The First Counsel

* * *

"Hiya, Vance," Nora says to the guard at the Southeast Gate of the White House.

"Good evening, Ms. Hartson."

"Nora," she demands. "Nora, Nora, Nora."

With a loud click, the black metal gate swings open. He doesn't need to see my blue pass or my parking permit. He just needs to see Nora. "Thanks, Vance," she calls out, her voice sounding lighter, more open than I've ever heard her.

Pulling up to the South Portico at the base of the mansion, I'm having a hard time containing myself. It's so different than last time. No panic, no hiding, no posturing. No fear. For a few hours, Simon, Caroline, the money--the whole nightmare lowered its voice from a scream to a momentary whisper. All that's left is us.

When we reach the awning that covers the South Portico, I hit the brakes.

"What're you doing?" she asks.

"Aren't I dropping you off?"

"I guess," she says, suddenly losing the confidence in her voice. She's about to get out of the car, but pauses. "Or, if you want, you can come upstairs."

I look up at the shining white facade of the world's most famous mansion. "Are you serious?"

"I'm always serious," she says as the confidence floods back. "You up for it?"

I was wrong before. Questions don't come any easier than this. "Where do I park?"

She motions to the expansive South Lawn of the White House. "Anywhere you want."

Chapter 18

You ever been in this way?" Nora asks, heading for the south entrance under the awning. We follow the red carpet into the oval-shaped Diplomatic Reception Room, where FDR used to hold his fireside chats.

"I'm not sure--I keep confusing it with my apartment and the red carpet that leads to my futon."

"That's cute. Never heard that one before."

"Before? How many guys've you taken on this tour?"

"What tour're you talking about?"

"Y'know, this tour. The inside-my-Beltway tour."

She laughs. "Oh, is that what you think you're on?"

"You telling me I'm mistaken?"

"No, I'm telling you you're in full delusion. I'm giving you a cup of coffee and kicking you out on your bee-hind."

"You do what you want, but idle threats aren't the way to get lovin' outta me."

"We'll see."

"Oh, we'll definitely see." I do everything in my power to make sure I get the last word. It's the only time she's excited--when the outcome's out of her control.

Passing through the Dip Room, I'm swinging my shoulders with a strut that tells her she doesn't have a chance. It's such a bad lie, it's pathetic. As we leave the room, we make a sharp left into the Ground Floor Corridor. Across the pale red carpet, there's a guard on the left side of the hallway. I freeze. Nora smiles.

"And you were doing so well there, weren't you?" she teases. "You had the strut going and everything."

"It's not funny," I whisper. "Last time I was here, these guys . . ."

"Forget about last time," she whispers in my ear. "As long as you're with me, you're a guest." Up close, she blows me a taunting kiss.

It's amazing how she can pick the worst moments to turn me on.

As we pass the guard, he barely looks up. He simply whispers three words into his walkie-talkie: "Shadow plus one."

Once we're through the doorway, we can get upstairs by taking either the elevator or the stairs. Knowing that there're guards waiting at the next landing, I head for the elevator. Nora darts for the stairs. She's gone in an instant. I'm left alone with no choice. Shaking my head, I take off after her.

As we reach the next landing, two uniformed officers are waiting. Last time, they stopped me. This time, as I turn the corner of the stairway, they step back to give me more room.

Taking two stairs at a time, I close in on Nora. She leaves the stairs at the next landing and, following her lead, I head into the Residence's main corridor. Like the Ground Floor Corridor, it's a wide, spacious hallway with doors running along every wall. The difference is all in the decor. Painted a warm, pale yellow, and lined with built-in bookcases, half a dozen oil paintings, and plenty of eighteenth- and nineteenth-century antiques, this isn't a tourist trap. This is a home.

Wandering down the hallway, I scan the paintings. The first one I see is a still-life of apples and pears. "Cezanne rip-off," I almost blurt. Then I notice the signature at the bottom. Cezanne.

"Got it at a flea market," Nora says.

I nod. Across from the Cezanne, I notice an abstract de Kooning. Time to slow down. Taking a deep breath, I get back in my zone.

"You want a quick tour?" she asks.

I pause, pretending to think about it. "If you want," I say with a shrug.

She knows I'm bluffing, but her smile tells me she appreciates the effort. Midway down the hallway, we stop in front of a bright yellow, oval-shaped room.

"Yellow Oval Room," I blurt.

"How'd you guess?"

"Years of Crayola." Pointing inside, I ask, "Now what do you do in a room like this? Is it just for show, or what?"

"This whole floor's mostly for entertaining--after a state dinner, cocktail parties, sucking up to senators, nonsense like that. People always wind up in here because they love the Truman Balcony--makes them feel important when they stand outside and touch the pillars."

"Can we go out there?"

"If you want to be a tourist."

She lets the challenge hang in the air. Man, she knows my buttons. Still, I refuse to give her the satisfaction.

"That's Chelsea's old bedroom," she says, pointing to the door opposite the Yellow Oval. "We turned it into a gym."

"So where's your room?"

"Why? Feeling frisky?"

Again, I'm not giving it to her. I point to the door at the end of the hallway. "What's behind there?"

"My parents' bedroom."

"Really?"

"Yeah," she says, studying my reaction. "Really."

Damn. She's counting that one against me. I should've known better. Her parents are always off limits.

Down the hall, she turns a corner and stops at the wall on her immediate left. Passing her, I'm standing across the hall from the Lincoln Bedroom. "So when're we going to get this coffee?" I ask.

"Right now." She's fidgeting with something on the wall, but I can't tell what it is. "The kitchenette's upstairs."

I assume we'll head back to the staircase, but we don't.

Stepping closer, I see that she's wedging her fingers into a thin crack in the wall. With a sharp pull, the wall swings toward us, revealing an otherwise hidden staircase. Nora looks up and smiles. "We can take the stairs on this side of the house."