of the army, Nero was forced to flee Rome and went into hiding; a short time later, he committed suicide with the words “What an artist the world is losing in me.” His legacy was one of unrest across the empire, as Rome suffered the Year of the Four Emperors, during which civil war broke out between competing claimants to the throne. Hostilities ended only with the emergence of Vespasian and the founding of the Flavian dynasty.