Cortona, Italy.
The place where they brought Michael Roark was not a hospital but a private home – Casa Alberti, a restored, three-story stone farmhouse, named for an ancient Florentine family. Sister Elena saw it through the early mist as they drove through the iron gate and started up the long gravel drive.
Leaving Pescara they had circumvented the A14 Autostrada, taken the A24, and then rejoined the A14 to the north. Driving along the Adriatic coast to San Benedetto and then Civitanova Marche, they turned west sometime after midnight, later passing Foligno, Assisi, and Perugia before climbing into the hills to find Casa Alberti just east of the ancient Tuscan city of Cortona at daybreak.
Marco had unlocked the gate and opened it, walking up the drive in front of the van as Luca drove toward the house. Pietro, following in his car, had locked the gate behind them, then gone into the house first, checking it carefully before turning on the lights and letting them in.
Elena had watched without a word as, a few moments later, Marco and Luca carried the gurney up the steps and into the house and then up to the large second-floor suite that was to become Michael Roark's hospital room. Opening the shuttered window, she had seen the red globe of the sun just beginning to rise over the farmland in the distance.
Now, below her, Pietro came out of the house and moved his car to the front of the van so that it blocked the driveway, as if to make it all but impossible for another vehicle to get past and up to the house. Then she heard the engine stop and saw Pietro walk to the trunk and take out a shotgun. A moment later, he yawned and got back in the car with the door open, then folded his arms over his chest and went to sleep.
'Do you need anything?'
Marco stood in the doorway behind her.
'No.' She smiled.
'Luca will sleep in the room upstairs. I will be down in the kitchen if you need me.'
'Thank you…'
Marco looked at her and then left, closing the door behind him. Almost at once, Elena felt her own weariness. She had dozed off and on during most of the trip, but her senses and thoughts had kept her on edge. Now they were here at the Casa, and the thought of sleep was suddenly and overwhelmingly seductive.
To her right was a large bathroom with a tub and separate shower. To the left was a small nook with a bed and closet and a room divider for privacy.
In front of her Michael Roark was in a deep sleep. The trip, she knew, had exhausted him. He'd remained awake for a good deal of it. His eyes going from her to the men in the van and then back to her, as if he were trying to understand where he was and what was happening. If he'd been afraid, she hadn't seen it, but perhaps it was because of her constant reassurance, telling him her name and his, over and over, and the names of the men who were with them, friends taking him to a place where he could rest and recover. And then an hour or two before they'd arrived at the farmhouse, he'd fallen into the sound sleep he was in now.
Opening the medicine kit Marco had brought up and set on the chair, she took out the arm wrap with its pump and gauge and took his blood pressure, studying him as she did. His face beneath the bandages covering his head was gaunt, and she knew he had lost weight. She wondered what he had looked like before. What he might look like again when he began to recover and take solid food and rebuild his strength.
Finishing, she stood, and put the blood pressure gauge away. His blood pressure was the same as it had been that afternoon, the same as it had been when she'd first arrived in Pescara. Not better. Not worse. Simply unchanged. She marked it on his chart, then took off her habit, pulled on the light cotton sleeping gown, and got into bed, hoping to close her eyes for forty-five minutes or at most an hour. As she did, she looked at her watch.
It was eight-twenty in the morning, Friday, July 10.