A Common Pornography: A Memoir

Suitcase

When I was fifteen years old, I had a suitcase full of porn. It was greenish blue—the aged color of flat turquoise. Square and heavy. Two metal latches kept it shut. Two buttons popped the latches. I kept it in the back of the closet, behind the clothes, and next to another suitcase that didn’t match. We were a poor family without nice things.

The suitcase, for me in the eighties, served as a “best of” fantasy portal. Whereas now, most adults—and yes, even fifteen-year-olds—keep their “best of” porn in a folder on their computer. Who needs all that paper anyway? I could do without all the wordiness of Playboy and Penthouse. I wanted skin. Photos. Pictures. Images to fill my eyes and mind. So two things happened—I started to find magazines that were almost entirely photos, and because I was accumulating too many magazines to hide, I started to cut out just my favorite images. It was like clipping coupons.

I had various ways to get these magazines. I had friends with cars and the knowledge of a specific Dumpster. I had an older brother who had his own place. I had a cousin who hid porn in the closet. Those were my sources.

The cousin was the most interesting. She was young and married. Her husband had a mustache and drove one of those Snap-on tools trucks around (I’m not sure why that seems significant, but it does). When I was younger, even before puberty, I remember wanting to kiss her knees, to touch her legs. But my incestuous urges were pushed aside by childish angst whenever she talked to me in condescending baby talk. So it was most satisfying when I found her “marital aides.” Not only was there a box of magazines and erotica books (bedtime reading, I presume), there were also films. Not videos, but actual plug-in-the-projector-and-loop-it-to-a-reel films. This was on a night when she and her husband were out and Matt and I were having a sleepover at their house. We found the projector and tried nervously to snake the film through it. We found a blank wall to shine our jittery smut on. The grainy color film was upside down or backward or maybe both. It was confusing but it was the first moving sex pictures I’d seen. We put everything back before they got home, but I managed to slip two magazines—smaller, Reader’s Digest–size ones with foreign words on the cover—into my sleeping bag.

Later, at home, behind the locked door of my bedroom, I looked through one of them and tried to follow a story just by the photos. The language was strange, maybe French. I couldn’t make out anything. But the images gave me an idea: A young man working at a grocery store helps a woman out with her shopping cart. She has poufed-out red hair and wears a short skirt. Her legs look smooth and strong. She also wears a loose blouse that looks slack and thin over her cleavage. As the boy starts putting the bags of groceries in the back of her minivan, she climbs in the back and feigns to help him, making room and crawling on her knees in front of his face. He reaches up her leg and she looks back at him and smiles. He glances around the parking lot before climbing into the van. Her clothes come off quickly and he eagerly covers her from behind, his pants around his ankles. I put my own translation into the captions around the photos. I think the woman probably talked to him as he touched her but I couldn’t fathom what she might be saying. Maybe it was just heavy breathing. Heavy breathing is the same in every language. When I cut those photos out of the magazine, I kept some of the mysterious language in there. It was a reminder of something I couldn’t explain. I used those pictures, that story, over and over, for my own foreign pleasure.