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Petra sits on her living-room floor with her laptop set between her splayed legs, a mug of tea at her right hand, and does what she knows best how to do.
Organize.
Entering data from Nicole’s blackmail material, she cross-references every entry until the program starts to create a spider diagram of names, companies, properties, inspectors, geologists, politicians, City Council members, judges, and prominent citizens.
The software program assigns a discrete color to each linear connection, and within a couple of hours the screen is a dense, motley web—a Jackson Pollock canvas of corruption, with Bill Blasingame and Paradise Homes at its center.
She pushes a command button and the Web starts to create webs of its own, spinning out, as it were, multiple webs within webs. Switching imagery, she feels as if she’s looking through a high-resolution microscope, watching a cancer spread at hyperspeed.
The intercom buzzer startles her.
Who could be here so late at night?
“Boone?” she says into the speaker.
“Yeah.”
She buzzes him in.