Kireevsky
1
The light swells and pulses at the garden gate
Rolls itself up, rolls itself out
Smetana, the very best – open up, mamma
Sweet lady, unlatching a casement – the best and the finest!
O black-throated Smetana, flame up
O white-winged Smetana, flare high
I’m no Lenten gruel, no scourge of sultanas
No faceless soup of curds for convicts
Don’t you dare compare my cream of ermine!
Are you pleased with a simple-minded cheese?
As the land rises and falls in hills and valleys
I’m shaped in living lipids and calories
Congealed unconcealed made gloriously manifest
Turned from one side to another and back again
Who will take up a silver spoon to muddy
My lilac-hued body?
And you, my light, barely at the threshold
Little fool, my light, never where I need you
You effulgent, I gently melting
I gently melting, I slightly smelling
And down there, where life rustles in the undergrowth
A tiny frog sits and croaks
Swells and croaks. Croaks and swells
And lifts its front legs to protect itself.
Smetana is Russian sour cream
2
In the village, in the field, in the forest
A coach rattled past, a carriage
A smart little trap with a hood like a wing
From the big city they came, from Kazan,
At the turning of the year, with caskets and coffers
To carry out an inspection, a census:
Oh the forest is full of souls, and the water’s flow,
Many souls in the hamlet, and in the oak tree, too
And day wanders the wood, walking into the wind
All its own self long, on the spoor of the hind.
And the circles of dancers – still traces in the ground
The lips of hired weepers – not yet shrivelled
And all of it, even the young Cleïs,
Recorded in the book of conscience
And behind the gilded crest stamped on the boards
They barely dare to scratch or burp.
3
Tear tears along, chasing tear, and kicks it
When it’s down: Turn the other cheek, tear!
I’m trailing you, I’m on your track,
Blinking at you like a lighted spill
Making the walls reel, like a lighted match.
Tease me, tear, you madcap
Be my healer:
You, my little book, me your reader.
Tear answers tear:
Nivermore, tear, rest you nighwhere
Beyond the hermit’s lonely rock-fault
I will return to you as rocksalt.
4
My lady neighbour drives out on black sables
Riding hood laughing, her mittens speak in riddles
Three fields she passed, and the fourth a rise,
Into the yard like thunder she rides.
Her neighbour sits stunned – hey, neighbour, budge up
Not often a vixen comes to sup!
Offer her honey in the bowl of your paw
Put her to bed on the bench in the warmth.
She will then set up such a howling:
The master’s right burns bright as a barn
A mother’s caress is still as a millpond
And if you thirst and drop your snout down in
A pail, there’s not enough water to drink or to drown in
5
Where the dance was shaped in flame:
Stand away – you’ll see it’s still burning now
Flames without heat, fire without sense, inextinguishable
Steps marked in distinct and crooked letters.
What whined in the air, is still singing now
Tugging at roots, squeaking loose threads.
The pools make their round sound, release no bubbles
The road is asleep, neither trembles nor moans.
Beyond the third poplar, day is falling
Beyond the fifth poplar, the shadow falls away.
Beyond the fifth poplar the soul flees away,
Beyond the third poplar there’s no point searching.
The wreath won’t hang for long in the house,
Look in the mirror, already your hair is sparse.
6
Chorus line, on our feet
On our legs, our dancing legs:
In dyed stocking
In borrowed stockings.
We’ll dance our lithe line
To the shore of the blue blue sea
And knock, and you’ll draw your waves
Apart, expose your flats
And we’ll sing the refrain:
We come at a price
Pay in watery gruel, a coralline ear
And beaten coins of gold!
We’ll sing below the waves (and the sea rolls on the shore)
We’ll sing the miller’s song (and the foam white as flour)
We’ll sing of the laundrymaid (and the waves wash us through)
We’ll sing of service (and the soldiers stand tall).
Sleep in on a Saturday
Breathe in on a Sunday
Young beauty is washed from your face
A scattering of snow on your foolish bobbed head.
And the sea sighs and beats its hooves
Won’t come to the shore, won’t pay its dues.
7
You my gifts, o my gifts
Thin white linen sheets
Over whom will I throw you
Entrust you to whom?
My friend has no pillow under her head
She sleeps in a stream
My little mother
Runs away down the track
She takes nothing with her
She doesn’t look back.
My own brother
Can’t hide himself in the field.
I’m no mistress, me
Nor cattle, nor kettle.
The giftgiver asks no questions
Says nothing, suggests nothing,
Thunders and rolls
Over the dirt road
Dark firs are cut to masts
And above their rustling tips
He walks, leaning on their light trunks.
8
Who guards our picket fences, our blooming hedges?
Friar Pan and Into-the-Fire are vying with each other.
Into-the-Fire has six flaming fingers, see them and shiver
And Friar Pan takes off his sooty frock, stands shaggy as a goat.
Higher, higher place the roof, praise the new roof
Shacks and wattle walls, daub and dug out, logs for cabins
Give us up, gather us up, give us a sign –
We’ll show you, we’ll bow to you, we’ll pay our way:
With starry-eyed blackberries, blue-lipped bilberries
Sharp-blue magpie feathers and hazelnuts,
With marbled water like an old man’s beard
With the black ploughed furrow, our lives’ work.
9
A deer, a deer stood in that place
Under the nut tree
And tears ran down its coat
Blood smoked on the snow.
A deer, a deer stood in that place
Under the nut tree
And rocked, rocked gently
The empty cradle.
A deer, a deer stood in that place
Asking the endless question
And from beyond the seven seas
Carried the wails of a child.
I wandered the yards, I glanced in the windows
I searched for a child I could raise myself
Choose myself a little babby
Maybe a girl or a little laddy
I’d feed my child the purest sugar
Teach it to lace and embroider
Take it for strolls under my pinny
Sing sweet songs to my own little sonny.
But they cast me out, they came at me
With torches and pitchforks they drove me
Your own foolish mothers and fathers!
And you will wander snot-nosed for years
Angering strangers, lost and derided
Without the muzzle-scent of tears
Never knowing your own true tribe.
10
The last songs are assembling,
Soldiers of a ghostly front:
Escaping from surrounded places
A refrain or two make a break for it
Appearing at the rendez-vous
Looking about them, like the hunted.
How stiffly unbending they are
Running water won’t soften them now!
How unused they are to company
The words don’t form as they ought.
But their elderly, skilful hands
Pass the cartridges round,
And until first light their seeing fingers
Reassemble Kalashnikovs,
They draw, with sharp intake of breath
From wounds, the deeply lodged letters –
And towards morning, avoiding checkpoints,
They enter the sleepless city.
In times of war, they fall silent.
When the muses roar, they fall silent.