Women and Men

known bits II

j. Logged in at nine a.m., concerned about answering machine bought and provided by Santee/Spence. Concerned about risk in lying to mother that phone # of Independent Messenger Unit = Turnstein Messenger Service new number. Concerned about breakdown of negotiations on Messenger Union due to Maureen leaving for Bonita Springs, Florida, plus freaked at George’s stated intent to take over organizing and enroll so-call normals as well as so-call retards (who are now said to know something going on in City nobody else does), while Maureen did not threaten to come back from Florida but sent postcard via Miss Kimball to the effect that any union confined to retarded messengers discriminated against them. Concerned (What do you mean "concerned"? asked Gustave later) that Spence/Santee get hold of log with these records, because silence is golden as mother said. Concerned that messages and/or other materials to be transported by messenger run by Gustave from foundation to opera singer Luisa and from her to dirty old warehouse-theater next door are watched by Santee/Spence. (Why are you "concerned"? said Gustave; maybe we take on another non-bike messenger since you do the biking.) Still little space to breathe. Here at 8:10 a.m. to board bike; then to Turnstein & Wing’s picking up two job-destination to-from pairings — to be fast-slowed by sandwiching with own up here at log H.Q. to be split with Gustave who’s late again in subway rush not reading correctly a single-door opening. Build on knowns always. Mother and social worker will rescind work and bike if they learn of same. Build on this risk. Build on known contacts. Take messenger-related materials from place of origin to place of destination along known routes. Deal with known obstacles arising in lane-related routes. Spence/Santee is friend to Independent Messenger Unit, but is known to deal with Turnstein & Wing, who deal with Jimmy B. like he is messenger bringing bad news unknown to him when really he’s picking up information so he’ll go someplace else and pick up messages or transit materials to take to someplace else, good news or bad.

Jimmy you are the light of my life, said Santee, meeting head of Independent Messenger Unit wheeling bike out on morning message-sandwich job combining own work with T&W fast-slowed messages. Jimmy, could you take this to the same young woman at the foundation? said Spence, though "Santee" was name in upper left of large envelope, which without complaint was put in large twin-shoulder bag out of sight along with log notebook now carried everywhere with proprietor of IMU.

But the young woman named Amy sent material to, and rec’d it from, young woman Jean, who received at least two enclosures from Sarah Mayn, one jointly sent Jean by Sarah and very small woman named Lincoln that heard of Turnstein through Miss Kimball, who no longer uses Tumstein but uses IMU, so business improves.

Georgie did not make mother believe in the bike; she does not believe her son could ride one with his retard and his limp; she does not feel the flow.

Asked Santee what sign meant outside warehouse next door. Didn’t answer, then said he would ask; said, Probably just business, you know.

Was rushing to Turnstein’s near noon and after locking bike by Korean fruit and vegetable boxes was accused by Senora Wing of monkey business and taking much too long. Turnstein’s twins could be trained to carry messages, she said.

k. Would tape-record, but don’t rely on speaking. Gustave reported Georgie said Kimball-related bike was stolen and he had been roughed up by Georgie outside foundation but held on to large manila envelope taken to opera singer Luisa’s who was crying and took material from envelope and replaced it and sent it on to consulate of South American nation on Second near Forty-fifth Street — but first sat back down at piano and played song for Gustave, good fast-slow beat, about words being made of breath and breath of life the coinage of your brain, for love of Grace my pulse keeps time with yours — a long song and Gustave sat down in his coat on a rickety little chair, and the lady Luisa had a loud voice that could be very soft and she cried again while she was singing but she was smiling.

Gustave brave, but freaked by Georgie, who does not know where IMU and bike are located (though he know that what he telling Gustave is boolshit, like that Fuji bikes have self-destruct "nitrate" controlled at company headquarters; bike is a Raleigh anyhow), but now IMU have to ask where did Miss Kimball get it? Georgie tell Gustave he’ll speak to J.B.’s mother, and who is this guy Spence who’s running show, you fuckin’ retard.

Gustave said he almost looked in envelope later going uptown. This would violate policy. These people do not matter; the work matter. The messages and graphics work and other stuff in envelopes, in packages. The client confidence. The cartoon plates. You don’t know what you carry from client to client. You get there in you lanes, you look ahead to obstacles in the lanes, you look ahead to which door is chosen to not open today on this car. You get there, and that’s business. Mother called, got Spence/Santee: he said Jim Banks out on a job, J.B.’s a good man. Mother said, He’s a boy, and Santee/ Spence said, He’s the light of my life.

Who are you? she asked.

Son of Turnstein, replied purchaser-provider of answering machine. Well, I’m worried about his digestion, said mother.

Luisa told Gustave she singing for her father. She sad but all wired up.

1. What was missing? Hopefully the next thing not the last. But bike flow made up for a lot, and gave more than motion, more than power, more than pride: it was giving new thoughts, but no time for them. Find time, then. Messengers all over, but not in organization. Limping, big-necked, lolling-headed, splay-ankled, bobbing real seriously through City that is only partly seen, frowning, splay-eyed, two-handing their big manila envelopes, the delivery package, knowing exact address of destination and shortest distance to it but maybe looking like they don’t know nothing else but mother feeding them their meat and their chocolate milk, their banana pie and spinach and carrots; looking like they got to struggle to hold in their head what bus or subway to take to get there — and first and last employed, employed so long as they’re employed.

Spence asked if log of day’s work was kept — just asking, he said, but he must have noticed that log is now not available in office, but he don’t know it is in J.B. twin-shoulder back-pack as founder of IMU. Why concerned? said Gustave alone in office at end of day after final base-touching run to Turnstein-Wing’s with receipt from other job and Wing did not say anything, not "How come you so slow?" not "What’s going on?" but nothing, not a look. Nothing going on. Turnstein’s twins reading comic books in bunk. Why concerned? said Gustave back at office. Wanted to feel safe. O.K., O.K., said Gustave; but what was safe? knowing for sure which of two subway doors will open so as not to stand in front of wrong one? I was surprised, realizing that I had not been thinking about dual-door problem. Now thinking of surface problems: like when cab in bike lane will suddenly stop to pick up or drop passengers stalling lane, and heavy traffic coming on right. Flow is where it’s at; and flow underground with limp and large jaw became flow by bike which eliminated limp and streamlined the jaw: but security needed — job security now that Maureen went to Florida and mother and social worker do not always use new phone number but call Turnstein-Wing.

m. Cab came close (if you can ride, why walk?) and ran beside bike like they are locked in for good. And it was Santee/Spence — with a man with a mustache and a hat and a sport jacket and muffler; it’s O.K. if you inside, but if you outside in you lane you need you sweatshirt hood up above you coat (why you want to hang on to that old sweatshirt? mother says every morning — next thing she’ll be changing her mind and say, Better try to go to high school after all).

It didn’t matter how Spence/Santee got there beside IMU founder in parallel lane; he just was.

It didn’t matter why Lady Luisa cried; she played piano and sang, and it did not matter what she said about her father, or what she did with envelope she put music and word pages into and held and then handed over, then took back out of Gustave’s hands, then handed over, then wasn’t sure again, then said, "Go." Because what matters is getting the envelope to destination, not why the sender is sending it or how she feels.

Business (again) = building on what is known. Business is a management trip, Miss Kimball said. Manage messages.

Message waiting on answering machine for Santee very slow: "Please. . call. . Mr. . Mr. . Mason . . at" — and a phone number, suddenly known but not quite placed.

Checked in at T&W’s where Santee is out on sidewalk while I’m locking bike down block by garbage cans beside fruit and vegetable place where part-full cigarette carton thrown from third-floor window targets IMU founder’s shoulder turning from bike. Sehora Wing out on sidewalk, may have caught J.B. leaving bike, therefore in possession of (a) bike, but ignored J.B. approach; was she dealing with Santee/Spence? He’s dealing with old man and weird, nice old lady, and gave sign to J.B. like "Let’s talk later, not now."

Old man said, "Gave her a brand-new vibrator in a box." Santee said, "But you told Grace—" "She did all the talking," said the old man.

"But you—"

"Get the hell in here," said Wing to secret founder of IMU, yet seemed to know Santee (what showed it?), so J.B. just managed to hear old lady say, "She knows the Navajo Prince too," and "No; she said something else," the old man said, but Santee said, "She said ‘Navachoor,’ but she thinks she is the Prince partly."

Inside, Turnstein said, "Your mother called. She said I had a new number, but then she said, No she was wrong. Look, if you don’t get a move on, I gotta fire you, Jimmy. What are you doing, pocketing the subway fare and walking?"

Wing looked up, weird. "You take a job from the foundation to another party? — woman name Barbara-Jean Kennedy?" but then Wing didn’t go on with it, while J.B. stammering for first time today wanted to get outa there; and she said, "If you can sit, why stand," and turned the page of her Spanish magazine that had a picture of a tower sticking up out of the ocean on the cover.

n. Upon arrival at his subway stop, Gustave was told by wildman on platform, "Come on outa there." Gustave reported subway motorman told him one of two doors won’t open because when it’s getting too slow, on account of the connection-terminals are faulty, they switch it off.

Santee looked at can of silver paint set down in corner near file cabinet but asked if there was more to machine message from man Mason. Only phone number, IMU founder answered and cootn’t help smiling. Santee said, "You sure?" Yes, J.B. policy. Santee said, "If I thought that. . listen, you didn’t open…"

And then I knew Mason’s phone number; it was on the envelope Gustave carried from Lady Luisa to Chilean consulate and logged on sheet to be added to main IMU log.

Mother said at suppertime, "That Turnstein’s bad news." That was all. She was not asking questions like she used to. Made me take extra Vitamin C for nerves and said I should take a day off, I’m working too hard. She asked was there anything I’m not telling her. "What?" I asked. "How do I know?" she laughed.

Time flies, as mother said, but I didn’t know where it went except into each full day. Felt light coming from behind riding bike down Fifth Avenue. Asked Santee how much answering machine cost — wanted to buy it. He laughed like a friendly fox and said, "Sorry, J.B., it’s priceless. I mean I couldn’t afford to let you have it." He answered phone — our phone, IMU phone — and while he’s talking on phone looked at me and said, "Oh they know something we don’t."

Senora Wing was fighting with Turnstein when I checked in. "Nobody’s gon’ find out about your kids as long as you’re smart," she said, and she stopped speaking, her golden and ruby bracelets clanking though her hands were on her hips and she wasn’t moving her arms; she knew I was behind her. I was thinking of quitting T&W, taking a chance with social worker and mother. "We need you, Jimmy," Senora said without turning around; "just don’t bring us no bad news."

Gustave reported a message came on the machine for Santee, and Gustave ran it back to where Santee could play it like for the first time himself, told me it said, "This is T.W., in from the West — don’t know about any portable mountain like the one described but I’m ready for Jersey assignment," so the weird words looked back into Gustave and me and we had the same thought that we better find a new office for Independent Messenger Unit — maybe take on another man — otherwise we would have to change a policy of ours in self-defense. Wasn’t "T.W." Turnstein-Wing? But I suddenly saw, Why does it have to be?

o. Turnstein’s twins carried on in the window. The old lady watched and laughed. The old man shivered. Turnstein got a call. Build on what you know. The twins were looking like a pair of girls today, and they fell out of the window into the office. They were tired of sparring. Senora Wing said, "We got to keep the old couple coming here every day," like Turnstein wasn’t on the phone. Turnstein sent me on the job, and Wing said suddenly, "So do you know the guy who goes out with that girl Jean?" but I couldn’t get the words out and it was only one word but it seemed like a lot. "Only good news, Jimmy," she said; "don’t carry bad, because bad news ain’t so good."

Turnstein’s twins were boys sometimes, sometimes girls. They had stole from message envelopes once and got early retirement but he couldn’t have them at home and Senora Wing said they should be locked up.

Every time I made my circuit and touched base at T&W, it felt like I came back to a little different place. My bike might get ripped off, or they might have some bushes, holding them back for me to come through like when we went to New Jersey for July Fourth — and everybody said we’re climbing this mountain but it didn’t seem like one until we got into a ravine and a man who looked like my father held the bush back like a rubber band so I could get through and afterward Georgie outside the supermarket said, "Ain’t no mountains in Jersey, man." But when I would come back to T&W something would be waiting for me except maybe the bushes wouldn’t hold till I was through and I never had nothing but the receipt, and as far as I knew, no bad news, but how did I know what Senora Wing meant by bad news?

p. Gustave was knocked down outside the warehouse next door but held true to his envelope and I came by a minute later and he said he didn’t see who did it and they disappeared so fast he didn’t even hear their feet running away. He wished he was in Bonita Springs with Maureen. He was coming from Miss Kimball’s building where he dropped off a package with logo plate and other material from lecture-booking agency and picked up a giant green envelope from unexpected client (music-composer friend of singer Ford North, friendly, insulting, 4’Think I can use you in my opera!" cracked himself up, laughed and laughed rolling on floor, while Gustave didn’t know what to do until later after I picked him up off sidewalk and assessed situation with sanitation workers and Orientals passing us along Twenty-fourth Street either side, Gustave said glump-glump garoom-garoom the way he speak, that little shit music-composer maybe wasn’t insulting him after all but meant it and got off on it, etcetera), business directed our way by Miss Kimball who ran into little sonofabitch music-composer boyfriend of North in laundry room where he had cornered a rare brown-and-blue-speckled rat he was capturing with a mop for a pet — so Gustave got a quick job from Kimball-North apartment building to warehouse-theater building because composer-ratcatcher who said words in foreign language not Spanish didn’t want to walk the distance himself with what was in the green envelope — and neither Gustave nor I knew how Gustave had held on to the green envelope later against attackers who had disappeared so fast they seemed to have gone into the nearest entrance which was actual destination of assignment, i.e., warehouse-theater.

Locked silver Raleigh on green No-Parking-sign stanchion to save time providing back-up support for combined delivery-investigation-of-premises. We looked at green envelope and looked at each other and spoke at once, same words, no stutter: We got to change policy.

We knew what we meant. Gustave picked his big fur cap off the sidewalk. He looked at it like he didn’t recognize it. I said put it on. He didn’t.

Felt the IMU log on back in bag. Keeping records vital, but no table. Then no time, because door beside letin sign was open. Then no light, because entry way inside was dark and clear of persons. Passed up flight of stairs to wide hall with only light from bulb in open closet. We were moving toward sounds of voices talking, piano dancing, woman singing to piano, music stopping, voices talking, piano up-and-downing, woman singing ("It’s her," said Gustave, and we found double doors manually operated we were glad to find). Moving into what we saw and heard was like something but no time to remember what. Wanted to go back to school. Put hand on Gustave’s shoulder, he moved ahead of me and I saw some stuff on the back of his head but there was too much to look at. We was in the theater and nothing except seats seemed to be between us and the stage, but then a moment later that wasn’t true after all. The singing was beautiful and I forgot about Gustave’s head and the green envelope and who had attacked Gustave and how we was going to buy Santee/Spence’s phone-answering machine for ourselves. Because our client the Lady Luisa was right up there on the stage singing, and, because the seats went down at a slant, she seemed to be right near us, it was a smaller theater than a movie theater. There might be someone behind us but we didn’t look. The words were not foreign but, like, the music was; but the words didn’t come easy. But it didn’t matter. Like, "I’ll be revenged for my mother," and "Where is my father?" and "Our cold maids do dead men’s fingers call them, / mermaid-like awhile they bore me up / incapable of my own distress" and so on, until this beautiful dark lady with more hair than Turnstein but coiled and like reddish black and wearing bluejeans and gold-and-silver-tooled western-type boots and black highneck sweater and man’s brown corduroy jacket sang a note so high that another client came out onstage singing to her, and it was Mr. North in a long yellowish sack-type outfit, and it wasn’t clear whether she had been singing about herself or someone else but he knew where he was coming from: "There sung those lips that often I have kissed," he sang, and he was crying at the same time as he sang of how in his sleep he fought his heart until he sleepwalked out of his bed and his chamber and found he was on board ship fingering a packet and could do no wrong but knew his hue was rough reflected in a goblin’s eyes steering the ship until he took the packet and—

q. Because of what he said, we knew we had to make a policy change.

1. Two women sitting in fifth row: one turned halfway round to see if anyone else was here, and she was the girl at the foundation with the big earrings who gave me and Gustave some jobs and had the new phone number, and her name was Amy; the other woman was older and turned halfway the other way to look, and she was looking like I was feeling, and she had come out of the bright, sunny office that Amy had gone into and then Amy came out after her and there was a man’s voice still in there talking Spanish so I didn’t know if it was to them or he’s on the phone. "We know these people," I whispered to Gustave, who had his fur earflaps down — he had put on his hat again. He stood like a tree, like once before in the street, but we’re inside now.

2. The singers broke off and were yakking like they’d been doing it all along, and then the piano stopped and Lady Luisa said, "I know this music from somewhere. It is imitation something — di." And Mr. North laughed like he was singing and said, "Are you accusing my young friend of—"

3. But then the very small woman who had consultation with Senora Wing who predicted she was going to take off her clothes came out onstage and wasn’t wearing the trenchcoat but had overalls and a red shirt like the red socks mother gave me, and had a big hammer. "Is that sheetrock you ordered really coming today? I’m all set to—" "I cannot allow the rehearsal to be interrupted by a piece of sheetrock!" cried Luisa ("My dear/’ said big North), but the small woman with the hammer said, "You stopped singing. You were talking."

4. The man at the piano stood up with red hair and beard and we did not know him and he said, "Sheetrock be damned; we need the rest of the score." Gustave said to me, "I saw him before." Suddenly, the little one saw us.

5. A spotlight came on and moved around between Luisa and North, who argued how he was to carry a letter across the stage and whether he would open it on one note or on another note but he couldn’t wait too long. The older woman in the fifth row said why not hand it over and then take it back and open it, and North said, "Who am I to hand it to? The man isn’t here." Luisa started to cry and stopped and was mad and said, "He should open it before he comes onstage; he is saving his own life by reading it before someone else reads it." The woman next to Amy asked Luisa if she wanted a cup of tea, and Luisa said, "If we don’t drink it we get a terrible headache," and they both laughed, and the small woman acted mad and pointed at us.

6. They all looked toward us at the back, and Gustave turned to look back also, and I knew that what I had seen on his head before he put his big cap back on was blood, and I was not sure he understood that the policy change was that we would have to begin opening our envelopes when we deemed it necessary for IMU security.

7. I feared for my bike and remembered riding down Fifth Avenue with light behind me like making me a new person, and I turned to tell Gustave he better hand over the music, but there behind us was Santee/Spence smiling and in position nobody’s going to take away. We were going to have to build on more than outside known fact. Santee/Spence said, "Delivery? I’ll take it, Gustave." Behind me, I heard Luisa singing, "Oh speak no more, no more against me, O gentle son O how the wheel becomes me, O heart in twain, I have no breath to breathe my life out—" cut off but very beautiful and I was not thinking what my mother would think any more, only that I was scared and thinking.