EARLY THE NEXT MORNING in New York's Kennedy Airport, a security guard recommends that Lucy Farinelli remove her oversized stainless-steel Breitling watch, empty her pockets of coins and place them in a tray.
It is not a suggestion but an order when she is asked to remove her running shoes, jacket and belt and place them and her briefcase on the conveyor that will carry them through the X-ray machine, where nothing but a cell phone, a hairbrush and a tube of lipstick will fluoresce. British Air attendants are friendly enough in their dark blazers and navy blue dresses with red and white checks, but airport police are especially tense. Although she doesn't set off the doorframe-shaped scanner as she walks through in her athletic socks, her jeans hanging loose, she is searched with the hand scanner, and her underwire bra sets it off with a beep-beep-beep.
"Hold up your arms," the hefty female officer tells her.
Lucy smiles and holds out her arms crucifixion-style, and the officer pats her down quickly, her hands fluttering under Lucy's arms, under her breasts, up and down her thighs, all the way to her crotch-very professionally, of course. Other passengers pass by unmolested, and the men, in particular, find the good-looking young woman with arms and legs spread of keen interest. Lucy could care less. She has lived through too much to waste energy in being modest and is tempted to unbutton her shirt and point out the underwire bra, assuring the officer that no battery and tiny-very tiny-explosive device are attached.
"It's my bra," she casually says to the startled guard, who is far more unnerved than her suspect. "Damn it, I always forget to wear a bra without wire in it, maybe a sports bra, or no bra. I'm really sorry to inconvenience you, Officer Washington." She's already read her name tag. "Thank you for doing your job so well. What a world we live in. I understand the terrorist alert is orange again."
Lucy leaves the bewildered guard and plucks her watch and coins out of the tray and collects her briefcase, jacket and belt. Sitting on the cold, hard floor, out of the way of traffic, she puts on her running shoes, not bothering to lace them. She gets up, still polite and sweet to any police or British Air employees watching her. Reaching around to her back pocket, she slips out her ticket and passport, both of them issued to one of her many false names. She strolls nonchalantly, laces flopping, deep inside the winding carpeted gate 10, and ducks inside the small doorway of Concorde flight 01. A British Air attendant smiles at her as she checks Lucy's boarding pass.
"Seat one-C." She points the way to the first row, the bulkhead aisle seat, as if Lucy has never traveled on the Concorde before.
Last time she did, it was under yet another name, and she was wearing glasses and green contact lenses, her hair dyed funky blue and purple, easily washed out and matching the photograph on that particular passport. Her occupation was "musician." Although no one could possibly have been familiar with her nonexistent techno band, Yellow Hell, there were plenty of people who said, "Oh yes, I've heard of it! Cool!"
Lucy counts on the dismal observation skills of the general masses. She counts on their fear of showing ignorance, on their accepting lies as familiar truths. She counts on her enemies noticing all that goes on around them, and like them, she notices all that goes on around her, too. For example, when the customs agent studied her passport at great length, she recognized his behavior and understood why security is at a feverish pitch. Interpol has sent a Red Notice screaming over the Internet to approximately 182 countries, alerting them to look out for a fugitive named Rocco Caggiano, wanted in Italy and France for murder. Rocco has no idea he is a fugitive. He has no idea that Lucy sent information to Interpol's Central Bureau in Washington, D.C., her credible tip thoroughly checked out before it was relayed through cyberspace to Interpol's headquarters in Lyon, France, where the Red Notice was issued and rocketed to law enforcement all around the world. All this in a matter of hours.
Rocco does not know Lucy, although he knows who she is. She knows him very well, although they have never met. At this moment, as she straps herself into her seat and the Concorde starts its Rolls Royce engines, she can't wait to see Rocco Caggiano, her anticipation fueled by intense anger that will evolve into a nervous dread by the time she finally gets to Eastern Europe.