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Terrible Tsarinas through “assemblies” convoked by the tsar in order to introduce his subjects to Western customs. They were more like tedious meetings of poorly-groomed aristocrats, condemned by the Reformer to obey, to dissimulate and to show obeisance. Under Anna Ivanovna, these assemblies had deteriorated into nests of intrigue and worry. Unspoken fear was rampant, under the mask of courtesy. The shadow of the devilish Buhren was on the prowl.

And now a princess who loved dressing up, dancing, and playing games was insisting that they come to her palace purely for enjoyment’s sake. Certainly, the Empress was known to have fits of anger sometimes, or to come up with strange innovations, but all her guests had to admit that, for the first time, the palace was suffused with a blend of Russian good-naturedness and Parisian elegance. Instead of being a chore, these visits to the temple of monarchy finally seemed to offer an occasion to enjoy oneself socially.

Not satisfied with organizing “new style” events at her own many residences, Elizabeth obliged the greatest families of the empire to host masked balls, in turn, under their own roofs. The French ballet master de Landet taught everyone at court the graceful moves of the minuet. He soon made the claim that, under his direction, gallantry and civility were more in evidence along the Neva than anywhere else in the world. The parties would start at one mansion or another at 6:00 in the evening; dancing and card-playing would go on until ten o’clock. Then the Empress, surrounded by certain favored individuals, would sit down at table for supper; the other guests would eat standing up, elbow to elbow, struggling to avoid dropping anything on their fancy clothes. Once Her Majesty had downed her last mouthful, the dancing would begin again; and it would go on until 2:00 in the morning. To please in the leading lady, the menu would be both abundant and refined. Her Majesty liked French cuisine and her chefs (first Fornay, and then Fuchs, an Alsatian) were paid 800

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