The Sultan's seal

2

Every morning, my dayi, Ismail Hodja, put a soft-boiled egg in his mouth and sat without chewing, eyes lowered, until the egg was gone. It was not until I was in my twenties that I understood. Anticipation is the brilliant goad to pleasure. But at the time, I was only a child of nine, transfixed at the breakfast table. Ismail Dayi always ate the same breakfast: black tea in a tulip-shaped glass, one slice of white franjala bread, a handful of black, brine-soaked olives, a chunk of goat’s cheese, a small bowl of yoghurt, and a glass of whey. In that order. Then the egg, which lay peeled and shivering in a cobalt blue saucer, blue-white and glinting with moisture. Its broad end was slightly raised, the yolk casting a sickle-moon shadow. My uncle ate his breakfast slowly and methodically, without speaking. Then he reached for the egg with two long, slim fingers. His fingers indented the pudgy waistline of the egg as he lifted it, quivering, to his mouth. He deposited it carefully on his tongue, taking care not to brush it with his teeth. Then he closed his lips around the egg and, eyes lowered, sat until it had magically disappeared. I saw him neither chew nor swallow.

During this time, Mama was in the kitchen, rinsing the plates and topping up the double boiler in which the tea brewed. We did not have live-in servants in Ismail Dayi’s house and Mama herself prepared our breakfast before the cook and her assistant arrived for the day. When I would ask Mama, “Why does Ismail Dayi keep the egg in his mouth?” she would look away and busy herself.

“I don’t know what you mean. Don’t ask silly questions, Jaanan. Drink your tea.”

Ismail was my mother’s brother. We lived in his house because Papa had taken a second wife, and Mama had moved out of our big house in Nishantashou, where Papa lived now with Aunt Hüsnü.

Ismail Dayi’s house was two stories high, its smooth wooden flanks painted rust red. It was set in a garden on the shore of the Bosphorus just outside the village of Chamyeri. Behind the house, a forest of plane trees, cypresses, and oaks painted the steep hills. The house was set on the narrow stage of the shore in front of this towering green backdrop. Before us, the broad band of the Bosphorus glittered with light, its currents twining and coiling like a living creature. Sometimes the water threw up arcs of dolphins trailing aquatic rainbows. The colors of the water changed constantly in response to forces I still do not understand, from oily black to bottle green and, on rare magical days, to a translucent pastel green so clear that I felt if I looked long enough, I would see the bottom. On days of such clarity, I lay on the warm stones of the shore wall and let my head hang over the edge, looking for quicksilver sprays of anchovies. Below them I imagined the cool, heavy bodies of bigger fish turning and slipping through the liquid light. The shifting sands beneath uncovered the pale moon faces of dead princesses, eyes closed, lips slightly parted in fruitless protests against their fate. The gold thread of their brocaded gowns weighed them down. Their delicate hands lay, palms up, pinned to the sand by enormous emerald and diamond rings. Their black hair streamed in the current.

On cold days, I lay reading on the cushioned divan in the garden pavilion. It was a one-room structure with tall windows looking out over the water. Stacks of mattresses and quilts were kept ready for visitors who preferred to sleep there on hot nights. In winter, wooden shutters protected it against the wind and a brazier provided warmth and heated water for tea, although hardly anyone went there once the weather turned chill.

Mama complained about being isolated from her friends and the social life of the city. It was a long way to come from Istanbul by bullock cart or boat just to share a cup of coffee. The ferry from Istanbul took almost two hours and docked north of here at Emirgan. It took a carriage another hour to come the rest of the distance. Not many ladies had their husbands’ permission to stay the night. Only in summer, when the ladies moved to their summer houses on the Bosphorus, did we socialize. But I loved Ismail Dayi’s house. I was allowed to roam the garden in the benign care of Halil, our old gardener, and, later, under the watchful eyes of Madam Élise, my French governess and teacher.

Those first years in Chamyeri, Papa came once every week to try to convince Mama to return. I heard them arguing behind the carved wooden doors of the receiving room. He told her he would buy a separate house for her, that there was no need for her to live with her brother. But no matter how much I flattened my ear against the door, I never heard my mother’s response. In retrospect, I can see that her refusal to return to Papa’s protection must have shamed him before his family and peers, and this small protest gave my mother strength. By moving into my father’s house, even into a house apart from the one in Nishantashou where he lived with Aunt Hüsnü, Mama would have signaled her acceptance of Aunt Hüsnü as his kuma.

I don’t know whether Papa sent my mother’s financial due to Ismail Dayi, or, if he did, whether Ismail Dayi accepted it. Despite his eccentricities, Ismail Dayi was a respected hodja, a jurist and poet who had inherited his parents’ house and considerable wealth. Mama’s inheritance had gone with her into her marriage dowry, but remained hers to claim. Between Papa’s visits, Mama sat at her needlework in the receiving room, waiting for visitors who rarely arrived, her fingers dancing over the silk thread.

This was our life at Chamyeri until I was thirteen, in the Rumi year 1294, or 1878 by your reckoning, when I found the body of a woman in the pond behind our house. The pond, fed by an invisible spring, is shallow at one end and unfathomably deep at the other. It is so wide that a stone hurled by a young girl will not reach the other side. It is hidden behind a ruined stone wall in the forest. The woman Hannah was floating in knee-deep water, face down, her arms outstretched in an embrace. I did not realize she was dead, having no experience in such things. I stroked her hair. She looked peaceful, like a water princess, and I tried not to disturb her too much as I took her hand and turned her face to the sky. Her blue eyes were open. I told her that I lived here with my mother and my dayi. She looked surprised. I combed her hair with my fingers, arranged her dress, and placed a wildflower against her throat before going back to the house. When I told Madam Élise that a woman was asleep in the water and I could not wake her, I did not yet know the water there was deep enough to drown in.

The Bosphorus is a powerful sinew of water that flexes and pushes and roils down its long, wide chute to the Sea of Marmara, impatient to find the warm Mediterranean and dissolve into the salty womb of the ocean. Young boys from the village jump in and disappear, moments later emerging hundreds of yards downstream, where they must use all the force of their thin brown arms to reach shore again. Despite vigorous rowing, a boat headed upstream seems held in place by an unseen hand. When one next looks out, magically the boat has progressed.

Boats headed south, toward Istanbul, shoot along, passengers holding firmly to the creaking shell as the boatmen battle with their rudders. Halil, who had been a fisherman before he lost two fingers to a runaway net and became our gardener, told me that the Bosphorus has two currents. One runs north to south along the surface, carrying cold fresh water from the Black Sea to the Mediterranean; the other, a slippery rope of warm saline liquid, slithers south to north forty meters beneath the hard-muscled surface. The fishermen know that if you drop a line a certain length, you will catch palamut, lufer, and is tavrit that in spring dangle like silver coins from the fishermen’s lines. If you lower your hook farther, there abide mezgit and kalkan. A net caught up by the lower current will pull a boat inescapably northward. When the lodos blows from the southwest, the currents tangle and shift. The wrong fish are caught. Village boys do not reemerge. Young women drown in knee-deep water.

When Madam Élise saw the dead girl in the pond, she left us that same afternoon, crying and flailing her arms if anyone came near her.

After Madam Élise’s abrupt departure, I was happy. With no lessons, I spent hours perched on the stone wall dangling my legs toward the water below, watching large pleasure kayaks go by like creatures with many legs moving up and down in unison. I could make out the conical red felt hats of the teams of rowers. Veiled ladies sat on cushions and carpets on the foredeck, their heads nodding to one another in conversation like doves. Maidservants shaded them with fringed parasols. If they were women of high officials or the royal family, between the women and the rowers, under a particularly large parasol, would sit a fat eunuch, his dark skin melting into the shade. Sometimes I lay on my back on the warm stones, watching the sky careen about me. The scent of jasmine trailed across me like a cloak worn by the breeze.

When I went to the long, gold-framed mirror in the receiving room, the only mirror Mama allowed in the house, I saw a girl-child with black curls that hung to her waist, eyes a pure azure blue, as if they had absorbed the summer sky. My eyes, mother told me, were inherited from a Circassian ancestor, a slave who had become the wife of a high official.

I learned to swim. I owe that skill to Violet. Violet is the daughter of Mama’s distant relation, a fisherman in Cheshme on the Aegean coast. As a child, I had never been to the coast, but Violet brought it to me-the warm sand, the smell of pine, and above all the kinship with the sea that flows in the veins of all its residents. Violet grew up a dolphin. When she came to us as my companion and servant, I was fourteen and she fifteen.

Violet had been sent to us by her father because he was in need of a new fishing boat. It was not uncommon for a wealthy family to adopt a poorer relative as a servant. The girl was expected to obey and serve her new family and to behave in a manner that brought credit to them. In return, the wealthier family gave her room and board, perhaps a simple education, eventually found her a suitable husband and paid the considerable wedding expenses. Through intermediaries, Ismail Dayi had sent out word that his niece needed a companion and had sent Violet’s father the price of a new boat in return for a chance at a better life for his daughter. As was traditional for servants entering a household, Mama gave her a flower name. Violet, because she was small and shy.

Halil brought her in the cart from the boat landing in Chamyeri. A small brown figure in a rough cloak, she slid from the cart, clutching her bundle. She refused to surrender it to Halil to carry. In the first months, she kept her eyes lowered and spoke only when spoken to. Mama gave her a room at the back of the house that looked toward the road and into the forest. The green of the forest colored the air in Violet’s room, unlike our own bright bedrooms floating between the blues of water and sky. At night, I crept down the corridor and set my ear to her door, listening to the faraway sound of her weeping.

Violet’s body was slim, taut, and brown as a nut. It gleamed with the energy of the sea. She boasted of her ability to swim and I begged her to teach me. We shed our cloaks and hovered like water fairies in the silk gauze smocks I had assumed would be appropriate swimwear.

In Cheshme, Violet confided, she had entered the sea-the sea, she stressed, not a small pond-wearing, scandalously, nothing. When no one was about, she hastened to assure me.

“How can you swim in this sack?” she asked scathingly, bunching the gauze in her small brown fists.

That afternoon, Halil had walked to the coffeehouse in the village, and I knew he would be gone for hours. There were no visitors expected. I pulled off the chemise, the white silk pooling at my feet. My skin had a blue cast to it, and I was immediately covered in goose bumps. Violet was like an animal of a different species. She glowed with a mineral health. I could not then differentiate between earthy enjoyment of the common brown nut and the delicate flavor of the peeled unripe almond newly released from its green veil. At the time, I envied Violet the unconcerned windmilling of her arms and her broad-legged stance, unmindful of the cut of her sex, that place that Madam Élise had impressed upon me was to be guarded against intrusion, never to be revealed.

Violet slid into the deep end of the pond and bobbed up, looking at me expectantly. Keeping my legs together, I sat at the edge of the water, the cold, slick stone unfamiliar and thrilling to my naked flesh. I do not recall thinking long about things. That is the advantage and disadvantage of youth. In one motion, I let myself fall into this new world. I remember the thrill of swift silk drawn over my body. I fell and fell into a world of dumb cries, huge shadows, and a lethargy of limbs. I remember noticing the sunlight cutting the water like a gem. And opened my mouth. Panic. Flailing. A grip on my waist, and I was hauled up into a blinding world, the light inside my head too bright to bear. Pulled onto the stones. Beached. Exposed. Violet was heaving beside me, dripping everywhere. When I could breathe again, I squinted at her and we began to laugh.