CHAPTER 4
331
1 George Balanchine, in conversation with the author, New York, 1981.
332
2 Ibid.
333
3 Marquis de Custine, Empire of the Czar (New York, 1989), p. 106.
334
4 M. M. Zagoskin, Roslavlev, ili Russkie v 1812 godu (Roslavlev; or, Russians in 1812) (Moscow, 1955), p. 48.
335
5 Quoted in Ospovat and Timenchik, “Pechal’nu povest’ sokhranit’…” (“To Preserve the Sorrowful Tale”), p. 263.
336
6 Ibid.
337
7 Igor Stravinsky and Robert Craft, Memories and Commentaries (Berkeley and Los Angeles, 1981), p. 30. Reprint.
338
8 Benois, Moi vospominaniia (My Reminiscences), vol. 1 (bks. 1-3), p. 13.
339
9 Quoted in V. Krasovskaia, Istoriia russkogo baleta (History of Russian Ballet) (Leningrad, 1978), p. 15.
340
10 Quoted in A. Gozenpud, Russkii opernyi teatr XIX veka, 1836-1856 (Russian Opera Theater of the Nineteenth Century, 1836-1856) (Leningrad, 1969), p. 77.
341
11 Ibid.
342
12 Quoted in V. Krasovskaia, Istoriia russkogo baleta (History of Russian Ballet), pp. 64-65.
343
13 Quoted in O. Petrov, Russkaia baletnaia kritika kontsa XVIII-pervoi poloviny XIX veka (Russian Ballet Criticism of the Late Eighteenth-First Half of the Nineteenth Centuries) (Moscow, 1982), p. 146.
344
14 Yu. M. Lotman, Stat’i po tipologii kul’tury (Articles on the Typology of Culture), issue 2 (Tartu, 1973), p. 64.
345
15 Quoted in Mikheil Gorgidze, Gruziny v Peterburge (Georgians in Petersburg) (Tbilisi, 1976), p. 104.
346
16 George Balanchine, in conversation with the author, New York, 1982.
347
17 Ibid.
348
18 Marius Petipa, Materialy. Vospominaniia. Stat’i (Materials. Reminiscences. Articles) (Leningrad, 1971), p. 90.
349
19 Ibid.
350
20 V. Gayevsky, Divertisment (Divertissement) (Moscow, 1981), p. 79.
351
21 Ibid., p. 70.
352
22 Petipa, Materialy (Materials), p. 68.
353
23 Quoted in Yu. Slonimsky, P. I. Chaikovskii i baletnyi teatr ego vremeni (P. I. Tchaikovsky and the Ballet Theater of His Times) (Moscow, 1956), p. 121.
354
24 Ibid., p. 9.
355
25 George Balanchine, in conversation with the author, New York, 1982.
356
26 Alexandra Danilova, in conversation with the author, New York, 1986.
357
27 Sergei Diagilev i russkoe iskusstvo (Sergei Diaghilev and Russian Art) [collection], 2 vols., vol. 2 (Moscow, 1982), p. 100.
358
28 Quoted in V. Krasovskaia, Russkii baletnyi teatr nachala XX veka (Russian Ballet Theater of the Early Twentieth Century), 2 vols., vol. 1 (Leningrad, 1971), p. 361.
359
29 Stravinsky and Craft, Memories and Commentaries, p. 36.
360
30 Stravinsky, Stat’i i materialy (Articles and Materials), p. 462.
361
31 Ibid.
362
32 Apollon, 6 (1911), p. 74.
363
33 Stravinsky and Craft, Expositions and Developments, p. 135.
364
34 Quoted in Nesta Macdonald, Diaghilev Observed by Critics in England and the United States, 1911-1929 (New York, 1975), p. 76.
365
35 Ibid.
366
36 Fyodor Lopukhov, in conversation with the author, Leningrad, 1967.
367
37 M. Fokine, Protiv techeniia. Vospominaniia baletmeistera. Stat’i, pis’ma (Against the Current. Reminiscences of a Choreographer. Articles, Letters) (Leningrad and Moscow, 1962), p. 93.
368
38 Fyodor Lopukhov, in conversation with the author, Leningrad, 1967.
369
39 Alexandra Danilova, in conversation with the author, New York, 1991.
370
40 Quoted in Yurii Alianskii, Teatral’nye legendy (Theater Legends) (Moscow, 1973), p. 164.
371
41 Quoted in Samuil Alianskii, Vstrechi s Aleksandrom Blokom (Encounters with Alexander Blok) (Moscow, 1972), p. 11.
372
42 Quoted in Voprosy literatury (Issues of Literature), 2 (1974), p. 117.
373
43 Andrei Bely, Simvolizm (Symbolism) (Moscow, 1910), p. 212.
374
44 Ibid., p. 172.
375
45 Quoted in N. Khardzhiev and V. Trenin, Poeticheskaia kul’tura Maiakovskogo (Poetic Culture of Mayakovsky) (Moscow, 1970), p. 32.
376
46 Boris Pasternak, Vozdushnye puti (Aerial Paths) (Moscow, 1982), p. 264.
377
47 Shklovsky, Zhili-Byli (Once upon a Time), p. 301. v monodramu (Introduction to Monodrama) (St. Petersburg, 1909), p. 8.
378
48 N. Evreinov, Vvedenie v monodramu (Introduction to Monodrama) (St. Petersburg, 1909), p.8.
379
49 Livshits, Polutoraglazyi strelets (One-and-a-Half-Eyed Archer), p. 446.
380
50 Quoted in Pavel Nikolaevich Filonov, Katalog vystavki (Exhibit Catalogue) (Leningrad, 1988), p. 22.
381
51 Quoted in V. Maiakovskii v vospominaniiakh sovremennikov (Mayakovsky in Reminiscences of Contemporaries) (Moscow, 1963), p. 111.
382
52 Pasternak, Vozdushnye puti (Aerial Paths), p. 269.
383
53 Maiakovskii v vospominaniiakh sovremennikov (Mayakovsky in Reminiscences of Contemporaries), p. 625.
384
54 Quoted in A. Fevral’skii, Pervaia sovetskaia p’esa: “Misteriia-buff” V. V. Maiakovskogo (The First Soviet Play: Mayakovsky’s Mystery-Bouffe) (Moscow, 1971), p. 11.
385
55 Milashevsky, Vchera, pozavchera (Yesterday, Day Before Yesterday), p. 84.
386
56 Ibid., pp. 121, 120.
387
57 Quoted in Ezhegodnik rukopisnogo otdela Pushkinskogo Doma na 1974 god (Yearbook of the Manuscript Department of Pushkin House for 1974) (Leningrad, 1976), p. 187.
388
58 Ibid., pp. 185-86.
389
59 Ibid., p. 192.
390
60 Panorama iskusstv (Panorama of the Arts), issue 12, p. 183.
391
61 Milashevsky, Vchera, pozavchera (Yesterday, Day Before Yesterday), p. 117.
392
62 Panorama iskusstv (Panorama of the Arts), issue 12, p. 193.
393
63 Ibid., p. 194.
394
64 Nina Bruni-Balmont, in conversation with the author, Moscow, 1974.
395
65 Quoted in Ezhegodnik rukopisnogo otdela Pushkinskogo Doma na 1974 god (Yearbook of the Manuscript Department of Pushkin House for 1974), p. 183.
396
66 A. N. Efros, Mastera raznykh epokh (Masters of Various Eras) (Moscow, 1979), p. 249.
397
67 Quoted in Ezhegodnik rukopisnogo ordela Pushkinskogo Doma na 1974 god (Yearbook of the Manuscript Department of Pushkin House for 1974), p. 183.
398
68 Ibid., p. 182.
399
69 Quoted in Literaturnoe nasledstvo (Literary Heritage), vol. 65, Novoe o Maiiakovskom (New Materials About Mayakovsky) (Moscow, 1958), p. 565.
400
70 Ibid., p. 586.
401
71 Annenkov, Dnevnik moikh vstrech (Diary of My Encounters), vol. 2, pp. 49-50.
402
72 Viktor Shklovsky, Khod konia (Knight Move) (Moscow and Berlin, 1923), p. 137.
403
73 Tamara Geva, in conversation with the author, New York, 1991.
404
74 P. M. Kerzhentsev, Tvorcheskii teatr (Creative Theater) (Petersburg, 1920), p. 137.
405
75 A. Lunacharsky, Rasskazy o Lenine (Stories About Lenin) (Moscow, 1971), p. 44.
406
76 Literaturnoe nasledstvo (Literary Heritage), vol. 80, p. 369.
407
77 Yu. Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us) (Leningrad, 1984), p. 147.
408
78 George Balanchine, in conversation with the author, New York, 1981.
409
79 Viktor Shklovsky, Gamburgskii schet. Stat’i-Vospominaniia-Esse, 1914-1933 (Hamburg Rules. Articles, Reminiscences, Essays, 1914-1933) (Moscow, 1990), p. 44.
410
80 Piast, Vstrechi (Encounters), p. 277.
411
81 Shklovsky, Gamburgskii schet (Hamburg Rules), p. 486.
412
82 Piast, Vstrechi (Encounters), p. 250.
413
83 Viktor Shklovsky, O teorii prozy (On a Theory of Prose) (Moscow, 1983), p. 72.
414
84 Shklovsky, Zhili-byli (Once upon a Time), p. 288.
415
85 Shklovsky, Gamburgskii schet (Hamburg Rules), p. 63.
416
86 D. S. Mirsky, Uncollected Writings on Russian Literature (Berkeley, 1989), p. 226.
417
87 Mandelstam, Sochineniia (Works), vol. 2, p. 273.
418
88 Peterburg, 2 (1922), p. 14.
419
89 George Balanchine, in conversation with the author, New York, 1982.
420
90 Konst. Fedin, Sobranie sochinenii (Collected Works), 10 vols., vol. 10 (Moscow, 1973), p. 128.
421
91 Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 17.
422
92 Milashevsky, Vchera, pozavchera (Yesterday, Day Before Yesterday), p. 218.
423
93 Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 135.
424
94 Valerian Bogdanov-Berezovsky, in conversation with the author, Leningrad, 1970.
425
95 Alexandra Danilova, in conversation with the author, New York, 1991.
426
96 George Balanchine, in conversation with the author, New York, 1982.
427
97 Quoted in Muzyka i khoreografiia sovremennogo baleta (Music and Choreography of Modern Ballet) [collection] (Leningrad, 1974), p. 165.
428
98 Alexandra Danilova, in conversation with the author, New York, 1991.
429
99 I. Sollertinsky, Stat’i o balete (Articles on Ballet) (Leningrad, 1973), pp. 18-19.
430
100 Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 200.
431
101 Fyodor Lopukhov, Shest’desiat let v balete (Sixty Years in the Ballet) (Moscow, 1966), p. 14.
432
102 Ibid., p. 13.
433
103 Quoted in E. Ia. Surits, Khoreograficheskoe iskusstvo dvadtsatykh godov (The Art of Choreography of the Twenties) (Moscow, 1979), p. 284.
434
104 Sollertinsky, Stat’i o balete (Articles on Ballet), p. 29.
435
105 Ibid., p. 26.
436
106 Lopukhov, Shest’desiat let v balete (Sixty Years in the Ballet), p. 33.
437
107 Quoted in Surits, Khoreograficheskoe iskusstvo dvadtsatykh godov (The Art of Choreography of the Twenties), pp. 66-67.
438
108 Teatr, 13 (1923), p. 7.
439
109 Teatr, 1 (1924), pp. 6-7.
440
110 Quoted in M. Dolinskii, Sviaz’ vremen (Connections of Times) (Moscow, 1976), p. 122.
441
111 Alexandra Danilova, in conversation with the author, New York, 1992.
442
112 Fyodor Lopukhov, in conversation with the author, Leningrad, 1967.
443
113 George Balanchine, in conversation with the author, New York, 1982.
444
114 V. Bogdanov-Berezovsky, Vstrechi (Encounters) (Moscow, 1967), p. 250.
445
115 M. Mikhailov, Zhizn’ v balete (Life in the Ballet) (Leningrad and Moscow, 1966), p. 44.
446
116 Quoted in V. I. Berezkin, V. V. Dmitriev (Leningrad, 1981), p. 13.
447
117 George Balanchine, in conversation with the author, New York, 1981.
448
118 Alexandra Danilova, in conversation with the author, New York, 1992.
449
119 Quoted in Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 214.
450
120 Mikhailov, Zhizn’ v balete (Life in the Ballet), pp. 44-45.
451
121 Quoted in U istokov (At the Sources) [collection] (Moscow, 1960), p. 129.
452
122 Shklovsky, Gamburgskii schet (Hamburg Rules), p. 175.
453
123 George Balanchine, in conversation with the author, New York, 1982.
454
124 A. V. Lunacharsky, Sobranie sochinenii (Collected Works), 8 vols., vol. 7 (Moscow, 1967), p. 502.
455
125 George Balanchine, in conversation with the author, New York, 1981.
456
126 Ibid.
457
127 Quoted in Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 182.
458
128 Ibid., p. 186.
459
129 Lopukhov, Shest’desiat let v balete (Sixty Years in the Ballet), p. 188.
460
130 Vladimir Mayakovsky, Polnoe sobranie sochinenii (Complete Collected Works), 13 vols., vol. 4 (Moscow, 1957), p. 253.
461
131 S. S. Prokofiev and N. Ya. Miaskovsky, Perepiska (Correspondence) (Moscow, 1977), p. 281.
462
132 Stravinsky and Craft, Expositions and Developments, p. 83.
463
133 Igor Stravinsky, An Autobiography (New York and London, 1962), p. 100.
464
134 Ibid., pp. 99-100.
465
135 Lincoln Kirstein, Dance: A Short History of Classic Theatrical Dancing (New York, 1969), p. 257.
466
136 Richard Buckle, George Balanchine, Ballet Master (New York, 1988), p. 68.
467
137 Stravinsky, Stat’i i materialy (Articles and Materials), p. 391.
468
138 Stravinsky and Craft, Expositions and Developments, pp. 34-35.
469
139 Ibid., p. 21.
470
140 Ibid., p. 32.
471
141 Portrait of Mr. B: Photographs of George Balanchine, with an essay by Lincoln Kirstein (New York, 1984), p. 16.
472
142 Igor Stravinsky, Themes and Conclusions (Berkeley and Los Angeles, 1982), p. 34. Reprint.
473
143 Arlene Croce, Afterimages (New York, 1977), p. 419.
474
144 Nathan Milstein, in conversation with the author, New York, 1984.
475
145 Nathan Milstein, in conversation with the author, New York, 1986.
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