13. "Thousand-Gold Little Precious"

In a Priveleged Cocoon (1958-1965)

When my mother took me to register at primary school in 1958, I was wearing a new pink cord jacket and green flannel trousers with a huge pink ribbon in my hair. We went straight into the office of the headmistress, who was waiting for us with the academic supervisor and one of the teachers. They were all smiling, and they addressed my mother respectfully as "Director Xia' and treated her like a V.I.P. Later I learned that the school came under my mother's department.

I had this special interview because I was six, and nor really they only took children from the age of seven, as there was a shortage of schools. But even my father did not mind the rules being bent this time, as he and my mother both wanted me to start school early. My fluent recitation of classical poems and my handsome calligraphy convinced the school I was advanced enough. After I had satisfied the headmistress and her colleagues in the standard entrance test, I was accepted as a special case. My parents were tremendously proud of me. Many of their children had been turned down by this school.

Everyone wanted to get their children into this school because it was the best in Chengdu, and the top 'key' school for the whole province. It was very difficult to get into the key schools and universities. Entrance was strictly on merit, and children from officials' families were not given priority.

Whenever I was introduced to a new teacher, it was always as 'the daughter of Director Chang and Director Xia." My mother often came to the school on her bicycle as part of her job, to check on how it was being run. One day the weather suddenly turned cold, and she brought a warm green cord jacket with flowers embroidered on the front for me. The headmistress herself came to my classroom to give it to me. I was terribly embarrassed with all my classmates staring at me. Like most children, I just wanted to belong and to be accepted as part of my peer group.

We had exams every week and the results were put up on the notice board. I was always at the top of the class, which was rather resented by those behind me. They sometimes took their bitterness out on me by calling me 'thousand-gold little precious' (qian-jin xiao-jie), doing things like putting a frog in my desk drawer, and tying the ends of my plaits to the back of my seat. They said I had no 'collective spirit' and looked down on others. But I knew I simply liked being on my own.

The curriculum was like that in a Western school, except during the period when we had to produce steel. There was no political education, but we did have to do a lot of sports: running, high jump and long jump, as well as compulsory, gym and swimming. We each had one after school sport: I was selected for tennis. At first my father was against the prospect of my becoming a sportswoman, which was the purpose of the training, but the tennis coach, a very pretty young woman, came to see him, dressed in her fetching shorts. Among his other jobs, my father was in charge of sports for the province. The coach gave him her most charming smile and told him that since tennis, the most elegant of sports, was not played much in China at the time, it would be good if his daughter set an example – 'for the nation," as she put it. My father had to give in.

I loved my teachers, who were excellent and had the girl of making their subjects fascinating and exciting. I remember the science teacher, a Mr. Dali who taught us the theory behind putting a satellite into orbit (the Russians had just launched the first Sputnik) and the possibility of visiting other planets. Even the most unruly boys were glued to their seats during his lessons. I overheard some pupils saying that he had been a rightist, but none of us knew what this meant, and it did not make any difference to us.

My mother told me years later that Mr. Dali had been a writer of children's science fiction. He was named a rightist in 1957 because he had written an article about mice stealing food and fattening themselves up, which was alleged to be a covert attack on Party officials. He was banned from writing, and was about to be sent to the countryside when my mother managed to get him relocated to my school. Few officials were brave enough to reemploy a rightist.

My mother was, and this was the very reason she was in charge of my school. According to its location, it should have come under the Western District of Chengdu. But the city authorities assigned it to my mother's district in the east because they wanted it to have the best teachers, even if they came from 'undesirable' backgrounds, and the head of the Public Affairs Department of the Western District would not dare to give such people jobs. The academic supervisor in my school was the wife of a former Kuomintang officer who was in a labor camp. Usually people with a background like hers would not have been able to occupy a job like this, but my mother refused to transfer them, and even gave them honorary grades. Her superiors approved, but they wanted her to take the responsibility for this unorthodox behavior. She did not mind.

With the implicit additional protection which my father's position brought her, she felt more secure than her colleagues.

In 1962 my father was invited to send his children to a new school that had just been set up next to the compound where we lived. It was called "Plane Tree' after the trees which formed an avenue on the grounds. The school was set up by the Western District with the express purpose of making it into a key school, since there was no key school under the jurisdiction of this district. Good teachers were transferred to Plane Tree from other schools in the district.

The school soon acquired a reputation as the 'aristocratic school' for the children of VIPs in the provincial government.

Before Plane Tree was set up there had been one boarding school in Chengdu, for the children of top army officers. A few senior ci 'vdian officials also sent their children there. Its academic level was poor, and it earned a reputation for snobbery, as the children were highly competitive about their parents. They could often be heard saying things like: "My father is a division commander.

Yours is ouly a brigadier!" At weekends there were long lines of cars outside, with nannies, bodyguards, and chauffeurs waiting to take the children home. Many people thought the atmosphere was poisoning the children, and my parents had always been totally averse to this school.

Plane Tree was not set up as an exclusive school, and after meeting the headmaster and some of the teachers, my parents felt that it was committed to high ethical standards and discipline. There were only about twenty-five pupils in each year. Even in my previous school there had been fifty pupils in my class. The advantages of Plane Tree were, of course, partly intended for the benefit of the top officials who lived next door, but my newly mellowed father overlooked this fact.

Most of my new classmates were children of officials in the provincial government. Some lived in the compound with me. Apart from school, the compound was my entire world. The gardens were filled with flowers and luxuriant plants. There were palm trees, sisal hemps, oleanders, magnolias, camellias, roses, hibiscus, and even a pair of rare Chinese aspens which had grown toward each other and intertwined their arms, like lovers. They were very sensitive, too. If we scratched one of the trunks even ever so gently the two trees would tremble and their leaves would start to flutter. During the summer lunch breaks I would sit on a drum-shaped stone stool under a trellis of wisteria, my elbows resting on a stone table reading a book or playing chess. Around me were the blazing colors of the grounds and not far away a rare coconut tree thrust arrogantly into the sky. My favorite, though, was a heavily scented jasmine, also climbing on a big trellis. When it was in blossom, my room was filled with its fragrance. I loved to sit by the window gazing at it and soaking up the delicious smell.

When we first moved into the compound we lived in a lovely detached one-story house set in its own courtyard.

It was built in traditional Chinese style, with no modern facilities: no running water indoors, no flush toilet, no ceramic bath. In 1961, some modern Western-type apartments with all these amenities were built in one corner of the compound, and my family was assigned one of them.

Before we moved in, I visited this wonderland and examined all the novel and magical taps and flush toilets and mirrored cupboards on the walls. I ran my hand along the shiny white files on the walls of the bathrooms. They felt cool and pleasant to the touch.

There were thirteen apartment blocks in the compound.

Four were for the directors of departments, the rest for bureau chiefs. Our apartment occupied a whole floor, whereas the bureau chiefs had to share a floor between two families. Our rooms were more spacious. We had anti mosquito screens on our inner windows, which they did not, and two bathrooms, while they had only one. We had hot water three days a week, whereas they had none. We had a telephone, which was extremely rare in China, and they did not. Lesser officials occupied blocks in a smaller compound on the other side of the street, and their amenities were one grade lower still. The half-dozen Party secretaries who formed the core of the provincial leadership had their own inner compound within our compound. This inner sanctum lay behind two gates, which were guarded around-the-clock by army guards with guns, and only specially authorized personnel were allowed through.

Inside these gates were detached two-story houses, one for each Party secretary. On the doorstep of the first secretary, Li Jing-quan, stood yet another armed guard. I grew up taking hierarchy and privilege for granted.

All adults working in the main compound had to show their passes when they came through the main gate. We children had no passes, but the guards recognized us.

Things became complicated if we had visitors. They had to fill out forms, then the porter's lodge would ring our apartment and someone had to go all the way down to the front gate to collect them. The staff did not welcome other children. They said they did not want the grounds messed up. This discouraged us from bringing friends home, and during the whole of my four years in the top key school I invited girlfriends home only a very few times.

I hardly ever went outside the compound except to go to school. A few times I went to a department store with my grandmother, but I never felt the need to buy anything.

Shopping was an alien concept to me, and my parents gave me pocket money only on special occasions. Our canteen was like a restaurant, and served excellent food. Except during the famine, there were always at least seven or eight dishes from which to choose. The chefs were handpicked, and were all either 'grade one' or 'special grade." Top chefs were graded like teachers. At home, there were always sweets and fruit. There was nothing else I wanted to eat except ice lollies. Once, on Children's Day, I June, when I was given some pocket money, I ate twenty-six in one go.

Life in the compound was self-contained. It had its own shops, hairdressers, cinemas, and dance halls, as well as plumbers and engineers. Dancing was very popular. On weekends there were different dancing parties for the different levels of staff in the provincial government. The one in the former US servicemen's ballroom was for families at and above the level of bureau chief. It always had an orchestra, and actors and actresses from the Provincial Song and Dance Troupe to make it more colorful and elegant. Some of the actresses used to come to our apartment to chat with my parents, and then they would take me for a walk around the compound. I was terribly proud to be seen in their company, as actors and actresses were endowed with tremendous glamour in China. They enjoyed special tolerance and were allowed to dress more flamboyantly than other people, and even to have affairs.

Since the troupe came under his department, my father was their boss. But they did not defer to him like other people. They used to tease him and call him 'the star dancer." My father just smiled and looked shy. The dancing was a kind of casual ballroom dancing, and the couples glided up and down rather demurely on the highly polished floor. My father was indeed a good dancer, and he obviously enjoyed himself. My mother was no good at it she could not get the rhythm right, so she did not like it.

During the intervals, the children were allowed onto the dance floor, and we pulled each other by the hands and did a kind of floor skiing. The atmosphere, the heat, the perfume, the glamorously dressed ladies and beaming gentlemen formed a dreamy, magical world for me.

There were films every Saturday evening. In 1962, with the more relaxed atmosphere, there were even some from Hong Kong, mostly love stories. They gave a glimpse of the outside world, and were very popular. There were also, of course, uplifting revolutionary films. The screenings were held in two different places, according to status. The elite one was in a spacious hall with big, comfortable seats.

The other was in a large auditorium in a separate compound and was jam-packed. I went there once because it was showing a film I wanted to see. The seats had all been taken long before the film started. Latecomers had to bring their own stools. Lots of people were standing. If you were stuck at the back, you had to stand on a chair to see anything. I had no idea it was going to be like this, and had not brought a stool. I was caught in the crush at the back, unable to see a thing. I glimpsed a chef I knew who was standing on a short bench which could seat two people.

When he saw me squeezing past, he asked me to get on it with him. It was very narrow and I felt terribly unsteady.

People kept pushing by, and soon one of them knocked me off. I fell quite hard and cut my eyebrow on the edge of a stool. The scar is still there today.

In our elite hall there were more restricted films which were not shown to anyone else, even the staff in the big auditorium. These were called 'reference films' and were made up mostly of clips of films from the West. This was the first time I ever saw a miniskirt or the Beatles. I remember one film showed a Peeping Tom at the seaside; the women he had been peeping at poured a bucket of water over him. Another extract from a documentary showed abstract painters using a chimpanzee to daub ink on a sheet of paper and a man playing the piano with his bottom.

I suppose these must have been selected to show how decadent the West was. They were only for high Party officials, and even they were denied access to most information about the West. Occasionally, a film from the West was shown in a small screening room where children were not allowed. I was intensely curious and begged my parents to take me. They agreed a couple of times. By then my father had become quite soft with us. There was a guard at the door, but because I was with my parents, he did not object. The films were totally beyond me. One seemed to be about an American pilot going mad after dropping an atom bomb on Japan. The other was a black-and-white feature film. In one scene a trade union leader was punched by two thugs in a car: blood trickled out of the corner of his mouth. I was absolutely horrified. This was the first time in my life I had ever seen an act of violence with blood being shed (corporal punishment in schools had been abolished by the Communists). Chinese films in those days were gentle, sentimental, and uplifting; if there was even a hint of violence it was stylized, as in Chinese opera.

I was baffled by the way the Western workers were dressed in neat suits that were not even patched, a far cry from my idea of what the oppressed masses in a capitalist country ought to be wearing. After the film I asked my mother about this and she said something about 'relative living standards." I did not understand what she meant, and the question remained with me.

As a child, my idea of the West was that it was a miasma of poverty and misery, like that of the homeless "Little Match Girl' in the Hans Christian Andersen story. When I was in the boarding nursery and did not want to finish my food, the teacher would say: "Think of all the starving children in the capitalist world!" In school, when they were trying to make us work harder, the teachers often said: "You are lucky to have a school to go to and books to read.

In the capitalist countries children have to work to support their hungry families." Often when adults wanted us to accept something they would say that people in the West wanted it, but could not get it, and therefore we should appreciate our good fortune. I came to think this way automatically. When I saw a girl in my class wearing a new kind of pink translucent raincoat I had never seen, I thought how nice it would be to swap my commonplace old wax-paper umbrella for one. But I immediately castigated myself for this 'bourgeois' tendency, and wrote in my diary: "Think of all the children in the capitalist world they can't even think of owning an umbrella!"

In my mind foreigners were terrifying. All Chinese have black hair and brown eyes, so they regard differently colored hair and eyes as strange. My image of a foreigner was more or less the official stereotype: a man with red, unkempt hair, strange-colored eyes, very, very long nose, stumbling around drunk, pouring Coca-Cola into his mouth from a bottle, with his legs splayed out in a most inelegant position. Foreigners said 'hello' all the time, with an odd intonation. I did not know what 'hello' meant; I thought it was a swear word. When boys played 'guerrilla warfare," which was their version of cowboys and Indians, the enemy side would have thorns glued onto their noses and say 'hello' all the time.

During my third year in primary school, when I was nine, my classmates and I decided to decorate our classroom with plants. One of the girls suggested she could get some unusual ones from a garden which her father looked after at a Catholic church on Safe Bridge Street. There had once been an orphanage attached to the church, but it had been closed down. The church was still functioning, under the control of the government, which had forced Catholics to break with the Vatican and join a 'patriotic' organization. The idea of a church was both mysterious and frightening, because of the propaganda about religion.

The first time I ever heard about rape was reading about one attributed to a foreign priest in a novel. Priests also invariably appeared as imperialist spies and evil people who used babies from orphanages for medical experiments.

Every day on my way to and from school, I used to walk past the top of scholar-tree-lined Safe Bridge Street and see the profile of the church gate. To my Chinese eye, it had the most alien-looking pillars: they were made of white marble, and were fluted in the Greek style, whereas Chinese pillars were always made of painted wood. I was dying to look inside, and had asked the girl to let me visit her home, but she said her father did not want her to bring any visitors. This only increased the mystery. When this girl offered to get some plants from her garden I eagerly volunteered to go with her.

As we approached the church gate I tensed up and my heart almost stopped beating. It seemed to be the most imposing gate I had ever seen. My friend stood on tiptoe and reached up to bang a metal ring on the gate. A small door creaked open in the gate, revealing a wrinkled old man, bent almost double. To me he seemed like a witch in one of the illustrations in a fairy tale. Although I could not see his face clearly, I imagined that he had a long hooked nose and pointed hat and was about to ride up into the sky on a broomstick. The fact that he was of a different sex from a witch was irrelevant to me. Avoiding looking at him, I hurried through the doorway. Immediately in front of me was a garden in a small, neat courtyard. I was so nervous I could not see what was in it. My eyes could only register a proliferation of colors and shapes, and a small fountain trickling in the middle of a rockery. My friend took my hand and led me along the arcade around the courtyard. On the far side, she opened a door and told me that that was where the priest delivered his sermons.

Sermons! I had come across this word in a book in which the priest used his 'sermon' to pass state secrets to another imperialist spy. I tensed up even more when I crossed the threshold into a large, dark room, which seemed to be a hall; for a moment I could not see anything. Then I saw a statue at the end of the hall. This was my first encounter with a crucifix. As I got nearer, the figure on the cross seemed to be hovering over me, enormous and crushing.

The blood, the posture, and the expression on the face combined to produce an utterly terrifying sensation. I turned and dashed out of the church. Outside, I nearly collided with a man in a black robe. He stretched out a hand to steady me; I thought he was trying to grab me, and dodged and rushed away. Somewhere behind me a heavy door creaked. The next moment it was terrifyingly still except for the murmuring of the fountain. I opened the small door in the front gate and ran all the way to the end of the street without stopping. My heart was pounding and my head was spinning.

Unlike me, my brother Jin-ming, who was born a year after me, was independent-minded from a young age. He loved science and read a lot of popular scientific magazines.

Although these, like all other publications, carried the inevitable propaganda, they did report advances in science and technology in the West, and these impressed Jin-ming enormously. He was fascinated by photographs of lasers, Hovercraft, helicopters, electronics, and cars in these magazines, in addition to the glimpses he got of the West in the 'reference films." He began to feel that school, the media, and adults in general could not be trusted when they said that the capitalist world was hell and China was paradise.

The United States in particular caught Jin-ming's imagination as the country with the most highly developed technology. One day when he was eleven and was excitedly describing new developments in lasers in America over the dinner table, he said to my father that he adored America.

My father was at a loss about how to respond, and looked deeply worried. Eventually he stroked Jin-ming's head and said to my mother, "What can we do? This child is going to grow up to become a rightist!"

Before he was twelve, Jin-ming had made a number of 'inventions' based on illustrations in children's science books, including a telescope with which he tried to observe Halley's Comet and a microscope using glass from a light bulb. One day he was trying to improve a repeating rubberband 'gun' which fired small stones and yew nuts. In order to create the right sound effect he asked a classmate of his, whose father was an army officer, to find him some empty bullet casings. His friend got hold of some bullets, took off the ends, emptied out the gunpowder, and gave them to Jin-ming without realizing that the detonators were still inside. Jin-ming filled a shell with a cut-up toothpaste tube and held it over the coal stove in the kitchen with tongs to bake it. There was a kettle sitting on a grill over the coal, and Jin-ming was holding the tongs under it when suddenly there was an enormous bang, and a big hole in the bottom of the kettle. Everyone rushed in to see what had happened. Jin-ming was terrified. Not because of the explosion, but because of my father, who was a very intimidating figure.

But my father did not hit Jin-ming, or even scold him.

He just looked at him hard for a while, then said he was already scared enough, and should go outside and take a walk. Jin-ming was so relieved he could hardly keep from jumping up and down. He never thought he would get off so easily. After his walk, my father said he was not to do any more experiments without being supervised by an adult. But he did not enforce this order for long, and soon Jin-ming was carrying on as before.

I helped him with a couple of his projects. Once we made a model pulverizer powered by tap water which could crush chalk into powder. Jin-ming provided the brains and the skill, of course. My interest never lasted.

Jin-ming went to the same key primary school as I did.

Mr. Dali the science teacher who had been condemned as a rightist, also taught him, and played a crucial role in opening up the world of science to him. Jin-ming has remained deeply grateful to him all his life.

My second brother, Xiao-her, who was born in 1954, was my grandmother's favorite, but he did not get much attention from my father and mother. One of the reasons was that they thought he got enough affection from my grandmother. Sensing he was not in favor, Xiao-her became defensive toward my parents. This irritated them, especially my father, who could not stand anything he considered un straight forward.

Sometimes he was so enraged by Xiao-her that he beat him. But he would regret it afterward, and at the first opportunity he would stroke Xiao-her on the head and tell him he was sorry he had lost control of his temper. My grandmother would have a tearful row with my father, and he would accuse her of spoiling Xiao-her. This was a constant source of tension between them. Inevitably, my grandmother grew even more attached to Xiao-her and spoiled him even more.

My parents thought that only their sons should be scolded and hit, and not their daughters. One of the only two times when my sister, Xiao-hong, was hit was when she was five. She had insisted on eating sweets before a meal, and when the food came she complained that she could not taste anything because of the sweet taste in her mouth. My father told her she had only got what she wanted. Xiao-hong took umbrage at this and started yelling and threw her chopsticks across the dining room. My father smacked her and she grabbed a feather duster to hit him. He snatched the duster away from her, so she got hold of a broom. After some scuffling, my father locked her in our bedroom and kept saying, "Too spoiled! Too spoiled!" My sister missed her lunch.

Xiao-hong was quite willful as a child. For some reason, she absolutely refused to watch films or plays, or to travel.

And there were a lot of things she hated eating: she would scream her head off when she was fed milk, beef, or lamb.

When I was a child, I followed her example, and missed out on many films and a lot of delicious food.

My character was very different, and people said I was both sensible and sensitive (dong-shl) well before my teens.

My parents never laid a hand on me or said a harsh word to me. Even their rare criticisms were delivered extremely delicately, as if I were a grown-up and easily wounded.

They gave me plenty of love, particularly my father, who always took his after-supper walk with me, and often took me with him when he visited his friends. Most of his closest friends were veteran revolutionaries, intelligent and able, and they all seemed to have something 'wrong' in their pasts in the eyes of the Party, and so had been given only lowly posts. One had been in the branch of the Red Army led by Mao's challenger Zhang Guo-tao. Another was a Don Juan- his wife, a Party official whom my father always tried to avoid, was insufferably stern. I enjoyed these adult gatherings, but I liked nothing better than to be alone with my books, which I sat reading all day during my school holidays, chewing the ends of my hair. Apart from literature, including some reasonably simple classical poems, I loved science fiction and adventure stories. I remember one book about a man spending what seemed to him to be a few days on another planet and coming back to earth in the twenty-first century, finding everything had changed.

People ate food capsules, traveled by Hovercraft, and had telephones with video screens. I longed to be living in the twenty-first century with all these magic gadgets.

I spent my childhood racing toward the future, hurrying to be an adult, and was always daydreaming about what I would do when I was older. From the moment I could read and write, I preferred books with substantial amounts of words to picture books. I was also impatient in every other way: when I had a sweet, I would never suck it, but bit into it and chewed it at once. I even chewed my cough lozenges.

My siblings and I got on unusually well. Traditionally, boys and girls seldom played together, but we were good friends and cared about each other. There was little jealousy or competitiveness, and we rarely had rows. Whenever my sister saw me crying, she would burst into tears herself. She did not mind hearing people praising me. The good relationship between us was much commented on, and parents of other children were constantly asking my parents how they did it.

Between them my parents and my grandmother provided a loving family atmosphere. We saw only affection between our parents, never their quarrels. My mother never showed us her disenchantment with my father. After the famine, my parents, like most officials, were no longer as passionately devoted to their work as they had been in the 1950s. Family life took a more prominent place, and was no longer equated with disloyalty. My father, now over forty, mellowed and became closer to my mother. My parents spent more time together, and as I was growing up I often saw evidence of their love for each other.

One day I heard my father telling my mother about a compliment paid to her by one of his colleagues, whose wife had the reputation of being a beauty.

"The two of us are lucky to have such outstanding wives," he had said to my father.

"Look around: they stand out from everyone else." My father was beaming, recalling the scene with restrained delight.

"I smiled politely, of course," he said.

"But I was really thinking, How can you compare your wife with mine? My wife is in a class of her own!"

Once my father went away on a three-week sight-seeing tour for the directors of the Public Affairs departments of every province in China, which was to take them all over the country. It was the only such tour ever given in the whole of my father's career and was supposed to be a special treat. The group enjoyed V.I.P treatment all the way, and a photographer traveled with them, recording their progress. But my father was restless. By the start of the third week, when the tour had reached Shanghai, he missed home so much that he said he did not feel well, and flew back to Chengdu. Forever afterward, my mother would call him a 'silly old thing."

"Your home wouldn't have flown away. I wouldn't have disappeared. Not in that week, anyway. What a chance you missed to have fun!" I always had a feeling when she said this that she was really quite pleased about my father's 'silly homesickness."

In their relationship with their children, my parents seemed to be concerned above all with two things. One was our academic education. No matter how preoccupied they were with their jobs, they always went through our homework with us. They were in constant touch with our teachers, and firmly established in our heads that our goal in life was academic excellence. Their involvement in our studies increased after the famine, when they had more spare time. Most evenings, they took turns giving us extra lessons.

My mother was our math teacher, and my father tutored us in Chinese language and literature. These evenings were solemn occasions for us, when we were allowed to read my father's books in his study, which was lined from floor to ceiling with thick hardbacks and thread-bound Chinese classics. We had to wash our hands before we turned the leaves of his books. We read Lu Xun, the great modern Chinese writer, and poems from the golden ages of Chinese poetry, which were considered difficult even for adults.

My parents' attention to our studies was matched only by their concern for our education in ethics. My father wanted us to grow up to be honorable and principled citizens, which was what he believed the Communist revolution was all about. In keeping with Chinese tradition, he gave a name to each of my brothers which represented his ideals: Zhi, meaning 'honest," to Jin-ming; Pu, 'unpretentious," to Xiao-her; and Fang, 'incorruptible," was part of Xiao-fang's name. My father believed that these were the qualities which had been lacking in the old China and which the Communists were going to restore. Corruption, in particular, had sapped the old China. Once he rebuked Jin-ming for making a paper airplane out of a sheet of paper with his department letterhead on it. If we ever wanted to use the telephone at home we had to get his permission. As his job covered the media, he was supplied with a lot of newspapers and periodicals. He encouraged us to read them, but they could not be taken out of his study. At the end of the month he took them back to his department, as old newspapers were sold for recycling. I spent many tedious Sundays helping him check that not one was missing.

My father was always very strict with us, which was a constant source of tension between him and my grandmother, and between him and us. In 1965 one of the daughters of Prince Sihanouk of Cambodia came to Chengdu to give a ballet performance. This was a great novelty in a society which was almost totally isolated. I was dying to see the ballet. Because of his job, my father was given complimentary tickets, the best, for all new performances, and he often took me. This time, for some reason, he could not go. He gave me a ticket but said I had to exchange it with somebody with a seat at the back so that I would not be in the best seat.

That evening I stood by the door of the theater, holding my ticket in my hand, while the audience crowded in all, in fact, with complimentary tickets, allocated according to their rank. A good quarter of an hour passed and I was still by the door. I was too embarrassed to ask anyone to swap. Eventually the number of people going in thinned out; the performance was about to start. I was on the verge of tears, wishing I had a different father. At that moment I saw a junior official from my father's department. I summoned up my courage and pulled the edge of his jacket from behind. He smiled and immediately agreed to let me have his seat, which was right at the back. He was not surprised. My father's strictness to his children was legendary in our compound.

For Chinese New Year, 1965, a special performance was organized for schoolteachers. This time my father went to the performance with me, but instead of letting me sit with him, he exchanged my ticket for one at the very back. He said it was inappropriate for me to sit in front of the teachers. I could hardly see the stage, and felt miserable.

Later I heard from the teachers how much they appreciated his sensitivity. They had been annoyed at seeing other high officials' children lounging on the front seats in a manner which they regarded as disrespectful.

Throughout China 's history there was a tradition of officials' children being arrogant and abusing their privileges. This caused widespread resentment. Once a new guard in the compound did not recognize a teenage girl who lived there and refused to let her in. She screamed at him and hit him with her satchel. Some children talked to the chefs, chauffeurs, and other staff in a rude and imperious manner. They would call them by their names, which a younger person should never do in China it is supremely disrespectful. I will never forget the pained look in the eyes of a chef in our canteen when the son of one of my father's colleagues took some food back and said it was no good, and shouted out his name. The chef was deeply wounded, but said nothing. He did not want to displease the boy's father. Some parents did nothing about this kind of behavior by their children, but my father was outraged.

Often he said: "These officials are no Communists."

My parents regarded it as very important that their children should be brought up to be courteous and respectful to everyone. We called the service staff "Uncle' or "Aunt' So-and-so, which was the traditional polite form for a child addressing an adult. After we had finished our meal, we always took the dirty bowls and chopsticks back to the kitchen. My father told us we should do this as a courtesy to the chefs, as otherwise they would have to clear the tables themselves. These small things earned us immense affection from the compound staff. The chefs would keep food warm for us if we were late. The gardeners used to give me flowers or fruit. And the chauffeur happily made detours to pick me up and drop me home this was strictly behind my father's back, as he would never let us use the car without him being there.

Our modern apartment was on the third floor, and our balcony looked down on a narrow alley of mud and cobbles outside the compound wall. One side of the alley was the brick wall of the compound; the other was a row of thin wooden one-story terraced houses, typical of poor people's dwellings in Chengdu. The houses had mud floors and no toilets or running water. Their facades were made out of vertical planks, two of which served as the door. The front room led directly into another room, which led to another, and a row of several such rooms formed the house. The back room opened onto another street. Since the side walls of the house were shared with neighbors, these houses had no windows. The inhabitants had to leave the doors at both ends open to let in light or air. Often, especially on hot summer evenings, they would sit on the narrow pavement, reading, sewing, or chatting. From the pavement they could look straight up at the spacious balconies of our apartments with their shiny glass windows. My father said we must not offend the feelings of the people living in the alley, and so he forbade us to play on the balcony.

On summer evenings, boys from the huts in the alley often used to walk through the streets peddling anti mosquito incense. They sang a special tune to attract attention to their wares. My evening reading used to be punctuated by this lingering, sad tune. Through my father's constant reminding, I knew that being able to study undisturbed in a big, cool room with a parquet floor and mosquito-netted open windows was an enormous privilege.

"You must not think you are superior to them," he would say.

"You are just lucky to be here. You know why we need communism? So that everyone can live in a good house like ours, and in much better ones."

My father said things like this so often that I grew up feeling ashamed of my privileges. Sometimes boys from the compound would stand on their balconies and mimic the tune the young peddlers sang. I felt ashamed when they did this. When I went out with my father in his car, I was always embarrassed when the car honked through the crowds. If people stared into the car, I would sink down in my seat and try to avoid their gaze.

In my early teens I was a very serious girl. I liked to be on my own, thinking, often about moral issues that confused me. I had become rather lukewarm about games and fairgrounds and playing with other children, and rarely gossiped with other girls. Although I was sociable and popular, there always seemed to be a certain distance between me and the others. In China people easily become familiar with one another, particularly women. But ever since I was a child, I have always wanted to be left alone.

My father noticed this side of my character, and would comment on it with approval. While my teachers constantly said I should have more 'collective spirit," he told me that familiarity and living on top of each other could be a destructive thing. With this encouragement, I kept my privacy and my space. There are no exact words for these two concepts in the Chinese language, but they were instinctively yearned for by many, certainly by my siblings as well as me. Jin-ming, for instance, insisted so strongly on being allowed to lead his own life that he was sometimes thought by those who did not know him to be antisocial; in fact he was gregarious and extremely popular with his peers.

My father often said to us, "I think it is marvelous that your mother has this policy of "letting you roam free on the pasture." Our parents left us alone and respected our need to keep our separate worlds.

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