Where Are We? (October 2002)

IWANT TO SAY at least something about the pain existing in the world today.

Consumerist ideology, which has become the most powerful and invasive on the planet, sets out to persuade us that pain is an accident, something that we can insure against. This is the logical basis for the ideology's pitilessness.

Everyone knows, of course, that pain is endemic to life, and wants to forget this or relativize it. All the variants of the myth of a Fall from the Golden Age, before pain existed, are an attempt to relativize the pain suffered on earth. So too is the invention of Hell, the adjacent kingdom of painas-punishment. Likewise the discovery of Sacrifice. And later, much later, the principle of Forgiveness. One could argue that philosophy began with the question: why pain?

Yet, when all this has been said, the present pain of living in the world is perhaps in some ways unprecedented.

I write in the night, although it is daytime. A day in early October 2002. For almost a week the sky above Paris has been blue. Each day the sunset is a little earlier and each day gloriously beautiful. Many fear that before long, US military forces will be launching the ‘preventive' war against Iraq so that the US oil corporations can lay their hands on further and supposedly safer oil supplies. Others hope that this can be avoided. Between the announced decisions and the secret calculations, everything is kept unclear, since lies prepare the way for missiles. I write in a night of shame.

By shame I do not mean individual guilt. Shame, as I'm coming to understand it, is a species feeling which, in the long run, corrodes the capacity for hope and prevents us looking far ahead. We look down at our feet, thinking only of the next small step.

People everywhere — under very different conditions — are asking themselves — where are we? The question is historical not geographical. What are we living through? Where are we being taken? What have we lost? How to continue without a plausible vision of the future? Why have we lost any view of what is beyond a lifetime?

The well-heeled experts answer: Globalization. PostModernism. Communications Revolution. Economic Liberalism. The terms are tautological and evasive. To the anguished question of Where are we? the experts murmur: Nowhere!

Might it not be better to see and declare that we are living through the most tyrannical — because the most pervasive — chaos that has ever existed? It's not easy to grasp the nature of the tyranny, for its power structure (ranging from the 200 largest multinational corporations to the Pentagon) is interlocking yet diffuse, dictatorial yet anonymous, ubiquitous yet placeless. It tyrannizes from offshore — not only in terms of fiscal law, but in terms of any political control beyond its own. Its aim is to delocalize the entire world. Its ideological strategy — besides which Bin Laden's is a fairy tale — is to undermine the existent so that everything collapses into its special version of the virtual, from the realm of which — and this is the tyranny's credo — there will be a never-ending source of profit. It sounds stupid. Tyrannies are stupid. This one is destroying at every level the life of the planet on which it operates.

Ideology apart, its power is based on two threats. The first is intervention from the sky by the most heavily armed state in the world. One could call it Threat B52. The second is of ruthless indebtment, bankruptcy, and hence, given the present productive relations in the world, starvation. One could call it Threat Zero.

The shame begins with the contestation (which we all acknowledge somewhere but, out of powerlessness, dismiss) that much of the present suffering could be alleviated or avoided if certain realistic and relatively simple decisions were taken. There is a very direct relation today between the minutes of meetings and minutes of agony.

Does anyone deserve to be condemned to certain death simply because they don't have access to treatment which would cost less than two dollars a day? This was a question posed by the Director of the World Health Organization last July. She was talking about the AIDS epidemic in Africa and elsewhere from which an estimated 68 million people will die within the next eighteen years. I'm talking about the pain of living in the present world.

Most analyses and prognoses about what is happening are understandably presented and studied within the framework of their separate disciplines: economics, politics, media studies, public health, ecology, national defence, criminology, education, etc. In reality each of these separate fields is joined to another to make up the real terrain of what is being lived. It happens that in their lives, people suffer from wrongs which are classified in separate categories, whereas they suffer them simultaneously and inseparably.

A current example: some Kurds, who fled last week to Cherbourg and have been refused asylum by the French government and risk being repatriated to Turkey, are poor, politically undesirable, landless, exhausted, illegal and the clients of nobody. And they suffer each of these conditions at one and the same second!

To take in what is happening, an interdisciplinary vision is necessary in order to connect the ‘fields' which are institutionally kept separate. And any such vision is bound to be (in the original sense of the word) political. The precondition for thinking politically on a global scale is to see the unity of the unnecessary suffering taking place.

*

I write in the night, but I see not only the tyranny. If that were so, I would probably not have the courage to continue writing. I see people sleeping, stirring, getting up to drink water, whispering their projects or their fears, making love, praying, cooking something whilst the rest of the family is asleep, in Baghdad and Chicago. (Yes, I see too the forever invincible Kurds, 4,000 of whom were gassed — with US compliance — by Saddam Hussein.) I see pastry cooks working in Teheran and the shepherds, thought of as bandits, sleeping beside their sheep in Sardinia, I see a man in the Friedrichshain quarter of Berlin sitting in his pyjamas with a bottle of beer reading Heidegger and he has the hands of a proletarian, I see a small boat of illegal immigrants off the Spanish coast near Alicante, I see a mother in Mali, her name is Aya which means Born on Friday, swaying her baby to sleep, I see the ruins of Kabul and a man going home, and I know that, despite the pain, the ingenuity of the survivors is undiminished, an ingenuity which scavenges and collects energy, and in the ceaseless cunning of this ingenuity, there is a spiritual value, something like the Holy Ghost. I am convinced of this in the night, although I don't know why.

*

It is a little more than a century ago that Dvorák composed his Symphony from the New World. He wrote it whilst directing a Conservatory of Music in New York, and the writing of it inspired him to compose, eighteen months later, still in New York, his sublime Cello Concerto. In the Symphony the horizons and rolling hills of his native Bohemia become the promises of the New World. Not grandiloquent but loud and continuing, for they correspond to the longings of those without power, of those who are wrongly called simple, of those the USA Constitution addressed in 1787.

I know of no other work of art which expresses so directly and yet so toughly (Dvorák was the son of a peasant and his father dreamed of his becoming a butcher) the beliefs which inspired generation after generation of migrants who became US citizens.

For Dvorák the force of these beliefs were inseparable from a kind of tenderness, a respect for life such as can often be found intimately amongst the governed (as distinct from governors). And it was in this spirit that the Symphony was publicly received when it was first performed at Carnegie Hall (16 December 1893).

Dvorák was asked what he thought about the future of American music and he recommended that US composers listen to the music of the Indians and Blacks. The Symphony from the New World expressed a hopefulness without frontiers which, paradoxically, is welcoming because centred on an idea of home. An utopian paradox.

Today the power of the same country which inspired such hopes has fallen into the hands of a coterie of fanatical (wanting to limit everything except the power of capital), ignorant (recognizing only the reality of their own firepower), hypocritical (two measures for all ethical judgments, one for us and another for them) and ruthless B52 plotters.

How did this happen? How did Bush, Murdoch, Cheney, Kristol, Rumsfeld, et al. get where they did? The question is rhetorical for there is no single answer, and it is idle, for no answer will dent their power yet. But to ask it in this way in the night reveals the enormity of what has happened. We are writing about the pain in the world.

We have to reject the new tyranny's discourse. Its terms are crap. In the interminably repetitive speeches, announcements, press conferences and threats, the recurrent terms are: Democracy, Justice, Human Rights, Terrorism. Each word in the context signifies the opposite of what it was once meant to signify.

Democracy is a proposal (rarely realized) about decision making; it has little to do with election campaigns. Its promise is that political decisions be made after, and in the light of, consultation with the governed. This is dependent upon the governed being adequately informed about the issues in question, and upon the decision-makers having the capacity and will to listen and take account of what they have heard. Democracy should not be confused with the ‘freedom' of binary choices, the publication of opinion polls or the crowding of people into statistics. These are its pretences.

Today the fundamental decisions, which effect the unnecessary pain increasingly suffered across the planet, have been and are taken unilaterally without any open consultation or participation.

Both military and economic strategists now realize that the media play a crucial role — not so much in defeating the current enemy as in foreclosing and preventing mutiny, protests or desertion. Any tyranny's manipulation of the media is an index of its fears. The present one lives in fear of the world's desperation. A fear so deep that the adjective desperate — except when it means dangerous — is never used.

Without money each daily human need becomes a pain.

*

Every form of contestation against this tyranny is comprehensible. Dialogue with it is impossible. For us to live and die properly, things have to be named properly. Let us reclaim our words.

This is written in the night. In war the dark is on nobody's side; in love the dark confirms that we are together.

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