Upside Down

36

Marta didn't like Tinnerino and Doyle. The two cops were nothing but corrupt brutes with badges. People like them screwed everything up, and their bulldog, bulletproof mentalities made them a distinct liability.

She decided that she needed to get one more look inside the Porter house, to see if they had missed anything during the initial search. After that, she would ask the detectives if she could sift through what they had collected.

“Let's go in,” she said.

“You think she's in there?”

“We're going to see. I'll come in from the back, you the front.”

Arturo stretched his arms and climbed from the car.

Marta eased open the gate and closed it behind them, being careful that the steel lock didn't make any sound. While Arturo went slowly up the steps, she walked the length of the Porter house rapidly but quietly. At the door, she slipped off her boots then used her copy of the key to open the door. When she entered the den, she could see Arturo standing at the far end of the house.

Sunlight streamed in through the windows. The living and dining rooms, where Arturo had entered, were really one open space with a brick fireplace open around both sides. Then came the kitchen, also open, and past that was the hallway to the bedrooms and the hall bathroom.

Marta left the den, approached the mother's bedroom door, and eased it open. She scanned the disaster made by the detectives after she and Arturo had left. Hadn't she told them to be careful in their search-not to make a mess-in case the kid returned? Marta figured they'd done it because they resented her telling them how to do their jobs. Too late to worry about that now.

The master bath was also a wreck, but no sign of the kid. Marta came out and shook her head at Arturo, who had positioned himself in the kitchen.

Faith Ann's room was in the worst condition of all. The bed was overturned, the contents of the drawers and the closet strewn everywhere. The bastards had even shattered the mirror and broken the framed photographs.

Marta, who had caught herself feeling jealous of the girl the day before-perhaps because her mother had taken such good care of her-felt a pang of pity for a motherless child who was friendless and frightened as she herself had once been. This changed things. If there was any way possible when the time came, Marta would end the poor child's life with as little physical pain as possible-providing the girl willingly handed over what she had.

Marta moved down the hall to the other bathroom door and pushed it open. She turned on the overhead light and surveyed it. Her eyes ran over the counter and to the tub and the open closet door. She noticed that the toilet seat was up. That seemed more obscene of the cops than destroying things. This was a house of women. Good women caught up in something they had no way to prepare for. Marta squatted and picked up the hair clippers from the floor. She remembered seeing them during her search of the bathroom. They had been in their box then, which was now empty on the floor. As she studied the instrument, she thought that there was something different about it, but she couldn't quite put her finger on what it was.

“You should take those. You get tired of preaching to everybody, you can clip rich ladies' froufrou doggies,” Arturo said.

“Let's go,” Marta told him. “She won't come back.”

“You think she's been back since we left?”

“Yes.”

“Maybe we should burn this house down,” Arturo said. “If the tape is hidden here, it will be destroyed.”

“If she has anything, she has it with her. Anyway, the fire department would just put it out and I'm sure someone has seen us. The neighbors must know about the lawyer and her daughter. I doubt Bennett's cops can protect us if there are a lot of questions.”

“How do you know she was here again?”

“I know it here.” Marta put her hand low on her stomach where she believed her instincts were centered. That was where she first perceived warnings-where she first knew when something wasn't right. She believed that, in men, instincts were housed in a lower region. Marta remembered vaguely that she had returned to the shack where her mother had been murdered and had hung around there because it was all she knew.

After they went out the back door, Marta closed and locked it. As they rounded the corner, something caught her eye that she had somehow missed minutes earlier. The bottom of the last of the lattice panels was out of alignment. And in the flower bed, Marta saw impressions-the patterns left by a shoe and a hand-in the damp soil. Leaning down, she could see the sharp tips of the screws sticking through the wood where the panel was hinged to the sill on the inside. The hinges had been attached, for aesthetic reasons, between the panel and the support beam. If the panel hadn't gotten hung up as it closed, it would have been difficult to see that the panel was designed to give people a way to get under the house.

Marta looked at Arturo, who smiled and nodded to her.

She handed Arturo her cap before she slipped under the house.

It was cool under there, and Marta could see all the way to the front; the light coming in through the lattice dimpled hundreds of white diamonds on the soil. She followed the scrapings and shoe prints she knew the child had left. The numerous support columns and the fireplace foundation blocked a complete view, so she crawled toward the front of the narrow house, checking the shadows. She could see Arturo's legs, in diamonds, as he walked slowly along. It was nice having a partner you didn't have to explain everything to-someone who protected your back because he loved you. She never doubted that Arturo loved her as much as she loved him, but the difference was that he depended on her. And she wanted it that way.

She had just about decided that Faith Ann wasn't there when she spotted a dark square, which turned out to be an opening left when the concrete porch had been poured. With growing excitement, she moved over the soft dirt, her senses focused on the opening of what she knew was Faith Ann's hiding place. She crept up to the opening and saw a yellow poncho that was pulled over something three-dimensional. A sleeping child.

“Don't be afraid,” Marta said soothingly. She slipped out her folding knife and slid inside the bunker. “I'm not going to hurt you.”

Marta reached over, took a corner of the poncho, and lifted it. Then she cursed softly. Inside there was only a pillow and a flashlight. She turned it on and, looking around, saw the packaging for a Walkman and a plastic container with two of its original four batteries remaining. She lifted the sweat-damp pillow and put the slip case against her cheek, to her nose. The child had been there very recently. Marta couldn't help but smile. The kid was lucky-or something.

Very soon now. Your luck can't last forever, Faith Ann Porter.