The First Counsel

* * *

It's still pitch dark as Simon steps out the back door of his house. I watch him lock up and check the yard. It's still early. No reporters in sight. Moving toward the driveway, he's wearing the strut of a man without a care. More like a careless man to me. He doesn't even see me as he heads to the driver's side of his car. He's too busy thinking he got away with it.

Tossing his briefcase into my lap, he slides into the leather seat like it's just another day.

"Morning, Mr. Worm--I'm the early bird," I announce.

Startled, he clutches his chest and drops his keys. Still, I have to hand it to him. Within seconds, his ironing-board shoulders rise in irritation. As he brushes a hand through his salt-and-pepper hair, his unshakable calm flows back even faster than it left. He turns my way, and the light in the car shines in his face. With an angry tug, he slams the door shut and darkness falls.

"I thought you'd wait until I got to the office," he says in a voice that's pure gravel.

"You think I'm that stupid?" I ask.

"You tell me--who's the one sleeping in my car?"

"I didn't sleep here, I was . . ."

". . . just stalking your boss at five in the morning? C'mon," Simon adds. "You didn't really think you were going to get away with it, did you?"

"Get away with--?"

"It's over, Michael. Better to plead insanity than innocence." Laughing to himself, he adds, "I was right, though, wasn't I? Caroline set it up; you collected the cash?"

"What?"

"I wouldn't have even thought it if I hadn't spotted you that night. Then when I heard what happened to my payment--when the cops confiscated the ten grand, that's where it all fell apart, isn't it? She thought you were holding out on her. That's why you did it, right? That's why you killed her?"

"I killed her?"

"It's a fool's way out, Michael--it was then and it is now. You'll never pull it off twice."

"Twice?" I don't know what he's talking about, but it's clear he's got his own version of reality. Time to call bullshit. "I'm not a moron, Edgar. I saw you at Pendulum that night. I was there."

"There's a good expla--"

"Spin it whichever way you want, you were still paying the blackmail. Forty grand to keep a lock on the closet." He shoots me a look. "Does your wife know? Have you--"

"Are you wearing a wire?" he interrupts. "Is that why you're here?" Before I can react, his arm springs out, slapping an open palm against my chest.

"Get the hell off me!" I shout, pushing him away.

Realizing there's nothing in my shirt, he sits back in his seat.

I shake my head at the man who used to be my boss. "You haven't even told her yet, have you? You're out playing around and she still doesn't know. What about your kids? You lying to them too?" Realizing I have his attention, I motion over my shoulder toward his house. "They're the ones who pay for it, Edgar."

Once again, he runs his hand through his hair. For the first time since I met him, the salt-and-pepper doesn't go back in place. "I have to tell you, I didn't think you had it in you, Michael." The way his voice slowly lingers on each word, I assume he's talking out of shock. Maybe even fear.

But it's not. It's disappointment. "All this time, I always figured Caroline as the ruthless one. Now I know better."

"I didn't--"

"Tell whoever you want," he says, staring straight out the front windshield. "Tell the papers; tell the whole damn world. I'm not embarrassed."

"Then--"

"Why'd I pay the money?" He looks over my shoulder, back at his tasteful house. "How do you think the other sixth-graders are going to react when the newscaster says Katie's daddy likes to sleep with other men? And what about the ninth-grade boys? And the one who's about to hit college? It was never about me, Michael. I know who I am. It's for them."

Listening to his strained words, I notice how tightly he's holding the steering wheel. "So that's why you told Caroline that I was the one who had the money?"

"What are you talking about?"

"The next morning. After the meeting. You told her the forty thousand dollars was mine--that I made the drop."

He lets go of the wheel and looks at me completely confused. "I think you have it backwards. All I told her was that I wanted to see your file. I figured if you were the blackmailer . . ."

"Me?"

"Dammit, Michael, stop lying to my face! You picked up the money--you're a co-conspirator. I know that's why you killed her."

He says something else, but I'm not listening. "You never told her the money was mine?" I ask.

"Why would I do that? If Caroline was in on it--which I always thought she was--and she knew I found out--she'd have gutted me to keep me quiet."

I feel the blood rush from my face. I don't believe it . . . all this time . . . she made it up to keep me quiet--and to point the finger at Simon. It's perfect when you think about it; she was playing us against each other. Searching for solid ground, I wrap my fist around the door handle. Slowly, painfully, I turn to look at Simon. And for the first time since we followed him out of the bar, I entertain the thought that he might be innocent.

"Are you okay?" he asks, reading my expression.

It doesn't make any sense. "I didn't do it--I never killed anyone. V-Vaughn . . . and Trey . . . even Nora said . . ."

"You told Nora about this?"

Behind us, up the street, a bright light cuts through the darkness. A car just turned onto the block. No, not a car. A van. As it gets closer, I notice the broadcasting antenna attached to its roof. Oh, shit. That's no mom-mobile. That's a news van. Time's up.

I throw open the door, but Simon grabs me by the arm. "Does Nora know? Did she tell Hartson?"

"Let go!"

"Don't do this now, Michael! Please! Not while my kids are in the house!"

"I'm not telling anyone. I just want to get out of here!" Jerking my arm free, I scramble out of the car. The news van is almost in front of the house.

"Ask Adenauer! I didn't do anything wrong!" Simon shouts. I'm about to take off, but . . . it's hard to describe . . . there's pain in his voice. With seconds to spare, I turn back for one last question. Until now, it's the only one I've been afraid to ask. "Tell me the truth, Edgar. Have you ever slept with Nora?"

"What?"

That's all I need to hear.

The door to the news van slides open and two people hop out. It's hard not to miss the interior glow of Simon's car. "Up there!" a reporter shouts as the cameraman turns on his light.

"Start the car and get out of here," I tell him. "And tell Adenauer I'm innocent."

"What about--"

I slam the car door and dart for the wooden fence in the backyard. Like a spotlight in a prison break, a blast of artificial light floods through the back window of Simon's car and lights the right side of his face. By the time they pan across the rest of the backyard, I'm gone.