107

The Vatican. The Tower of San Giovanni. 11:00 a.m.


Marsciano stood at the glass door, the only opening in the room to admit daylight; and, other than the locked and guarded entry door from the hallway outside, its only exit. Behind him, the television screen he could no longer bear to watch glowed like an all-seeing eye.

He could turn the TV off, of course, but he hadn't and wouldn't. It was a trait of character Palestrina understood all too well in Marsciano, which was why he'd ordered the twenty-inch Nokia left behind when he'd had the formerly luxurious one-room apartment stripped of all but its essentials – bed, writing table, chair – and ordered the apartment itself shut off from the rest of the building.

'The death toll in Hefei has reached sixty thousand, six hundred and is still rising. There remains no estimation where the number will end.'

The field correspondent's voice was crisp behind him. Marsciano did not need to see the screen. It would be the same color graphic they used every hour to project the number of deaths, as if they were doing exit polls projecting votes in an election.

Finally, Marsciano pulled the door open and stepped out onto the tiny balcony. Fresh air touched him, and, mercifully, the resonance of the television diminished.

Grasping the iron safety railing, he closed his eyes. As if not seeing would somehow lessen the awfulness. In his darkness he saw another vision – the cold, conspiratorial faces of Cardinal Matadi and Monsignor Capizzi watching him dispassionately from their seats inside the limousine on the drive back to the Vatican from the Chinese Embassy. Then he saw Palestrina pick up the car phone and quietly ask for Farel, the secretariat's gaze rising up to hold on Marsciano's as he waited for the Vatican policeman to come on the line. And then came the secretariat's soft-spoken words-

'Cardinal Marsciano has been taken ill in the car. Prepare a room for him in the Tower of San Giovanni.'

The chilling remembrance made Marsciano suddenly open his eyes to where he was now. Below, a Vatican gardener was looking up at him. The man stared for a moment and then turned back to what he had been doing.

How many hundreds of times, Marsciano thought, had he come to the tower to visit foreign dignitaries staying in its ornate apartments? How many times had he looked up from the gardens below, as the worker had, to see this curious little platform on which he stood, never giving a thought to how darkly sinister it was?

Hanging like a diver's platform forty feet off the ground, it was the only opening in the cylindrical wall from top to bottom. An exit that led nowhere. Surrounded by a thin, iron safety railing, the platform was hardly wider than the door itself and no more than two feet across. The sheer wall above it rose another thirty feet to the point where the windows of the other apartments jutted sharply out. Looking upward, one could not see past those windows, but Marsciano knew they were near the top, and above them was a circular walkway and then the tower's turreted crown.

In other words, there was no way up or down or to the sides, making no reason for the platform at all. Except as a place to stand and breathe the air of Rome and marvel at the green of the Vatican gardens below. After that there was nothing. The rest of this distant corner of the Vaticano was surrounded by a high, fortified wall built in the ninth century to keep barbarians out and at other times, as now, serving to keep people in.

Slowly, Marsciano slid his hands from the rail and went back inside to the confines of his room and the television screen that was the center of it. On it he saw what the world saw: Hefei, China – a live helicopter shot aerial of Chao Lake and then, in a cavalcade of horror, an aerial view of a series of huge circus-like tents, one after the other, erected in city parks, alongside factories, on open land outside the city proper; and the offscreen correspondent explaining what they were – makeshift morgues for the dead.

Abruptly, Marsciano turned off the sound. He would watch but he could listen no longer, the running commentary had become unbearable. It was a scorecard on which his personal crimes – done, he reminded himself over and over, as if in some desperate attempt to save his sanity, because Palestrina had held him hostage to his love of God and the Church – were tallied, one after the other in minute-by-minute detail.

Yes, he was guilty. So were Matadi and Capizzi. They had all let Palestrina loose to commit this outrage. What was worse, if anything could be worse than what he was seeing now, was that he knew Pierre Weggen was well into his work on Yan Yeh. And the Chinese banker, sensitive and caring as Marsciano personally knew he was, would be truly horrified by what appeared to be an act of nature gone amuck in human hands, and would pressure his superiors in the Communist Party, with all he had, to listen to Weggen's proposal to immediately rebuild China's entire water-delivery and filtration infrastructure. But even if they agreed to meet with Weggen, the politics would take time. Time. When there was none. When Palestrina was already moving his saboteurs to the second lake.

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